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John Sullivan Dwight
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John Sullivan Dwight
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John Sullivan Dwight, Brook-Farmer, Editor, and Critic of Music
This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work was reproduced from the original artifact, and remains as true to the original work as possible. Therefore, you will see the original copyright references, library stamps (as most of these works have been housed in our most important libraries around the world), and other notations in the work.This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work.As a reproduction of a historical artifact, this work may contain missing or blurred pages, poor pictures, errant marks, etc. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.
JOHN SULLIVAN DWIGHT BROOK-FAR
This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work was reproduced from the original artifact, and remains as true to the original work as possible. Therefore, you will see the original copyright references, library stamps (as most of these works have been housed in our most important libraries around the world), and other notations in the work. This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work. As a reproduction of a historical artifact, this work may contain missing or blurred pages, poor pictures, errant marks, etc. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.
John Sullivan Dwight, Brook-Farmer, Editor, and Critic of Music
Excerpt from John Sullivan Dwight, Brook-Farmer, Editor, and Critic of Music: A Biography This biography of John S. Dwight was under-taken at the suggestion and request of Mrs. Ednah D. Cheney, and it has secured the benefit of her aid and revision. The aim kept in view in its preparation was to permit Dwight to speak for himself as far as it could be done, and to make the work autobiographic in so far as this was possible of accomplishment. As he was not a frequent letter-writer, resource has been had to the published words of his which throw light upon his career. Many of these are of an autobiographic nature, and they have been drawn upon frequently. The letters written to Dwight by his f...
John Sullivan Dwight
"John Sullivan Dwight (1813-93) was for much of the nineteenth century America's leading music critic. Born into a musical family and educated at several premiere Boston schools, he fell under the spell of New England Transcendentalism during which time he befriended Ralph Waldo Emerson, Elizabeth Palmer Peabody, Margaret Fuller, George Ripley, and others of a similarly progressive mindset. Dwight resided at the socialist/utopian community of Brook Farm where he learned the art of journalism and the business of publishing while writing for The Harbinger. He wrote on many topics-Transcendentalism, of course, but especially on music and musical performance. Dwight was a skilled communicator, a...
Beethoven's Symphonies and J.S. Dwight
John Sullivan Dwight (1813-1893), the first American critic of art music and the founder of Dwight's Journal of Music, set a new standard for musical criticism in the 1840s by fostering the American reception of Ludwig van Beethoven's then unfamiliar symphonies. Drawing upon extraordinary and painstaking research, Ora Frishberg Saloman details the progressive and influential musical vision of the young Dwight, offering a dramatic and long overdue corrective to the conservative image of the critic that has prevailed for most of this century.
A Revolutionary Conscience
Theodore Parker was one of the most controversial theologians and social activists in pre-Civil War America. A vocal critic of traditional Christian thought and a militant opponent of American slavery, he led a huge congregation of religious dissenters in the very heart of Boston, Massachusetts, during the 1840s and 1850s. This book argues that Parker’s radical vision and contemporary appeal stemmed from his abiding faith in the human conscience and in the principles of the American revolutionary tradition. A leading figure in Boston’s resistance to the Fugitive Slave Law, Parker became a key supporter of John Brown’s dramatic but ill-fated raid on Harper’s Ferry in 1859. Propelled by a revolutionary conscience, Theodore Parker stood out as one of the most fearless religious reformers and social activists of his generation.
