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No Rocking Chair for Me
  • Language: en
  • Pages: 230

No Rocking Chair for Me

  • Type: Book
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  • Published: 2003
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  • Publisher: iUniverse

None

Hearings
  • Language: en
  • Pages: 1960

Hearings

  • Type: Book
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  • Published: 1935
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  • Publisher: Unknown

None

Stanton in Her Own Time
  • Language: en
  • Pages: 255

Stanton in Her Own Time

Among nineteenth-century women’s rights reformers, Elizabeth Cady Stanton (1815–1902) stands out for the maternal and secular advocacy that shaped her activism and public reception. A wife and mother of seven, she was also a prolific writer, transatlantic women’s rights leader, popular lecturer, congressional candidate, canny historian, and freethought champion. Her lifelong interest in women’s sexual and reproductive rights and late efforts to reform institutional religion are as relevant to our time as they were to her own. Stanton’s professional life lasted a half-century, ranging from antebellum women’s rights organization and oratory, to a post–Civil War career as a lyceum...

Department of Science
  • Language: en
  • Pages: 840

Department of Science

  • Type: Book
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  • Published: 1938
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  • Publisher: Unknown

None

Department of Science, Art and Literature
  • Language: en
  • Pages: 830

Department of Science, Art and Literature

  • Type: Book
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  • Published: 1938
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  • Publisher: Unknown

None

Catalog of Copyright Entries
  • Language: en
  • Pages: 1302

Catalog of Copyright Entries

  • Type: Book
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  • Published: 1977
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  • Publisher: Unknown

None

Making Music Modern
  • Language: en
  • Pages: 510

Making Music Modern

This book recreates an exciting and productive period in which creative artists felt they were witnessing the birth of a new age. Aaron Copland, Henry Cowell, George Gershwin, Roy Harris, and Virgil Thomson all began their careers then, as did many of their less widely recognized compatriots. While the literature and painting of the 1920's have been amply chronicled, music has not received such treatment. Carol Oja's book sets the growth of American musical composition against parallel developments in American culture, provides a guide for the understanding of the music, and explores how the notion of the concert tradition, as inherited from Western Europe, was challenged and revitalized through contact with American popular song, jazz, and non-Western musics.

No Documents, No Escape
  • Language: en
  • Pages: 272

No Documents, No Escape

Rising out of the American art music movement of the late 1950s and 1960s, minimalism shook the foundations of the traditional constructs of classical music, becoming one of the most important and influential trends of the twentieth century. The emergence of minimalism sparked an active writing culture around the controversies, philosophies, and forms represented in the music’s style and performance, and its defenders faced a relentless struggle within the music establishment and beyond. Focusing on how facts about music are constructed, negotiated, and continually remodeled, We Have Always Been Minimalist retraces the story of these battles that—from pure fiction to proven truth—led to the triumph of minimalism. Christophe Levaux’s critical analysis of literature surrounding the origins and transformations of the stylistic movement offers radical insights and a unique new history.

Monopoly Problems in Regulated Industries
  • Language: en
  • Pages: 1996

Monopoly Problems in Regulated Industries

  • Type: Book
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  • Published: 1957
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  • Publisher: Unknown

None

Policies of American Society of Composers, Authors, and Publishers
  • Language: en
  • Pages: 748

Policies of American Society of Composers, Authors, and Publishers

  • Type: Book
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  • Published: 1958
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  • Publisher: Unknown

Considers alleged improper influence of large publishing houses in the operation of the American Society of Composers, Authors, and Publishers, a music publishing association. Hearing includes "Articles of Association of the American Society of Composers, Authors, and Publishers" (June 1, 1954. 459-514 p.).