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Siegfried Sassoon
Siegfried Sassoon is the greatest and most famous of all British war poets. Established as a writer of some merit before the Great War broke out, his near-suicidal acts of courage and defiance in the face of enemy fire earned him the Military Cross - and the nickname 'Mad Jack'. However, as the war dragged on, he came to see it as a cynical exercise, leading him to write an anti-war letter to The Times and to tear the ribbon of his MC Cross from his tunic and throw it into the River Mersey. Alarmed authorities sent him to a hospital for the shell shocked, where he befriended a young officer of the Manchester Regiment named Wilfred Owen. Although Sassoon returned to active service, his hatred...
Siegfried Sassoon - The First Complete Biography of One of Our Greatest War Poets
'A FINE ENGROSSING, SYMPATHETIC STUDY OF SASSOON' - THE TIMESWith two collections of his verse written during the First World War, Siegfried Sassoon established himself as among the greatest of the war poets. Beyond that, the accounts he left of his service with the Royal Welch Fusiliers on the Western Front, beginning with Memoirs of a Fox-Hunting Man in 1928, rank perhaps as highly as his poetry, and have done much to shape our modern perception of that war. His is, and remains, one of the most significant voices of his generation - and arguably the most eloquent.As an infantry officer, Sassoon's courage won him the Military Cross (and a recommendation for the VC) for rescuing men under fi...
The Image of the English Gentleman in Twentieth-Century Literature
Studies of the English gentleman have tended to focus mainly on the nineteenth century, encouraging the implicit assumption that this influential literary trope has less resonance for twentieth-century literature and culture. Christine Berberich challenges this notion by showing that the English gentleman has proven to be a remarkably adaptable and relevant ideal that continues to influence not only literature but other forms of representation, including the media and advertising industries. Focusing on Siegfried Sassoon, Anthony Powell, Evelyn Waugh and Kazuo Ishiguro, whose presentations of the gentlemanly ideal are analysed in their specific cultural, historical, and sociological contexts...
Siegfried Sassoon - The First Complete Biography of One of Our Greatest War Poets
Siegfried Sassoon is mostly remembered for the devastating poetry he wrote during World War One as a result of leading his troops "over the top" to certain death. This episode in his life--when he was sent to military hospital suffering from shell-shock and his heroic return to the Front--is covered extensively in his own writing, and has overshadowed his later literary output. But his more mature poetry is resuscitated in this sensitive, exhaustively researched biography. As well as recounting the friendships "Siggy" famously had with fellow poets Robert Graves and Wilfred Owen, Roberts delves into the more private arena of Sassoon's covert homosexuality and his ill-fated marriage. We learn...
Utilitarianism - Ed. Heydt
John Stuart Mill’s Utilitarianism is a philosophical defense of utilitarianism, a moral theory stating that right actions are those that tend to promote overall happiness. The essay first appeared as a series of articles published in Fraser’s Magazine in 1861; the articles were collected and reprinted as a single book in 1863. Mill discusses utilitarianism in some of his other works, including On Liberty and The Subjection of Women, but Utilitarianism contains his only sustained defence of the theory. In this Broadview Edition, Colin Heydt provides a substantial introduction that will enable readers to understand better the polemical context for Utilitarianism. Heydt shows, for example, how Mill’s moral philosophy grew out of political engagement, rather than exclusively out of a speculative interest in determining the nature of morality. Appendices include precedents to Mill’s work, reactions to Utilitarianism, and related writings by Mill.
Graves & Sassoon
The war memoirs of these two officers with the Royal Welsh Fusiliers have never been out of print since their first publication. Both men won instant and enduring fame with these very different narratives, which made them two of the most influential participants in shaping later attitudes to the war. Graves gave offence in many quarters with his factual inaccuracies and/or slurs on various units of the British Army. Sassoon's nostalgic evocation of his cricketing and fox-hunting background contrast with the detailed narrative of personalities and life in the Battle of the Somme and the Battle of Arras. The thinly disguised names of real fellow officers are unravelled to help illustrate Sassoon's poetry and actions.
The Remembered Dead
Explores the ways poets address the difficult question of how to remember, and commemorate, those killed in the First World War and beyond.
Modern Nostalgia
This book explores Siegfried Sassoon's writing of the twenties, thirties and forties, demonstrating the connections between trauma and nostalgia in a culture saturated with the anxieties of war.Informed by the texts of Freud, W.H.R. Rivers and other psychological writers of the early twentieth century, as well as contemporary theorists of nostalgia and trauma, this book examines the pathology of nostalgia conveyed in Sassoon's unpublished poems, letters and journals, together with his published work. It situates his ongoing anxiety about 'Englishness', modernity, and his relation to modernist aesthetics, within the context of other literary responses to the legacy of war, and the threat of war's return, by writers including Edmund Blunden, Robert Graves and T. E. Lawrence.
The Language of Siegfried Sassoon
This book presents a cognitive stylistic analysis of the writing of Siegfried Sassoon, a First World War poet who has typically been perceived as a poet of protest and irony, but whose work is in fact multi-faceted and complex in theme and shifted in style considerably throughout his lifetime. The author starts from the premise that a more systematic account of Sassoon’s style is possible using the methodology of contemporary stylistics, in particular Cognitive Grammar. Using this as a starting point, he revisits common ideas from Sassoon scholarship and reconfigures them through the lens of cognitive stylistics to provide a fresh perspective on Sassoon's style. This book will be of interest to students and scholars of stylistics, war poetry, twentieth-century literature, and cognitive linguistics.
