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Myth, Legend, Dust
For almost three decades, Cormac McCarthy solidified his reputation as an American "writer's writer" with remarkable novels such as his Appalachian Tales, The Orchard Keeper, Outer Dark, Child of God, Suttree, and his terrifying Western masterpiece, Blood Meridian. Then, with the publication of All the Pretty Horses, the first work of his celebrated Border Trilogy in 1992, McCarthy's popularity exploded on to a world stage. As his reputation burgeoned with the publications of The Crossing and Cities of the Plain, the critical response to McCarthy has grown apace.
A Bloody and Barbarous God
13: " In All That Dark and All That Cold": Good and Evil in No Country for Old Men -- 14: "All Things of Grace and Beauty": The Presence of the Sacred in The Road -- Notes -- Works Cited -- Index -- Back Cover
What Really Happened
The John Edwards–Rielle Hunter affair made headlines for years. "One of the biggest political scandals of all time," "a fall from grace," "a modern-day tragedy"—it's a story that has been reported, distorted, and spun over and over again by the media, by political aides, by the U.S. government, by supposed friends. However, there is someone who actually knows the truth, someone who lived it from day one—the woman at the heart of the story itself: Rielle Hunter. In the New York Times, Wall Street Journal, and Publishers Weekly bestseller What Really Happened, Hunter offers an extremely personal account of her relationship with John Edwards: the facts of how they actually met, how their ...
The Evil, the Fated, the Biblical
The most intriguing aspect of Cormac McCarthy’s writing is the irresistible premonition that his sentences carry an exceptional potential, that after each subsequent reading they surprise us with increasingly deeper layers of meaning, which are often in complete contradiction to the readers’ initial intuitions. His novels belong to the kind that we dream about at night, that follow us and do not let themselves be forgotten. Cormac McCarthy’s prose has been read in the light of a variety of theories, ranging from Marxist criticism, the pastoral tradition, Gnostic theology, the revisionist approach to the American Western, to feminist and eco-critical methodology. The perspective offered...
No Country for Old Men
In 2005, Cormac McCarthy's novel, No Country for Old Men, was published to wide acclaim, and in 2007, Ethan and Joel Coen brought their adaptation of McCarthy's novel to the screen. The film earned praise from critics worldwide and was honored with four Academy Awards', including Best Picture, Best Director, and Best Adapted Screenplay. In No Country for Old Men: From Novel to Film, scholars offer varied approaches to both the novel and the award-winning film. Beginning with several essays dedicated entirely to the novel and its place within the McCarthy canon, the anthology offers subsequent essays focusing on the film, the adaptation process, and the Coen Brothers more broadly. The book also features an interview with the Coen brothers' long-time cinematographer Roger Deakins. This entertaining and enriching book for readers interested in the Coen Brothers' films and in McCarthy's fiction is an important contribution to both literature and film studies.
Romantic Prophecy and the Resistance to Historicism
Romantic writers invoked prophecy throughout their work. However, the failure of prophecy to materialize didn't deter them. Why then do Romantic writers repeatedly invoke prophecy when it never works? The answer to this question is at the heart of Romantic Prophecy and the Resistance to Historicism. In this remarkably erudite work, Christopher Bundock argues that the repeated failure of prophecy in Romantic thought is creative and enables a renewable potential for expression across disciplines. By focusing on new readings of canonical Romantic authors as well as their more obscure works, Bundock makes a bold intervention into major concepts such as Romantic imagination, historicity, and mediation. Romantic Prophecy and the Resistance to Historicism glides across Kant's Swedenborgian dreams to Mary Shelley's Last Man and reveals how Romanticism reinvents history by turning prophecy inside out.
Reading the World
In Reading the World Dianne C. Luce explores the historical and philosophical contexts of Cormac McCarthy's early works crafted during his Tennessee period from 1959 to 1979 to demonstrate how McCarthy integrates literary realism with the imagery and myths of Platonic, gnostic, and existentialist philosophies to create his unique vision of the world. Luce begins with a substantial treatment of the east Tennessee context from which McCarthy's fiction emerges, sketching an Appalachian culture and environment in flux. Against this backdrop Luce examines, novel by novel, McCarthy's distinctive rendering of character through mixed narrative techniques of flashbacks, shifts in vantage point, and dream sequences. Luce shows how McCarthy's fragmented narration and lyrical style combine to create a rich portrayal of the philosophical and religious elements at play in human consciousness as it confronts a world rife with isolation and violence.
The Double Indemnity Murder
Queens Village was a picture-perfect postcard New York suburb. But in March 1927 the façade of respectability was stripped away to reveal an underside of greed, lust, and crime. Few incidents in crime history have been so notorious as the murder of Albert Snyder by his wife and her lover. Resonant of the footloose Jazz Age, it made persistent headlines and led to a sensational trial. The crime spawned a 1920s Broadway play and inspired the classic noir film of the 1940s, Double Indemnity. This book assesses the entire case, from grisly slaying and shabby cover-up to sharp police work and aftermath. Moreover, it explores sociocultural questions that beg to be answered: what effect does news reportage exert upon high profile cases, and why did such a transparent crime earn such an enduring place in the popular psyche?
Under Cover
The Royal Canadian Mounted Police is no longer fit for purpose. Reflecting on his career in the RCMP from 1973 to 2003, Garry Clement recounts his childhood in rural Ontario; his RCMP training in Regina; his drug-bust days based in British Columbia, Montreal, and Toronto; his work battling the Chinese Communist Party’s infiltration of Canada; his role in the Parliament Hill bus hijacking; his involvement in the post–9/11 Maher Arar inquiry; his impact on the RCMP’s Proceeds of Crime program and on anti–money laundering in Canada and abroad; and his reasons for leaving the RCMP. Under Cover provides a gripping and vulnerable inside look into the corruption of politics and policing in Canada. In light of the mounting complexities of transnational organized crime, terrorism, cybercrime, and financial crime, Clement calls for a complete revamping of the culture of federal policing. We need a fundamental structural reformation of the RCMP. Garry Clement offers direct recommendations for how to approach such a task.
