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Although their subjects, styles, and techniques often differ, in total these poems make clear the distinctions between the nature of poetry in Eastern Europe and that in the West. While several of the languages represented here are limited to a small number of speakers, each has a commitment to the central role of poetry in the history of its people and as a source of their unity.
This award-winning series systematically presents career biographies of writers from all eras and all genres through volumes dedicated to specific types of literature and time periods.
Preliminary Material -- The Paradox of the Double Post /Mindaugas Kvietkauskas -- The History of Post-Soviet Literature: Challenges and Models of a New Identity /Aušra Jurgutienė -- Postmodernism as Conjuncture /Dalia Satkauskytė -- The Writer in the Post-Soviet State: Trends in Self-Interpretation /Loreta Jakonytė -- Lithuanian Prose: in Search of a New Identity /Jūratė Sprindytė -- The Present of Past Things: Transformations of Lithuanian Historical Discourse /Algis Kalėda -- Apocalyptic Imagination in the Novels of Ričardas Gavelis /Regimantas Tamošaitis -- Three Articulations of Isaac in Lithuanian Literature /Loreta Mačianskaitė -- Women's Literature and Its Readings /Solvei...
This handbook on racist extremism in Central and Eastern Europe is the result of a unique collaborative research project of experts from the ten new and future post-communist EU member states. All chapters are written to a common framework, making it easier to compare individual countries and include sections on: racist extremist organizations (political parties, organizations, and subcultures the domestic and international legal framework members and types of racist extremist incidents state and civic responses to the threat. Mudde's conclusion examines the region as a whole and compares it with Western Europe.
A valuable survey and reference resource It is hard to imagine a more needed and more useful literary reference work than this one, which gives students and readers quick access to the lives and work of a wide range of notable female writers from England and the Continent, from Aphra Behn to Emily Bronte, from Simone de Beauvoir to Isak Dinesen, from Bridget of Sweden to Hannah Arendt. Writers in more than 30 languages are included: French, Czech, Greek, Italian, Swedish, Spanish, German, Russian, Portuguese, Serbian, Catalan, Arabic, Hebrew, Dutch, Bulgarian, Croatian, Slovak, and more. Covers 1,500 years and all major genres Going back 15 centuries, the Encyclopedia covers the authors of n...
This handbook on racist extremism in Central and Eastern Europe is the result of a unique collaborative research project of experts from the ten new and future post-communist EU member states. All chapters are written to a common framework, making it easier to compare individual countries and include sections on: racist extremist organizations (political parties, organizations, and subcultures the domestic and international legal framework members and types of racist extremist incidents state and civic responses to the threat. Mudde's conclusion examines the region as a whole and compares it with Western Europe.
The concept of ‘culture’ is a relatively modern invention. It stems from the Latin term cultura meaning cultivation. Cicero was the first to use this word in a non-agricultural context. In his Tusculanae Disputationes he reflected on the ‘cultivation of the soul’ (cultura animi). Later this term was rarely used in this sense but as of the 17th century more and more authors considered culture an intellectual and not an agricultural phenomenon. Samuel Pufendorf (1632–1694) described culture as a vehicle overcoming natural barbarism. He was followed by German philosophers of culture. Johann Gottfried Herder (1744–1803) argued that human creativity was as important as human rationali...
Interweaves Eastern European postwar history, dissidence, and literature to expand our understanding of the significance of this important Lithuanian writer.
In the last decades, the emphasis in textual scholarship has moved onto creation, production, process, collaboration; onto the material manifestations of a work; onto multiple rather than single versions; onto reception and book history. Textual scholarship now includes not only textual editing, but any form of scholarship that looks at the materiality of text, of writing, of reading, and of the book. The essays in this collection explore many questions, about methodology and theory, arising from this widening scope of textual scholarship. The range of texts discussed, from Sanskrit epic via Medieval Latin commentary through English and Scottish Ballads to the plays of Samuel Beckett and the...