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American artist John Singer Sargent is considered the leading portrait painter of his generation. Through specific details about his life and photos of his work, readers will learn about Sargent and the changing times in which he lived, developing a deeper appreciation of his work. Art Smart boxes inform readers on the style, form, and mediums of Sargent's work.
The heartbreaking and heartwarming true story of a mother dying of a cancer and the special gift she left for her husband and two young sons - it'll have you crying and laughing equally. Now a major film starring Rafe Spall and Emilia Fox, which the Guardian called 'Heartfelt, sweet and desperately sad'. 'Always kiss the boys goodbye and goodnight.' 'Please teach the boys to say what they mean.' 'Mummy loved orange Club biscuits, jam and jelly and lemon curd.' For Kate Greene, nothing was as important as the happiness and well-being of her two little boys, Reef and Finn, and her loving husband, Singe. Even when she fell very ill, they were her only concern. Over her last few days, Kate creat...
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Ian was a man, a bloke; a 'blokey' sort of bloke; a man's man. He wasnt for all that settling down and commitment to one person nonsense, not him. Ian wanted to have his cake and eat it, he wanted to be free to do and go whatever and wherever he pleased; which is why he settled so easily in with the Smudgers and their life in Great Yarmouth. Smudger is the150 year old name for a photographer. It goes back to the days of the very fi rst paper negatives; where, if you were a hack, a ham fisted rank amateur who took poor care of your negatives, then the consequence would be simple they smudged. The modern use of the term Smudger suited the monkey-men down to the ground. They didnt care about th...
In 1916, John Singer Sargent (1856-1925) met Thomas Eugene McKeller (1890-1962) a young African American elevator attendant at Boston's Hotel Vendome. McKeller became the principal model for Sargent's murals in the new wing of the Boston's Museum of Fine Arts, among the painter's most ambitious works. Sargent's nude studies and sketches from this project attest to a close collaboration between the two men that unfolded over nearly ten years. Featuring drawings given by Sargent to Isabella Stewart Gardner and published in full for the first time, a portrait of McKeller, and archival materials reconstructing his life and relationship with Sargent, this book opens new avenues into artist-model relationships and transforms our understanding of Sargent's iconic American paintings. Essays offer the first biography of Thomas McKeller and a window into African America life in early 20th century Roxbury. They address the artist's sexuality, his models, and consider questions of race and gender.
It started with a letter from Queensland and abruptly Duncan Ross, a placid clerk, is plucked from his humdrum life on the Sydney wharves and dispatched on a secret mission to the South Seas where he encounters brutal blackbirders, fierce cannibals and, unexpectedly, a resurgent Ku Klux Klan fixed on recreating the cotton plantations of the Old South in the far reaches of the Pacific. From the crystalline lagoons of the Coral Sea to the pearling grounds of the Torres Strait Duncan charts an erratic course betwixt duty and self-preservation. Kidnapped, castaway and desperate he finally pitches up on the raw coast of unknown New Guinea where he is plunged headlong into the midst of unspeakable savagery and danger. This is a rollicking saga of adventure and intrigue set against the colonial rivalry of the great powers in the South Pacific.