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According to Vasari, the young Michelangelo often borrowed drawings of past masters, which he copied, returning his imitations to the owners and keeping originals. Half a millennium later, Andy Warhol made a game of "forging" the Mona Lisa, questioning the entire concept of originality. Forged explores art forgery from ancient times to the present. In chapters combining lively biography with insightful art criticism, Jonathon Keats profiles individual art forgers and connects their stories to broader themes about the role of forgeries in society. From the Renaissance master Andrea del Sarto who faked a Raphael masterpiece at the request of his Medici patrons, to the Vermeer counterfeiter Han...
Jonathon Keats' work as an artist and thinker is compelling for our time. Keats poses critical questions, asks us to fundamentally reconsider our assumptions, and proposes radical methods of response. In a time when the environment and human lifeways are experiencing unprecedented change, thought leaders like Keats are needed to encourage us to consider possibilities--from the absurd to the profound. Since the turn of the millennium, Keats has comprehensively extended his academic training in philosophy by prolifically presenting conceptual art projects that he refers to as "thought experiments." These include installations and performances in museums and galleries around the globe. His motivations are to make space for exploring ideas, offering provocations, and confronting systems we generally take for granted. By prototyping alternative realities--systematically asking "what if?"--these projects probe the world in which we live, exploring the potential for societal change.
The technological realm provides an unusually active laboratory not only for new ideas and products but also for the remarkable linguistic innovations that accompany and describe them. How else would words like qubit (a unit of quantum information), crowdsourcing (outsourcing to the masses), or in vitro meat (chicken and beef grown in an industrial vat) enter our language? In Virtual Words: Language on the Edge of Science and Technology, Jonathon Keats, author of Wired Magazine's monthly Jargon Watch column, investigates the interplay between words and ideas in our fast-paced tech-driven use-it-or-lose-it society. In 28 illuminating short essays, Keats examines how such words get coined, wha...
Contains twelve short stories that describe twelve unlikely saints, featuring "Alef the Idiot," "Gimmel the Gambler," "Zayin the Profane," "Chet the Cheat," and others.
A compelling call to apply Buckminster Fuller's creative problem-solving to present-day problems A self-professed "comprehensive anticipatory design scientist," the inventor Buckminster Fuller (1895-1983) was undoubtedly a visionary. Fuller's creations often bordered on the realm of science fiction, ranging from the freestanding geodesic dome to the three-wheel Dymaxion car to a bathroom requiring neither plumbing nor sewage. Yet in spite of his brilliant mind and life-long devotion to serving mankind, Fuller's expansive ideas were often dismissed, and have faded from public memory since his death. You Belong to the Universe documents Fuller's six-decade quest to "make the world work for one...
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Engineers borrow designs from nature in a process called biomimicry. The Reciprocal Biomimicry Initiative by artist Jonathon Keats is an attempt to return the favor, providing nature with the benefits of human technology and humorously addressing our relationship with the natural world.
John and George Keats—Man of Genius and Man of Power—embodied sibling forms of Romanticism. George’s emigration to the U.S. frontier created an abysm of loneliness and alienation in John that would inspire his most plangent and sublime poetry. Gigante’s account places John’s life in a transatlantic context that has eluded his previous biographers.
Is science the only path to knowledge? In this sparkling and provocative book Jonah Lehrer, author of The Decisive Moment, explains that when it comes to understanding the brain, art got there first. Taking a group of celebrated writers, painters and composers, Lehrer shows us how artists have discovered truths about the human mind - real, tangible truths - that science is only now rediscovering. We learn, for example, how Proust first revealed the fallibility of memory; how George Eliot understood the brain's malleable nature; how the French chef Escoffier intuited umami (the fifth taste); how Cézanne worked out the subtleties of vision; and how Virginia Woolf pierced the mysteries of consciousness. It's a riveting tale of art trumping science, again and again.
Includes essays by Louis Grachos, Jonathan Keats, and Kenneth Baker and an interview between the artist and Kenneth Baker.