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The quintessential depiction of 1980s New York and the downtown scene from the artist, actor, musician, and composer John Lurie “A picaresque roller coaster of a story, with staggering amounts of sex and drugs and the perpetual quest to retain some kind of artistic integrity.”—The New York Times In the tornado that was downtown New York in the 1980s, John Lurie stood at the vortex. After founding the band The Lounge Lizards with his brother, Evan, in 1979, Lurie quickly became a centrifugal figure in the world of outsider artists, cutting-edge filmmakers, and cultural rebels. Now Lurie vibrantly brings to life the whole wash of 1980s New York as he developed his artistic soul over the ...
The first time journalist Jon Lurie meets José Perez, the smart, angry, fifteen-year-old Lakota-Puerto Rican draws blood. Five years later, both men are floundering. Lurie, now in his thirties, is newly divorced, depressed, and self-medicating. José is embedded in a haze of women and street feuds. Both lack a meaningful connection to their cultural roots: Lurie feels an absence of identity as the son of a Holocaust survivor who is reluctant to talk about her experience, and for José, communal history has been obliterated by centuries of oppression. Then Lurie hits upon a plan to save them. After years of admiring the journey described in Eric Arnold Sevareid’s 1935 classic account, Cano...
A wildly insightful look at the hilarious and haunting paintings of one of downtown New York's most renowned painters. John Lurie alternatively exposes or addresses the larger, enduring myths of culture through sketches of seemingly lost childhood reveries and cryptic symbolism.
This group of 14 darkly radiant images of Chicago is the latest in the Los Angeles-based artist Catherine Opie's photographic series, "American Cities," ongoing since 1997. Seeking to uncover aspects of each city's psychic and physical identity and sense of community, Opie's series has taken on Minneapolis, St. Louis, Los Angeles, New York, and now Chicago--the American "City of Architecture." This newest body of work consists of a group of 10 nocturnal black-and-white photographs of Chicago's architectural landscape alongside a set of four deep, four-color "portrait" views of Lake Michigan at different seasons of the year. At only $12, the book itself is small enough to serve as the perfect sophisticated souvenir, and yet monumental in every way.~Catherine Opie" has been the subject of one-person shows at the Museum of Contemporary Art, Los Angeles; the Museum of Contemporary Art, Chicago; and the St. Louis Art Museum. Her work is in the collections of the Solomon R. Guggenheim Museum, New York, and the Walker Art Center, Minneapolis, among many others. She teaches photography at the University of California, Los Angeles.
Iconic activist and AIM cofounder Clyde Bellecourt tells "the damn truth" about the American Indian Movement as he lived it.
Now in paperback, this first oral history of the most nihilistic of all pop movements brings the sound of the punk generation chillingly to life with 50 new pages of depraved testimony. "Please Kill Me" reads like a fast-paced novel, but the tragedies it contains are all too human and all too real. photos.
This book explores the identity of American Indians from an Indigenous perspective and how outside influences throughout history, from the arrival of Columbus in 1492 to the twenty-first century, have affected Native people. Non-Native writers, boarding school teachers, movie directors, bureaucrats, churches, and television have all heavily impacted how Indians are viewed in the United States. Drawing on the life experiences of many American Indian men and women, this volume reveals how American Indian identity comprises multiple identities, including the noble savage, wild savage, Hollywood Indian, church-going Indian, rez Indian, urban Indian, Native woman, Indian activist, casino Indian, ...
In 1930 two novice paddlers?Eric Sevareid and Walter C. Port?launched a secondhand 18-foot canvas canoe into the Minnesota River at Fort Snelling for an ambitious summer-long journey from Minneapolis to Hudson Bay. Without benefit of radio, motor, or good maps, the teenagers made their way over 2,250 miles of rivers, lakes, and difficult portages. Nearly four months later, after shooting hundreds of sets of rapids and surviving exceedingly bad conditions and even worse advice, the ragged, hungry adventurers arrived in York Factory on Hudson Bay?with winter freeze-up on their heels. First published in 1935, Canoeing with the Cree is Sevareid's classic account of this youthful odyssey. ?Praise for Canoeing with the Cree ?"Canoeing with the Cree is an all-time favorite of mine." ?Ann Bancroft, Arctic explorer and co-author of No Horizon Is So Far ?"Two high school graduates make an amazing journey . . . showing indomitable courage that carried them through to their destination. Humor and a spirit of adventure made a grand, good time of it, in spite of storms, rapids, long portages and silent wildernesses." ?Library Journal.
A new voice and vision for art as comics and comics as art -- and poetry.
Smart. Funny. Fearless."It's pretty safe to say that Spy was the most influential magazine of the 1980s. It might have remade New York's cultural landscape; it definitely changed the whole tone of magazine journalism. It was cruel, brilliant, beautifully written and perfectly designed, and feared by all. There's no magazine I know of that's so continually referenced, held up as a benchmark, and whose demise is so lamented" --Dave Eggers. "It's a piece of garbage" --Donald Trump.