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The Principle of Political Hope
"This book provides an action-theoretic view of political hope that draws on German idealism, critical theory, and American pragmatism. It offers an alternative to standard perspectives that reduce hope to either a subjective element of individual psychology or to the passive anticipation of the supposedly objective tendencies of the world itself. Featuring chapters on Immanuel Kant, Ernst Bloch, Charles Peirce, and William James, it presents hope instead as a practice of political action that both buttresses and promotes democratic experimentation. By reconstructing hope as a necessary condition for social and political engagement, it furthermore argues for the centrality of utopian thinking for practical action"--
Victorian Nonfiction Prose
The Victorian Era saw a revolution in communication technology. Millions of texts emerged from a complex network of writers, editors, publishers and reviewers, to shape and be shaped by the dynamics of a rapidly industrializing society. Many of these works offer fundamental, often surprising insights into Victorian society. Why, for example, did the innocuously titled Essays and Reviews (1860) trigger public outrage? How did Eliza Lynn Linton become the first salaried woman journalist in England? What is "table-talk"? Critical approaches to Victorian prose have long focused on a few canonical writers. Recent scholarship has recognized a wide diversity of practitioners, forms and modes of dissemination. Presented in accessible A-Z format, this literary companion reinstates nonfiction as a principal vehicle of knowledge and debate in Victorian Britain.
Medievalisms
Medievalisms surveys the critical field and sets the boundaries for future study, providing an essential background for literary study from the Medieval period through to the twenty-first century, exploring: The influence of medieval cultural concepts on key authors such as Shakespeare, Dante, Chaucer, George Eliot and Mark Twain The continued appeal of medieval cultural figures such as King Arthur and Robin Hood The influence of the medieval on disciplines such as politics, music, film, and art.
Decadent Ecology in British Literature and Art, 1860–1910
Decadent Ecology illuminates the networks of nature, paganism, and desire in 19th- and early 20th-century decadent literature and art. Combining the environmental humanities with aesthetic, queer and literary theory, this study reveals the interplay of art, eco-paganism and science during the formation of modern ecological and evolutionary thought.
Fashionable Fictions and the Currency of the Nineteenth-Century British Novel
Revealing how a modern notion of fashion helped to transform the novel and its representation of social change and individual and collective life in nineteenth-century Britain, Lauren Gillingham offers a revisionist history of the novel. With particular attention to the fiction of the 1820s through 1840s, this study focuses on novels that use fashion's idiom of currency and obsolescence to link narrative form to a heightened sense of the present and the visibility of public life. It contends that novelists steeped their fiction in date-stamped matters of dress, manners, and media sensations to articulate a sense of history as unfolding not in epochal change, but in transient issues and interests capturing the public's imagination. Reading fiction by Mary Shelley, Letitia Landon, Edward Bulwer-Lytton, W. H. Ainsworth, Charles Dickens, Mary Elizabeth Braddon, and others, Fashionable Fictions tells the story of a nineteenth-century genre commitment to contemporaneity that restyles the novel itself.
Virtual Play and the Victorian Novel
Virtual, paracosmic, fictional -- Authorship, omnipotence, and Charlotte Bronte -- Plotting, improvisation, and Anthony Trollope -- Continuation, attachment, and William Makepeace Thackeray -- Description, projection, and Charles.
Malaria and Victorian Fictions of Empire
Study of malaria in literature and culture illuminates the legacies of nineteenth-century colonial medicine within narratives of illness.
The Brontës and the Idea of the Human
Investigates the idea of the human within Brontë sisters' work, offering new insight on their writing and cultural contexts.
Literature, Print Culture, and Media Technologies, 1880–1900
Connects British and American literature to a changing media landscape in an era of innovation.
Autobiography, Sensation, and the Commodification of Identity in Victorian Narrative
An exploration of the commodification of autobiography 1820-1860 in relation to shifting fictional representations of identity.
