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Jonathan Williams founded The Jargon Society--a publisher dedicated to poetry, experimental fiction, photography and visionary folk art--and has championed the underdog, maverick and outsider in the arts for 50 years. He has also published over 100 of his own books, pamphlets and broadsides of poetry, essays and photography. Jubilant Thicket collects the best of his poetry and teems with the eccentric, strange and boundlessly authentic--neoclassical poems, social satire, musical suites and lyrics. There is spleen, salt and a delicious -sarcasm, as Williams finds inspiration in Mahler and Mojo Nixon, Blake and whimmydiddles. There is nobody quite like Jonathan Williams: "He is one of the few ...
Photography. Limited edition of 1800, numbered. Tipped in are thirty square color portrait plates by Williams of poets, artists, photographers, and musicians, among them William Carlos Williams, Ezra Pound, Mina Loy, Thomas Merton, Allen Ginsberg, H.D., and Lorine Niedecker. Glassine dust jacket in publisher's stiff paper slipcase.
A comprehensive yet accessible textbook introducing the nature of the rarefied matter that pervades the space between stars.
"This is a collection of extraordinary personalities captured on film in Williams's revealing, unpretentious casually evocative photographs, and decoded through Williams's intimate, often hilarious, extended captions and essays."--BOOK JACKET.
Examines the history of money, its spread and cultural diversity throughout the world, from the earliest known records of payments to the cashless money of our own day, and sets it against a background of broader economic and social issues, such as the varied moral, political and religious attitudes provoked by money in different cultures.
"Walks to the Paradise Garden is the last unpublished manuscript of the late American poet, photographer, publisher and bon viveur Jonathan Williams (1929-2008). This book chronicles Williams' road trips across the Southern United States with photographers Guy Mendes and Roger Manley in search of the most authentic and outlandish artists the South had to offer. Williams describes the project thus: 'The people and places in Walks to the Paradise Garden exist along the blue highways of America.... We have traveled many thousands of miles, together and separately, to document what tickled us, what moved us, and what (sometimes) appalled us.' The majority of these road trips took place in the 1980s, a pivotal decade in the development of Southern 'yard shows' and many of the artists are now featured in major institutions. This book, however, chronicles them at the outset of their careers and provides essential context for their inclusion in the art historical canon"--Back cover.
Jonathan Williams’ work of more than half a century is such that no one activity or identity takes primacy over any other—he was the seminal small press publisher of The Jargon Society; a poet of considerable stature; book designer; editor; photographer; legendary correspondent; literary, art, and photography critic and collector; early collector and proselytizer of visionary folk art; cultural anthropologist and Juvenalian critic; curmudgeon; happy gardener; resolute walker; and keen and adroit raconteur and gourmand. Williams’ refined decorum and speech, and his sartorial style, contrasted sharply, yet pleasingly, with his delight in the bawdy, with his incisive humor and social crit...
Robert Williams and his wife, Elizabeth Stratton (d. 1674), had at least four sons, 1632-1640 or after. They immigrated to America ca. 1638 and settled at Roxbury, Massachusetts. He died in 1693. Descendants listed lived in Massachusetts, New York, and elsewhere.
The Jargon Society, a boundary-pushing publisher of poetry and experimental writing, was founded by Jonathan Williams (1929–2008) in 1951. Jargon quickly gained a reputation as the home of the poetic and literary avant-garde, including noted midcentury poets like Charles Olson and Lorine Niedecker. Williams himself looms large in this story as the publisher at Jargon until his death, making this book as much about his life and work as the press he founded, which today operates through the Black Mountain College Museum in Asheville, North Carolina. Andy Martrich authors this story in a manner befitting Jargon's ethos of literary experimentation by focusing on the books the Society cataloged...