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Icons of Evolution
Everything you were taught about evolution is wrong.
Jonathan Wells Account Book
Cash account book kept by Jonathan Wells while traveling in Connecticut, Augusta, Georgia and Charleston, South Carolina. Includes all income and expenses.
The Skinny
"Everyone had a clearer vision of my body than I did. It didn't feel as if my body was really mine." At fourteen-years-old, Jonathan Wells weighs just 67 pounds, igniting a scrutinizing persecution of his body that follows him into adulthood. As a boy in preparatory day school in upstate New York in the 1970s, Wells's teacher abuses and humiliates him for his size, forcing Wells, for the first time, to question his right to take up space in the world. Wells's father, reading his weight as a clear deficit of masculinity, and perhaps sexuality, creates a workout regimen meant to bulk him up. When that doesn't help, he has Wells seen by a slew of specialists, all claiming he is in perfect healt...
The Kidnapping Club
Winner of a 2020-2021 New York City Book Award In a rapidly changing New York, two forces battled for the city's soul: the pro-slavery New Yorkers who kept the illegal slave trade alive and well, and the abolitionists fighting for freedom. We often think of slavery as a southern phenomenon, far removed from the booming cities of the North. But even though slavery had been outlawed in Gotham by the 1830s, Black New Yorkers were not safe. Not only was the city built on the backs of slaves; it was essential in keeping slavery and the slave trade alive. In The Kidnapping Club, historian Jonathan Daniel Wells tells the story of the powerful network of judges, lawyers, and police officers who circ...
Politically Incorrect Guide to Darwinism and Intelligent Design
Darwin is an emperor who has no clothes— but it takes a brave man to say so. Jonathan Wells, a microbiologist with two Ph.D.s (from Berkeley and Yale), is that brave man. Most textbooks on evolution are written by Darwinists with an ideological ax to grind. Brave dissidents—qualified scientists—who try to teach or write about intelligent design are silenced and sent to the academic gulag. But fear not: Jonathan Wells is a liberator. He unmasks the truth about Darwinism— why it is wrong and what the real evidence is. He also supplies a revealing list of "Books You’re Not Supposed to Read" (as far as the Darwinists are concerned) and puts at your fingertips all the evidence you need to challenge the most closed-minded Darwinist.
The Metabolic Ghetto
A multidisciplinary analysis of the role of nutrition in generating hierarchical societies and cultivating a global epidemic of chronic diseases.
The Sterns Are Listening
Benjamin and Dita Stern are New Yorkers through and through. Living in the pre-war, Upper East Side building Benjamin's grandfather built, with two children no longer at home and professional lives never fully realized, perhaps being New Yorkers is the most that the Sterns will ever be. But Benjamin's younger brother Spence, founder and CEO of hearing aid company Belphonics, has an idea for a new product line that comes from the brothers' shared history of rock and roll and CBGB's, the club that they visited often in their youths, and where, Spence believes, his hearing was permanently damaged. In proposing that Benjamin join him in the new venture, Spence also hopes that it might salvage Be...
The Man with Many Pens
The book is concerned with the multiple complex emotions of love
Icons of Evolution
Wells informs the reader that everything that has been taught about the evolution of man is wrong, and that every iconic image, from the primordial soup to the changing colors of moths in industrial England to the ascent of man is inconclusive, incomplete, or outright fraudulent. Illustrations.
Debris
"Glinting vestiges of the lyric in a world rife with brutality In Debris Jonathan Wells offers a stark foil between the lyric world of the poem and an outside world that is violent, hard, and relentless. While many poems of the collection work to transform this outer world through imagination, resourcefulness, and even beautification, the arc of the collection leads us to the conclusion that dire enough circumstances can render lyricism impossible. In one of the opening poems "Notes from the Invasion," the speaker asserts "The worst has happened. There is nothing/to imagine," and the collection as a whole asks us to consider the question: without imagination, what is left of the mind? How are we to find peace? Experience love? Wells invites us to commune in magical escapism and phenomenology of the quotidian, as well as in solemn observations of violence and suffering. Despite the collection's thesis on the impossibility of lyricism, the poems herein are persistent remnants that honor the lyric and keep its memory alive"--
