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John Banks’s Female Tragic Heroes
In John Banks’s Female Tragic Heroes, Paula de Pando offers the first monograph on Restoration playwright John Banks. De Pando analyses Banks’s civic model of she-tragedy in terms of its successful adaptation of early modern literary traditions and its engagement with contemporary political and cultural debates. Using Tudor queens as tragic heroes and specifically addressing female audiences, patrons and critics, Banks made women rather than men the subject of tragedy, revolutionising drama and influencing depictions of gender, politics, and history in the long eighteenth century.
A DEADLY DENIAL
A tangled web of lies—no one left to trust. Someone is killing cops. Detective Maddie Divine has been reunited with her former partner, Darius Cutter, and the pair are assigned to find the madman who is murdering officers at an alarming rate. When a patrolman from the department is killed and his wife—who is also a cop— is the number one suspect, Maddie and Darius find themselves deep in a deceptive labyrinth of lies. Unfortunately, ladies’ man Darius is keeping secrets of his own that could taint the entire investigation. Extramarital affairs and witness tampering—not to mention Maddie's own personal secret weighing heavy on her mind. Is her dead husband trying to contact her from the grave? Or is she finally breaking down over the guilt of his death? As she pieces together clues from the murder, the body count rises, and Maddie knows she’s running out of time. Because the next death could be closer than anyone could imagine. Authentic Crime…Arresting Stories told by a retired LAPD officer.
Unpopular Culture
John R. Weeks based his study on long-term observations made at the British Armstrong Bank in the UK. Not one person, from the CEOs to the junior clerks had anything good to say about its corporate culture, yet the way things were done never seemed to alter.
The Lute in Britain
"Spring focuses on the lute in Britain, but also includes two chapters devoted to continental developments: one on the transition from medieval to renaissance, the other on renaissance to baroque, and the lute in Britain is never treated in isolation. Six chapters cover all aspects of the lute's history and its music in England from 1285 to well into the eighteenth century, whilst other chapters cover the instrument's early history, the lute in consort, lute song accompaniment, the theorbo, and the lute in Scotland."--Jacket.
Behavioral Neurobiology
Shaun D. Cain, The Journal of Experimental Biology --Book Jacket.
Ski
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