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This is volume one of the long awaited Bishop_BischoffResearch book series on the history of the Bishop family that came to America in 1747 from Oberhausen Germany. They arrived in Pennsylvania, and migrated from Philadelphia through Maryland, into southwestern Virginia. Hans Johannes Bischoff, 18 years old when he arrived in America, settled in what is now Floyd County Virginia, and remained there until his death approximately 1810. This book series documents what is known of his life, and the lives of his many many descendants.
Biographical and Historical Souvenir for the Counties of Clark, Crawford, Harrison, Floyd, Jefferson, Jennings, Scott and Washington, Indiana by John M. Gresham Company, first published in 1889, is a rare manuscript, the original residing in one of the great libraries of the world. This book is a reproduction of that original, which has been scanned and cleaned by state-of-the-art publishing tools for better readability and enhanced appreciation. Restoration Editors' mission is to bring long out of print manuscripts back to life. Some smudges, annotations or unclear text may still exist, due to permanent damage to the original work. We believe the literary significance of the text justifies offering this reproduction, allowing a new generation to appreciate it.
The first full length study of Patrick McCabe’s work, We Won’t Make It Out Alive, examines the mental instability and carefully constructed childhoods that McCabe has crafted for his various characters—the one eyed quasi Al Pacino, the sequin studded transvestite, the bachelor farmer who routinely exhumes his dead mother for a chat. Beneath the grotesque and often very funny narratives of Irish border town life lurks startlingly similar pasts for these characters, spanning all of McCabe’s catalogue. As children, they were subject to the cruelty of the orphanage/workhouse or deadbeat parents numbed by alcohol. Many were victims of sexual abuse by priests and witnesses to the senseless...
This is a collection of new essays on Peter Tremayne's Sister Fidelma novels, which feature Sister Fidelma's attempts to solve a wide range of crimes, often murders that occur under especially mysterious conditions. The novels, set mainly in 7th century Ireland, also include a great deal of history, which is not surprising given that the author is actually Peter Berresford Ellis, a noted Celtic historian. Some of the essays analyze aspects of the novels, focusing especially on the protagonist and her partner in detection and, ultimately, husband, Brother Eadulf. Other essays place Fidelma and the novels within the tradition of detective fiction. Still others explore the historical, intellectual, spiritual and geographical contexts for her labors. Also included are accounts of the author's career, the International Sister Fidelma Society, and the biennial Sister Fidelma conferences held in Cashel, Ireland.
The chapters contained in this handbook address key issues concerning the aesthetics, ethics, and politics of violence in film and media. In addition to providing analyses of representations of violence, they also critically discuss the phenomenology of the spectator, images of atrocity in international cinema, affect and documentary, violent video games, digital infrastructures, cruelty in art cinema, and media and state violence, among many other relevant topics. The Palgrave Handbook of Violence in Film and Media updates existing studies dealing with media and violence while vastly expanding the scope of the field. Representations of violence in film and media are ubiquitous but remain re...
In 1929, Ronald Knox, a prominent member of the English Detection Club, included in his tongue-in-cheek Ten Commandments for Detective Novelists the rule that "No Chinaman must figure in the story." In 1983, Ruth Rendell published Speaker of Mandarin, reflecting not only a change in British detective fiction but also a dramatic change in the British cultural landscape. Like much of the rest of British popular culture, the detective novel became more and more ethnically diverse and populated by characters with increasingly varied religious backgrounds. Ten essays examine the changing nature of British detective fiction, focusing on the shifting view of "otherness" of such authors as Ruth Rend...
Unwilling Executioner is the first book to examine the deep-rooted relationship between the development of crime fiction as a genre and the consolidation of the modern state. It offers a far-reaching and wide-ranging perspective on this unfolding relationship over a three hundred year period but is not a straightforward and conventional narrative history of the genre. It is part of a new and exciting critical move to read crime fiction as a transnationalphenomenon and to examine crime novelists in an innovative comparative context, taking them out of their discreet national traditions. Considers Anglo-American crime-writing, as well as works published inFrance, Italy, Germany, Ireland, Japan, South Africa and elsewhere, it addresses the related questions of why crime fiction is political and how particular examples of the genre engage with the complicated issue of political commitment.