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At a time when slavery was spreading and the country was steeped in racism, two white men and two black men overcame social barriers and mistrust to form a unique alliance that sought nothing less than the end of all evil. Drawing on the largest extant bi-racial correspondence in the Civil War era, John Stauffer braids together these men's struggles to reconcile ideals of justice with the reality of slavery and oppression. Who could imagine that Gerrit Smith, one of the richest men in the country, would give away his wealth to the poor and ally himself with Frederick Douglass, an ex-slave? And why would James McCune Smith, the most educated black man in the country, link arms with John Brown...
Frederick Douglass and Abraham Lincoln were the preeminent self-made men of their time. In this masterful dual biography, award-winning Harvard University scholar John Stauffer describes the transformations in the lives of these two giants during a major shift in cultural history, when men rejected the status quo and embraced new ideals of personal liberty. As Douglass and Lincoln reinvented themselves and ultimately became friends, they transformed America. Lincoln was born dirt poor, had less than one year of formal schooling, and became the nation's greatest president. Douglass spent the first twenty years of his life as a slave, had no formal schooling-in fact, his masters forbade him to...
Covering the same ground as the major motion picture The Free State of Jones, starring Matthew McConaughey, this is the extraordinary true story of the anti-slavery Southern farmer who brought together poor whites, army deserters and runaway slaves to fight the Confederacy in deepest Mississippi. "Moving and powerful." -- The Washington Post. In 1863, after surviving the devastating Battle of Corinth, Newton Knight, a poor farmer from Mississippi, deserted the Confederate Army and began a guerrilla battle against it. A pro-Union sympathizer in the deep South who refused to fight a rich man’s war for slavery and cotton, for two years he and other residents of Jones County engaged in an insurrection that would have repercussions far beyond the scope of the Civil War. In this dramatic account of an almost forgotten chapter of American history, Sally Jenkins and John Stauffer upend the traditional myth of the Confederacy as a heroic and unified Lost Cause, revealing the fractures within the South.
It was sung at Ronald Reagan's funeral, and adopted with new lyrics by labor radicals. John Updike quoted it in the title of one of his novels, and George W. Bush had it performed at the memorial service in the National Cathedral for victims of September 11, 2001. Perhaps no other song has held such a profoundly significant--and contradictory--place in America's history and cultural memory than the "The Battle Hymn of the Republic." In this sweeping study, John Stauffer and Benjamin Soskis show how this Civil War tune has become an anthem for cause after radically different cause. The song originated in antebellum revivalism, with the melody of the camp-meeting favorite, "Say Brothers, Will ...
Finalist for the Gilder Lehrman Lincoln Prize A landmark and collectible volume—beautifully produced in duotone—that canonizes Frederick Douglass through historic photography. Commemorating the bicentennial of Frederick Douglass’s birthday and featuring images discovered since its original publication in 2015, this “tour de force” (Library Journal, starred review) reintroduced Frederick Douglass to a twenty-first-century audience. From these pages—which include over 160 photographs of Douglass, as well as his previously unpublished writings and speeches on visual aesthetics—we learn that neither Custer nor Twain, nor even Abraham Lincoln, was the most photographed American of t...
The campaign to abolish slavery in the United States was the most powerful and effective social movement of the nineteenth century and has served as a recurring source of inspiration for every subsequent struggle against injustice. But the abolitionist story has traditionally focused on the evangelical impulses of white, male, middle-class reformers, obscuring the contributions of many African Americans, women, and others. Prophets of Protest, the first collection of writings on abolitionism in more than a generation, draws on an immense new body of research in African American studies, literature, art history, film, law, women's studies, and other disciplines. The book incorporates new thinking on such topics as the role of early black newspapers, antislavery poetry, and abolitionists in film and provides new perspectives on familiar figures such as Sojourner Truth, Louisa May Alcott, Frederick Douglass, and John Brown. With contributions from the leading scholars in the field, Prophets of Protest is a long overdue update of one of the central reform movements in America's history.
ÒI like a little rebellion now and thenÓÑso wrote Thomas Jefferson to Abigail Adams, enlisting in a tradition that throughout American history has led writers to rage and reason, prophesy and provoke. This is the first anthology to collect and examine an American literature that holds the nation to its highest ideals, castigating it when it falls short and pointing the way to a better collective future. American Protest Literature presents sources from eleven protest movementsÑpolitical, social, and culturalÑfrom the Revolution to abolition to gay rights to antiwar protest. Each section reprints documents from the original phase of the movement as well as evidence of its legacy in later times. Informative headnotes place the selections in historical context and draw connections with other writings within the anthology and beyond. Sources include a wide variety of genresÑpamphlets, letters, speeches, sermons, legal documents, poems, short stories, photographs, postersÑand a range of voices from prophetic to outraged to sorrowful, from U.S. Presidents to the disenfranchised. Together they provide an enlightening and inspiring survey of this most American form of literature.
First published nearly a decade prior to the Civil War, The Heroic Slave is the only fictional work by abolitionist, orator, author, and social reformer Frederick Douglass, himself a former slave. It is inspired by the true story of Madison Washington, who, along with eighteen others, took control of the slave ship Creole in November 1841 and sailed it to Nassau in the British colony of the Bahamas, where they could live free. This new critical edition, ideal for classroom use, includes the full text of Douglass’s fictional recounting of the most successful slave revolt in American history, as well as an interpretive introduction; excerpts from Douglass’s correspondence, speeches, and editorials; short selections by other writers on the Creole rebellion; and recent criticism on the novella.
The first African American to receive a medical degree, this invaluable collection brings together the writings of James McCune Smith, one of the foremost intellectuals in antebellum America. The Selected Writings of James McCune Smith is one of the first anthologies featuring the works of this illustrious scholar. Perhaps best known for his introduction to Fredrick Douglass's My Bondage and My Freedom, his influence is still found in a number of aspects of modern society and social interactions. And he was considered by many to be a prophet of the twenty-first century. One of the earliest advocates of the use of "black" instead of "colored," McCune Smith treated racial identities as social constructions, arguing that American literature, music, and dance would be shaped and defined by blacks. Organized chronologically, the collection covers over 40 years of writing, including speeches, letters, and essays, and begins with McCune Smith's first speech as an 11-year old boy to the Marquis de Lafayette. Providing historical context for McCune Smith's current cultural relevance, this book showcases writings on black education and self-help, citizenship, and the fight against racism.
Few men in American history have been at once as glorified and maligned as John Brown. From his attack of the federal arsenal at Harper's Ferry, Virginia, in October 1859, as part of a scheme to free the slaves, Brown has been called a saint and sinner, rogue and redeemer, martyr and madman. Brown rebelled against the American government, and he murdered men in Kansas in order to end the murderous institution of slavery. He denounced war, but made war on his government in order to end an existing war for slavery. This anthology, which presents Brown's writing and diverse responses to his life and raid, offers a lens through which to analyze these tensions and contradictions. Extensive introductions to every source offer a close reading of language and provide full historical and biographical background.