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Collected Works of John Tate
In these volumes, a reader will find all of John Tate's published mathematical papers—spanning more than six decades—enriched by new comments made by the author. Included also is a selection of his letters. His letters give us a close view of how he works and of his ideas in process of formation.
Collected Works of John Tate
In these volumes, a reader will find all of John Tate's published mathematical papers—spanning more than six decades—enriched by new comments made by the author. Included also is a selection of his letters. His letters give us a close view of how he works and of his ideas in process of formation.
Collected Works of John Tate
In these volumes, a reader will find all of John Tate's published mathematical papers-spanning more than six decades-enriched by new comments made by the author. Included also is a selection of his letters. His letters give us a close view of how he works and of his ideas in process of formation.
Collected Works of John Tate
In these volumes, a reader will find all of John Tate's published mathematical papers-spanning more than six decades-enriched by new comments made by the author. Included also is a selection of his letters. His letters give us a close view of how he works and of his ideas in process of formation
John Tate
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John Tate
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John Tate, Inc
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Tate British Artists: Gwen John
Gwen John (1876-1939) was an artist with a singular vision, one whose intense gaze produced some of the most beguiling and atmospheric paintings of the late 19th and early 20th centuries. This concise survey of her life and work places John--often unfairly thought of as a recluse--at the artistic heart of London and Paris. A seminal figure within these circles, her work is reappraised in that context and explored in terms of the alliances and differences John had with her contemporaries. Gwen John's representation of the female nude, her paintings of interiors, and the effect of her Catholic faith on her work are all discussed. The author also discusses the key relationship between John's position as a woman artist and her lifelong fascination with the portrayal of the female sitter.
