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Imagining Exile in Heian Japan
This volume is the first in English to explore the rich resonance of exile in the cultural life of the Japanese court. Rejecting the notion that such narratives merely reflect a timeless literary archetype, Jonathan Stockdale shows instead that in every case exile emerged from particular historical circumstances.
Imagining Exile in Heian Japan
For over three hundred years during the Heian period (794–1185), execution was customarily abolished in favor of banishment. During the same period, exile emerged widely as a concern within literature and legend, in poetry and diaries, and in the cultic imagination, as expressed in oracles and revelations. While exile was thus one sanction available to the state, it was also something more: a powerful trope through which members of court society imagined the banishment of gods and heavenly beings, of legendary and literary characters, and of historical figures, some transformed into spirits. This compelling and well-researched volume is the first in English to explore the rich resonance of...
Itineraries of Power
"Movements—of people and groups, through travel, migration, exile, and diaspora—are central to understanding both local and global power relationships. But what of more literary moves: textual techniques such as distinct patterns of narrative flow, abrupt leaps between genres, and poetic figures that flatten geographical distance? This book examines what happens when both types of tropes—literal traversals and literary shifts—coexist. Itineraries of Power examines prose narratives and poetry of the mid-Heian to medieval eras (900–1400) that conspicuously feature tropes of movement. Terry Kawashima argues that the appearance of a character’s physical motion, alongside literary tec...
The Tale of Genji and its Chinese Precursors
In The Tale of Genji and Its Chinese Precursors: Beyond the Boundaries of Nation, Class, and Gender, Jindan Ni departs from a “nativist” tradition which views The Tale of Genji as epitomizing an exclusively Japanese aesthetic distinct from Chinese influence and Buddhist values. Ni contests the traditional focus on Japanese essentialism by detailing the impact of Chinese literary forms and presenting the Japanese Heian Court as a site of dynamic and complex literary interchange. Combining close reading, the archival work of Japanese and Chinese scholars, and comparative literary theory, Ni argues that Murasaki Shikibu avoided the constraint of a single literary tradition by drawing on Chinese intertexts. Ni’s account reveals the heterogeneity that makes The Tale of Genji a masterpiece with enduring appeal.
James Bond Uncovered
This volume brings fresh perspectives to the study of James Bond. With a strong emphasis on the process of Bond’s incarnation on screen and his transit across media forms, chapters examine Bond in terms of adaptation, television, computer games, and the original novels. Film nonetheless provides the central focus, with analysis of both the corpus as a whole—from Dr. No to Spectre—and of particular films, from popular and much-discussed movies such as Goldfinger and Skyfall to comparatively under-examined texts such as the 1967 Casino Royale and A View to a Kill. Contributors’ expertise and interests encompass such diverse aspects of and approaches to the Bond stories as Sound Design, Empire, Food and Taste, Geo-politics, Feminist re-reading, Tarot, Landscape and Sets.
On a Similar Note
Jonathan Veira is a larger-than-life entertainer, whose career in opera has been matched by his many years as a one-man entertainer, filling some of the UK's largest auditoriums. Here he brings together some of his hilarious and hair-raising experiences, in a perceptive and compassionate account of working with some of the greatest names in the world of opera. Things, basically, will go wrong if they possibly can, from collapsing organ pipes to kamikaze sheep. Directors have the strangest of bright ideas. The entire theatre is plunged into darkness... situations where the cast's capacity for improvisation is stretched to its limits. Meanwhile, JV himself is warmly welcomed - even if he is mistaken for Donny Osmond, Ainslie Herriot or Lenny Henry. Jonathan has told his own story in Finding My Voice.
