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Memory's Nation
Long celebrated as a symbol of the country's origins, Plymouth Rock no longer receives much national attention. In fact, historians now generally agree that the Pilgrims' storied landing on the Rock never actually took place--the tradition having emerged more than a century after the arrival of the Mayflower. In Memory's Nation, however, John Seelye is not interested in the factual truth of the landing. He argues that what truly gives Plymouth Rock its significance is more than two centuries of oratorical, literary, and artistic celebrations of the Pilgrims' arrival. Seelye traces how different political, religious, and social groups used the image of the Rock on behalf of their own specific...
Prophetic Waters
Shows that out of the attempts of colonial writers to give symbolic form to the river-centered landscape metaphoric patterns emerged which endured on American literature.
The True Adventures of Huckleberry Finn
"Seelye's version seems even funnier than the original, and also more moving, since Seelye's Huck Finn is even less sentimental about life and Tom Sawyer than Twain's Huck Finn. He is also more perceptive about black people than the original." -- Hughes Rudd, CBS News "Seelye has stitched together a whale of a book. Without reference to Twain's own version, it is almost impossible to see the seams where 1970 joins 1884." -- Geoffrey Wolff, Newsweek
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Lineage Book
Includes inclusive "Errata for the Linage book."
Performative Criticism
Genre-bending experiments that appropriate, impersonate, and speak through already-created literary characters in order to offer fresh interpretations of well-known literary works.
Landscape With Figures
Kent Ryden does not deny that the natural landscape of New England is shaped by many centuries of human manipulation, but he also takes the view that nature is everywhere, close to home as well as in more remote wilderness, in the city and in the countryside. InLandscape with Figures he dissolves the border between culture and nature to merge ideas about nature, experiences in nature, and material alterations of nature. Ryden takes his readers from the printed page directly to the field and back again-. He often bypasses books and goes to the trees from which they are made and the landscapes they evoke, then returns with a renewed appreciation for just what an interdisciplinary, historically informed approach can bring to our understanding of the natural world. By exploring McPhee's The Pine Barrens and Ehrlich's The Solace of Open Spaces, the coastal fiction of New England, surveying and Thoreau's The Maine Woods,Maine's abandoned Cumberland and Oxford Canal, and the natural bases for New England's historical identity, Ryden demonstrates again and again that nature and history are kaleidoscopically linked.
The Fear of Sinking
In this provocative study, Paulette D. Kilmer examines the ways in which the national preoccupation with success and its attendant anxieties have been manifested in popular culture. Her focus is on the late nineteenth and early twentieth centuries - an era in which industrial growth and urbanization wrought enormous changes in the country.
The Year That Defined American Journalism
The Year that Defined American Journalism explores the succession of remarkable and decisive moments in American journalism during 1897 – a year of significant transition that helped redefine the profession and shape its modern contours. This defining year featured a momentous clash of paradigms pitting the activism of William Randolph Hearst's participatory 'journalism of action' against the detached, fact-based antithesis of activist journalism, as represented by Adolph Ochs of the New York Times, and an eccentric experiment in literary journalism pursued by Lincoln Steffens at the New York Commercial-Advertiser. Resolution of the three-sided clash of paradigms would take years and result ultimately in the ascendancy of the Times' counter-activist model, which remains the defining standard for mainstream American journalism. The Year That Defined American Journalism introduces the year-study methodology to mass communications research and enriches our understanding of a pivotal moment in media history.
