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Elvis Presley & The Adventures of Jon Burrows
In 1954 he was discovered. In 1955 he was a star. In 1956 he was a celebrity. In 1957 he was a sensation. In 1958 he was drafted, In 1959 he was an officer... In 1960 he became the greatest spy you never heard of! Elvis Presley IS Jon Burrows, secret agent for C1A, the US Governments top counter-intelligence operation. Elvis travels the world under his secret identity, working to undermine the villainous S.M.U.R.F., the multi-national criminal organization bent on collapsing the governments of the world and ruling in their wake! Volume One follows Jon Burrows in the early years of his work, across four missions (in Hawaii, Seattle, Acapulco, and Helsinki) of death-defying action, mind-twisting mysteries, and thrilling adventure!
Elvis Presley & The Adventures of Jon Burrows
Elvis Presley is back as secret agent Jon Burrows, in five new adventures that take the spy from the deserts of Nevada to the treacherous waters of Bermuda! Can Elvis balance his struggling movie career with his life as an international secret agent, or will the villainous minions of S.M.U.R.F. finally do him in? Action, adventure, thrills and more await in the second volume of the Adventures of Jon Burrows!
The Sounds of the Silents in Britain
Early cinemas were noisy places with pianos, organs, ensembles of all varieties and sometimes full orchestras accompanied films. Britain, a key cultural player in the entertainment world both at the time and now, has a different history than the US of musical cultures and film production.
Blood of the Moon
David Rivers is a second-generation oilman. From Houston, he runs the multinational oil company built by his father, former Apollo astronaut Michael Rivers, one of the last men alive to walk on the moon. Michael now spends his days confined to an assisted-living facility, his mind succumbing to the ravages of Alzheimer's disease. Somewhere in Michael's crumbling memory is a devastating secret he has revealed to no one in over forty years, not even to his sole surviving child. The secret is the location of a small capsule Michael brought back from the moon in 1972 containing proof that conventional wisdom is a deliberate lie. With the cryptic aid of an anonymous benefactor deep within the ancient and powerful secret society of the Hostmen of Newcastle, David races to unravel the mysteries shrouding his father's legacy while wars, terrorism, and riots over dwindling oil reserves enflame the planet, and a corrupted American presidential election teeters in the balance. David finds himself confronting the same crisis of conscience his father faced decades before. Should he risk his life and company to expose the Hostmen's lies? Or will he bury what he uncovers and let the world burn?
Return of the King
By the end of 1968 Presley was artistically revitalised, re-emerging in a TV comeback special during December that year, slimmed down for the now iconic black leather suit, playing country-soul influenced rock like he meant it and loved it. In this second period of Presley's career, which lasted through to the end of 1970, he recorded some of his most enduring records, including "Suspicious Minds" and "In The Ghetto". Author Gillian Gaar shows how Presley reclaimed his rock and roll crown, making an extraordinary transition from fading balladeer to an engaged, vital artist.
A Companion to British and Irish Cinema
A stimulating overview of the intellectual arguments and critical debates involved in the study of British and Irish cinemas British and Irish film studies have expanded in scope and depth in recent years, prompting a growing number of critical debates on how these cinemas are analysed, contextualized, and understood. A Companion to British and Irish Cinema addresses arguments surrounding film historiography, methods of textual analysis, critical judgments, and the social and economic contexts that are central to the study of these cinemas. Twenty-nine essays from many of the most prominent writers in the field examine how British and Irish cinema have been discussed, the concepts and method...
Twenty Palaces
When Ray Lilly was 13 years old, a handgun accident landed his best friend, Jon Burrows, in a wheelchair and turned Ray into a runaway and petty criminal. Fifteen years later, Ray returns home after a stint in prison; he’s determined to go straight, but he knows he can’t do that without making peace with his old friend. What Ray doesn’t expect is to discover that Jon has just received a mysterious cure–not only is he out of his wheelchair, he seems stronger and faster than… well, pretty much anyone. Worse, his cure has drawn the attention of all sorts of powerful people: the media are camped out on his block, the police are investigating him for insurance fraud, and weird shadowy figures have begun to draw closer, figures who clearly do not mean to do Jon any good. Can Ray atone for the biggest mistake of his life by protecting his oldest friend? And what terrible price will the world have to pay if he succeeds?
The Cinema and the Origins of Literary Modernism
Modernist writing has always been linked with cinema. The recent renaissance in early British film studies has allowed cinema to emerge as a major historical context for literary practice. Treating cinema as a historical rather than an aesthetic influence, this book analyzes the role of early British film culture in literature, thus providing the first account of cinema as a cause for modernism. Shail’s study draws on little-known sources to create a detailed picture of cinema following its ‘second birth’ as both institution and medium. The book presents a comprehensive account of how UK-based modernism originated as a consequence of—rather than a conscious aesthetic response to—this new component of the cultural landscape. Film’s new accounts of language, endeavor, time, collectivity and political change are first considered, then related to the patterns that comprised modernist texts. Authors discussed include Ford Madox Ford, Joseph Conrad, Wyndham Lewis, Ezra Pound, H.D., James Joyce, Virginia Woolf and Dorothy Richardson.
Early British Animation
This book is the first history of British animated cartoons, from the earliest period of cinema in the 1890s up to the late 1920s. In this period cartoonists and performers from earlier traditions of print and stage entertainment came to film to expand their artistic practice, bringing with them a range of techniques and ideas that shaped the development of British animation. These were commercial rather than avant-garde artists, but they nevertheless saw the new medium of cinema as offering the potential to engage with modern concerns of the early 20th century, be it the political and human turmoil of the First World War or new freedoms of the 1920s. Cook’s examination and reassessment of these films and their histories reveals their close attention and play with the way audiences saw the world. As such, this book offers new insight into the changing understanding of vision at that time as Britain’s place in the world was reshaped in the early 20th century.
