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Jonathan Williams founded The Jargon Society--a publisher dedicated to poetry, experimental fiction, photography and visionary folk art--and has championed the underdog, maverick and outsider in the arts for 50 years. He has also published over 100 of his own books, pamphlets and broadsides of poetry, essays and photography. Jubilant Thicket collects the best of his poetry and teems with the eccentric, strange and boundlessly authentic--neoclassical poems, social satire, musical suites and lyrics. There is spleen, salt and a delicious -sarcasm, as Williams finds inspiration in Mahler and Mojo Nixon, Blake and whimmydiddles. There is nobody quite like Jonathan Williams: "He is one of the few ...
Photography. Limited edition of 1800, numbered. Tipped in are thirty square color portrait plates by Williams of poets, artists, photographers, and musicians, among them William Carlos Williams, Ezra Pound, Mina Loy, Thomas Merton, Allen Ginsberg, H.D., and Lorine Niedecker. Glassine dust jacket in publisher's stiff paper slipcase.
"This is a collection of extraordinary personalities captured on film in Williams's revealing, unpretentious casually evocative photographs, and decoded through Williams's intimate, often hilarious, extended captions and essays."--BOOK JACKET.
A comprehensive yet accessible textbook introducing the nature of the rarefied matter that pervades the space between stars.
Examines the history of money, its spread and cultural diversity throughout the world, from the earliest known records of payments to the cashless money of our own day, and sets it against a background of broader economic and social issues, such as the varied moral, political and religious attitudes provoked by money in different cultures.
"Walks to the Paradise Garden is the last unpublished manuscript of the late American poet, photographer, publisher and bon viveur Jonathan Williams (1929-2008). This book chronicles Williams' road trips across the Southern United States with photographers Guy Mendes and Roger Manley in search of the most authentic and outlandish artists the South had to offer. Williams describes the project thus: 'The people and places in Walks to the Paradise Garden exist along the blue highways of America.... We have traveled many thousands of miles, together and separately, to document what tickled us, what moved us, and what (sometimes) appalled us.' The majority of these road trips took place in the 1980s, a pivotal decade in the development of Southern 'yard shows' and many of the artists are now featured in major institutions. This book, however, chronicles them at the outset of their careers and provides essential context for their inclusion in the art historical canon"--Back cover.
This lovely book pairs selections of translated Greek and Roman verse from Homer, Sappho, Virgil, Horace, and Ovid, among others, with fine examples of paintings, sculpture, vases, and decorative objects. The excerpts, which cover the period from the eighth century B.C. to the early Middle Ages, were chosen from famous works, such as Homer's Iliad as well as less well-known pieces, such as the writings of the Greek poet Ibycus. This book demonstrates that the human preoccupation with love in all its forms has inspired writers for millennia: from the expression of enduring faithfulness and familial affection in Homer's description of Hector and Andromache to the passionate intensity portrayed by the later Greek lyric poets and the light-hearted depiction of love as a lost little boy by the anonymous authors of the Inacreontea. The book includes a brief introduction to Greek and Roman views on love and marriage, a short biographical note on each of the major poets, and a glossary of mythical and geographical names.
In an era of populist politics, Brexit, Donald Trump, 24-hour news cycles and perpetual election campaigning, how do we govern well for the future? How do we take the long view, ensuring that present-day policy decisions reflect the needs and safeguard the interests of future generations? In this timely BWB Text, acclaimed policy scholar Jonathan Boston sets out what ‘anticipatory governance’ might look like in New Zealand. Confronted with a world becoming more uncertain by the day, this book is essential reading for anyone questioning how democratic societies can tackle the unprecedented challenges ahead.
Robert Williams and his wife, Elizabeth Stratton (d. 1674), had at least four sons, 1632-1640 or after. They immigrated to America ca. 1638 and settled at Roxbury, Massachusetts. He died in 1693. Descendants listed lived in Massachusetts, New York, and elsewhere.
"Donald Allen's prophetic anthology had an electrifying effect on two generations, at least, of American poets and readers. More than the repetition of familiar names and ideas that most anthologies seem to be about, here was the declaration of a collective, intelligent, and thoroughly visionary work-in-progress: the primary example for its time of the anthology-as-manifesto. Its republication today--complete with poems, statements on poetics, and autobiographical projections--provides us, again, with a model of how a contemporary anthology can and should be shaped. In these essentials it remains as fresh and useful a guide as it was in 1960."--Jerome Rothenberg, editor of Poems for the Millennium "The New American Poetry is a crucial cultural document, central to defining the poetics and the broader cultural dynamics of a particular historical moment."--Alan Golding, author of From Outlaw to Classic: Canons in American Poetry