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A comparative history that reconsiders China's relations with the rest of Eurasia, Sui-Tang China and Its Turko-Mongol Neighbors challenges the notion that inhabitants of medieval China and Mongolia were irreconcilably different from each other.
The Silk Road is as iconic in world history as the Colossus of Rhodes or the Suez Canal. But what was it, exactly? It conjures up a hazy image of a caravan of camels laden with silk on a dusty desert track, reaching from China to Rome. The reality was different--and far more interesting--as revealed in this new history. In The Silk Road, Valerie Hansen describes the remarkable archeological finds that revolutionize our understanding of these trade routes. For centuries, key records remained hidden--sometimes deliberately buried by bureaucrats for safe keeping. But the sands of the Taklamakan Desert have revealed fascinating material, sometimes preserved by illiterate locals who recycled offi...
This volume explores the relationship between culture and the military in Chinese society from early China to the Qing empire, with contributions by eminent scholars aiming to reexamine the relationship between military matters and law, government, historiography, art, philosophy, literature, and politics. The book critically investigates the perception that, due to the influence of Confucianism, Chinese culture has systematically devalued military matters. There was nothing inherently pacifist about the Chinese governments’ views of war, and pragmatic approaches—even aggressive and expansionist projects—often prevailed. Though it has changed in form, a military elite has existed in Ch...
This book is a comparative study of military practice in Sui-Tang China and the Byzantine Empire between approximately 600 and 700 CE. It covers all aspects of the military art from weapons and battlefield tactics to logistics, campaign organization, military institutions, and the grand strategy of empire. Whilst not neglecting the many differences between the Chinese and Byzantines, this book highlights the striking similarities in their organizational structures, tactical deployments and above all their extremely cautious approach to warfare. It shows that, contrary to the conventional wisdom positing a straightforward Western way of war and an "Oriental" approach characterized by evasion ...
A comparative and interdisciplinary study of ancient and medieval Eurasian empires using historical, philological and archaeological evidence.
Late Antique artefacts, and the images they carry, attest to a highly connected visual culture from ca. 300 to 800 C.E. On the one hand, the same decorative motifs and iconographies are found across various genres of visual and material culture, irrespective of social and economic differences among their users – for instance in mosaics, architectural decoration, and luxury arts (silver plate, textiles, ivories), as well as in everyday objects such as tableware, lamps, and pilgrim vessels. On the other hand, they are also spread in geographically distant regions, mingled with local elements, far beyond the traditional borders of the classical world. At the same time, foreign motifs, especia...
The book investigates China’s relations to the outside world between ca. 100 BCE and 1800 CE. In contrast to most histories of the Silk Roads, the focus of this book clearly lies on the maritime Silk Road and on the period between Tang and high Qing, selecting aspects that have so far been neglected in research on the history of China’s relations with the outside world. The author examines, for example, issue of 'imperialism' in imperial China, the specific role of fanbing 蕃兵 (frontier tribal troops) during Song times, the interrelationship between maritime commerce, military expansion, and environmental factors during the Yuan, the question of whether or not early Ming China can be considered a (proto-)colonialist country, the role force and violence played during the Zheng He expeditions, and the significance the Asia-Pacific world possessed for late Ming and early Qing rulers.
The Mandate of Heaven examines the first European version of Sunzi’s Art of War, which was translated from Chinese by Joseph Amiot, a French missionary in Beijing, and published in Paris in 1772. His work is presented in English for the first time. Amiot undertook this project following the suppression of the Society of Jesus in France with the aim of demonstrating the value of the China mission to the French government. He addressed his work to Henri Bertin, minister of state, beginning a thirty-year correspondence between the two men. Amiot framed his translation in order to promote a radical agenda using the Chinese doctrine of the “mandate of heaven.” This was picked up within the sinophile and radical circle of the physiocrats, who promoted China as a model for revolution in Europe. The work also arrived just as the concept of strategy was emerging in France. Thus Amiot’s Sunzi can be placed among seminal developments in European political and strategic thought on the eve of the revolutionary era.
An expanded edition of the leading text on military history and the role of culture on the battlefield Ideas matter in warfare. Guns may kill, but ideas determine when, where, and how they are used. Traditionally, military historians attempted to explain the ideas behind warfare in strictly rational terms, but over the past few decades, a stronger focus has been placed on how societies conceptualize war, weapons, violence, and military service, to determine how culture informs the battlefield. Warfare and Culture in World History, Second Edition, is a collection of some of the most compelling recent efforts to analyze warfare through a cultural lens. These curated essays draw on, and aggress...
Introduction: The invisible empire -- The discourse of ethnicity -- Agriculture and foodways -- Vernacular languages -- Marking territory : the militarization of the Huai frontier -- Making hierarchy : garrison, court, and the structure of Jiankang politics -- Managing prosperity : the political economy of a commercial empire -- The vernacular repertoire -- The Sinitic repertoire -- The Buddhist repertoire : the era of pluralist patronage -- The Buddhist repertoire : Jiankang as theater state -- Conclusion: Re-orienting East Asian and world history.