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This book provides a new interpretation of the fall of the Roman Empire and the 'barbarian' kingdom known conventionally as Ostrogothic Italy. Relying primarily on Italian textual and material evidence, and in particular the works of Cassiodorus and Ennodius, Jonathan J. Arnold argues that contemporary Italo-Romans viewed the Ostrogothic kingdom as the Western Roman Empire and its 'barbarian' king, Theoderic (r.489/93–526), as its emperor. Investigating conceptions of Romanness, Arnold explains how the Roman past, both immediate and distant, allowed Theoderic and his Goths to find acceptance in Italy as Romans, with roles essential to the Empire's perceived recovery. Theoderic and the Roman Imperial Restoration demonstrates how Theoderic's careful attention to imperial traditions, good governance, and reconquest followed by the re-Romanization of lost imperial territories contributed to contemporary sentiments of imperial resurgence and a golden age. There was no need for Justinian to restore the Western Empire: Theoderic had already done so.
Sacred Music in Secular Society is a new and challenging work asking why Christian sacred music is now appealing afresh to a wide and varied audience, both religious and secular. Blending scholarship, theological reflection and interviews with some of the greatest musicians and spiritual leaders of our day, Arnold suggests that the intrinsically theological and spiritual nature of sacred music remains an immense attraction particularly in secular society. This book will appeal to readers interested in contemporary spirituality, Christianity, music, worship, faith and society, whether believers or not, including theologians, musicians and sociologists.
A Companion to Ostrogothic Italy is a concise yet comprehensive cutting edge survey of the rise and fall of Italy’s first barbarian kingdom, the Ostrogothic state (ca. 489-554 CE). The volume’s 18 essays provide readers with probing syntheses of recent scholarship on key topics, from the Ostrogothic army and administration to religious diversity and ecclesiastical development, ethnicity, cultural achievements, urbanism, and the rural economy. Significantly, the volume also presents innovative studies of hitherto under-examined topics, including the Ostrogothic provinces beyond the Italian lands, gender and the Ostrogothic court, and Ostrogothic Italy’s environmental history. Featuring work by an international panel of scholars, the volume is designed for both new students and specialists in the field. Contributors are Jonathan Arnold, Shane Bjornlie, Samuel Cohen, Kate Cooper, Deborah Deliyannis, Cam Grey, Guy Halsall, Gerda Heydemann, Mark Johnson, Sean Lafferty, Natalia Lozovsky, Federico Marazzi, Christine Radtki, Kristina Sessa, Paolo Squatriti, Brian Swain, and Rita Lizzi Testa.
Does history matter? Is it anything more than entertainment? And if so, what practical relevance does it have? In this fully revised second edition of a seminal text, John Tosh persuasively argues that history is central to an informed and critical understanding of topical issues in the present. Including a range of contemporary examples from Brexit to child sexual abuse to the impact of the internet, this is an important and practical introduction for all students of history. Inspiring and empowering, this book provides both students and general readers with a stimulating and practical rationale for the study of history. It is essential reading for all undergraduate students of history who require an engaging introduction to the subject. New to this Edition: - Illustrative examples and case studies are fully updated - Features a postscript on British historians and Brexit - Bibliography is heavily revised
There are many stories we can tell about the past, and we are not, perhaps, as free as we might imagine in our choice of which stories to tell, or where those stories end. John Arnold's Very Short Introduction is a stimulating essay about how we study and understand history. The book begins by inviting us to think about various questions provoked by our investigation of history, and explores the ways these questions have been answered in the past. Concepts such as causation, interpretation, and periodization, are introduced by means of concrete examples of how historians work, giving the reader a sense of the excitement of discovering not only the past, but also ourselves. ABOUT THE SERIES: The Very Short Introductions series from Oxford University Press contains hundreds of titles in almost every subject area. These pocket-sized books are the perfect way to get ahead in a new subject quickly. Our expert authors combine facts, analysis, perspective, new ideas, and enthusiasm to make interesting and challenging topics highly readable.
How do contemporary audiences engage with sacred music and what are its effects?
Theoderic and the Roman Imperial Restoration offers a new interpretation of the fall of Rome and the "barbarian" successor state known as Ostrogothic Italy. Relying primarily on Italian textual and material evidence, Jonathan J. Arnold demonstrates that the subjects of the Ostrogothic kingdom viewed it as a revived Roman Empire and its king, Theoderic, as its emperor. Most accounts of Roman history end with the fall of Rome in 476 or see the Ostrogothic kingdom as a barbarous imitator. This book, however, challenges such views, placing the Theoderican epoch firmly within the continuum of Roman history.
Early in the twenty-first century, a quiet revolution occurred. For the first time, the major developed economies began to invest more in intangible assets, like design, branding, and software, than in tangible assets, like machinery, buildings, and computers. For all sorts of businesses, the ability to deploy assets that one can neither see nor touch is increasingly the main source of long-term success. But this is not just a familiar story of the so-called new economy. Capitalism without Capital shows that the growing importance of intangible assets has also played a role in some of the larger economic changes of the past decade, including the growth in economic inequality and the stagnation of productivity. Jonathan Haskel and Stian Westlake explore the unusual economic characteristics of intangible investment and discuss how an economy rich in intangibles is fundamentally different from one based on tangibles. Capitalism without Capital concludes by outlining how managers, investors, and policymakers can exploit the characteristics of an intangible age to grow their businesses, portfolios, and economies.
A stunning revision of our founding document’s evolving history that forces us to confront anew the question that animated the founders so long ago: What is our Constitution? Americans widely believe that the United States Constitution was created when it was drafted in 1787 and ratified in 1788. But in a shrewd rereading of the Founding era, Jonathan Gienapp upends this long-held assumption, recovering the unknown story of American constitutional creation in the decade after its adoption—a story with explosive implications for current debates over constitutional originalism and interpretation. When the Constitution first appeared, it was shrouded in uncertainty. Not only was its meaning...
The Cambridge Companion to John Donne introduces students (undergraduate and graduate) to the range, brilliance, and complexity of John Donne. Sixteen essays, written by an international array of leading scholars and critics, cover Donne's poetry (erotic, satirical, devotional) and his prose (including his Sermons and occasional letters). Providing readings of his texts and also fully situating them in the historical and cultural context of early modern England, these essays offer the most up-to-date scholarship and introduce students to the current thinking and debates about Donne, while providing tools for students to read Donne with greater understanding and enjoyment. Special features include a chronology; a short biography; essays on political and religious contexts; an essay on the experience of reading his lyrics; a meditation on Donne by the contemporary novelist A. S. Byatt; and an extensive bibliography of editions and criticism.