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Speaking My Soul is the story of linguist John R. Rickford's life from his early years in Guyana to his status as Emeritus Professor of Linguistics at Stanford. With a foreword by poet John Agard, this is key reading for students and faculty in linguistics, mixed-race studies, African American studies, and social justice.
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First published in 1967, this title considers the idea of the ‘well-made play’ in the context of how and why it has been devalued and how far, in allowing it to be devalued, we have lost sight of certain important elements of the theatre. The focus of the book is largely on the development of British theatre and those who have been instrumental to it. This is an indispensable introduction for any student with an interest in the history and development of the British theatre.
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Originally published in 1954. This great work surveys the distribution of the world’s population and the food production of all countries chosen as important by reason of either their demands on the world food market or their contributions to it. The author concludes that the more advanced countries can be reasonably assured of food supplies for an indefinite period. The less advanced countries can no longer rely on self-contained systems: they must seek co-operation with the advanced countries to supply them with the appliances needed for a more highly developed agriculture. This book at the time gave statesmen and their scientific advisers, agriculturalists and agricultural economists an invaluable new instrument.
The Russo-Chechen conflict has been the bloodiest war in Europe since the Second World War. It continues to drag on, despite the fact that it hits the headlines only when there is some 'terrorist spectacular'. Providing a comprehensive overview of the war and the issues connected with it, the author examines the origins of the conflict historically and traces how both sides were dragged inexorably into war in the early 1990s. The book discusses the two wars (1994-96 and 1999 to date), the intervening truce and shows how a downward spiral of violence has led to a mutually-damaging impasse from which neither side has been able to remove itself. It applies theories of conflict, especially theories of terrorism and counter-terrorism and concludes by proposing some alternative resolutions that might lead to a just and lasting peace in the region.
Since the cinema first began to be taken seriously as an art form, there has been a constant debate on the question: who is the real creator of the film, the writer or the director? This study of a group of key film-makers in the sixties suggests that during this decade there was an emergence of a generation of film-makers who conceived a whole film in their minds just as an architect conceives a whole cathedral or a composer a whole symphony. The book presents detailed critical studies of the work of six commanding figures in the international cinema: four who have made their major reputations since 1950, the Italians Frederico Fellini and Michelangelo Antonioni, the Frenchman Robert Bresso...
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