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Social Work and Social Policy
An understanding of social policy is vital for engaging practically with social work values, and dealing with political and ethical questions about responsibility, rights and our understanding of ‘the good society’. This textbook provides a comprehensive introduction to social policy, tailored to the needs of a social work audience. The new edition of this popular and accessible text analyses current policies and policy themes relevant to social work, and locates them in the context of fundamental social policy principles and debates. It discusses the nature of social policy and its relationship to social work, and covers essential themes such as: - service user participation and involve...
Social Work, Law and Ethics
This book takes a problem-based approach to explore the dilemmas that arise when the law and social work ethics conflict. It highlights what the law says, what ethical principles are at stake, and what these imply for policy and practice, helping students to develop an understanding of the issues involved.
Dickens's Clowns
This book reappraises Dickens's Memoirs of Joseph Grimaldi and his imaginative engagement with its principal protagonist.
Charles Dickens's Networks
Explores the rise of the passenger transport network in the nineteenth century and the impact it made on Dickens's work.
Commissioned Spirits
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Dickens and the Bible
At a time when biblical authority was under challenge from the Higher Criticism and evolutionary science, ‘what providence meant’ was the most keenly contested of questions. This book takes up the controversial subject of Dickens and religion, and offers a significant contribution to the interdisciplinary area of religion and literature. In a close study of major novels, it argues that networks of biblical allusion reveal the Judeo-Christian grand narrative as key to his development as a writer, and as the ontological ground on which he stands to appeal to ‘the conscience of a Christian people’. Engaging the biblical narrative in dialogue with other contemporary narratives that concern themselves with origins, destinations, and hermeneutic decipherments, the inimitable Dickens affirms the Bible’s still-active role in popular culture. The providential thinking of two twentieth-century theorists, Bakhtin and Ricoeur, sheds light on an exploration of Dickens’s narrative theology.
The Buffalo Job
“Fans of Donald E. Westlake’s Parker novels (written under his Richard Stark pseudonym) will be on familiar ground. . . . A very good entry in a very good series” (Booklist). Wilson should have just walked away when three men came looking for a way to boost a valuable piece of art. The art came off the wall, the alarm screamed thief, and Wilson walked away clean. But it turned out that job was an interview for an even bigger heist. A dangerous man wants Wilson to get him something more valuable than a painting. Problem is Wilson only has a week. Wilson and his crew cross the Canadian border to Buffalo, New York, to steal a two-hundred-year-old violin. A lot of people are interested in getting their hands on the instrument—and none of them are shy about killing to get it. The job starts like a bad joke—a thief, a con man, a wheel man, and a gangster get in line to cross the border—but the Buffalo job doesn’t end with a punchline. It ends with blood . . .
Dickens, Death, and Christmas
"Marley was dead, to begin with." Why does the most beloved of Christmas books open with a death? What has death to do with Christmas and New Years, and with Dickens's Christmas books and stories over his entire life? Robert L. Patten weaves together Dickens's life, career, writings, journalism, travel, theatrical presentations, and religious convictions to offer a richly designed and entertaining narrative, fulsomely illustrated, of the manifold ways Dickensfigures the spirit and traditions of the winter holidays in Victorian England.
The Greatest British Classics
DigiCat presents to you this unique collection, designed and formatted to the highest digital standards and adjusted for readability on all devices: Hamlet (Shakespeare) Romeo and Juliet (Shakespeare) Macbeth (Shakespeare) Paradise Lost (John Milton) Gulliver's Travels (Jonathan Swift) Robinson Crusoe (Daniel Defoe) The History of Tom Jones, a Foundling (Henry Fielding) Tristram Shandy (Laurence Sterne) Pride & Prejudice (Jane Austen) Sense and Sensibility (Jane Austen) Vanity Fair (William Makepeace Thackeray) Ode to the West Wind (P. B. Shelley) Frankenstein (Mary Shelley) Odes (John Keats) Jane Eyre (Charlotte Brontë) Wuthering Heights (Emily Brontë) Middlemarch (George Eliot) David Cop...
Dickens and Victorian Psychology
Dickens and Victorian Psychology: Introspection, First-Person Narration, and the Mind positions Charles Dickens's fiction in the midst of Victorian psychological debate, tracking Dickens's increasing reliance over the course of his career on the introspective mode, those moments—from free indirect discourse to first-person narration—in which Dickens attempts to represent the inner view of his characters' minds. In the middle of the nineteenth century, introspection remained the central investigative method for dualist psychologies, theories that tied the mind's immortality to its immateriality. Because those psychologies found evidence of the mind's ontological difference from the body i...
