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Parts will make you laugh, parts will make you think, parts will make you angry, parts will make you sick. Go for it all!
This pioneering work in Canadian pop music criticism analyses the work of some of the country's most acclaimed musicians, winners of national and international awards and recognition. Marco Adria examines the songs of eight Canadian artists who belong to pop music's literati--singer-songerwriters whose work reflects considerable refinement and taste. Gordon Lightfoot, Leonard Cohen, Neil Young, Joni Mitchell, Bruce Cockburn, Murray McLaughlan, Jane Siberry and k.d. lang are all artists with considerable insight both in Canada and abroad. Individual chapters on each offer thoughtful accounts of their careers and their achievements as interpreters of contemporary popular culture. Music of our Times presents new insights and new understandings of Canada's most acclaimed musicians.
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An unorthodox musician from the start, singer-songwriter Joni Mitchell's style of composing, performing, and of playing (and tuning) the guitar is unique. In the framework of sexual difference and the gendered discourses of rock this immediately begs the questions: are Mitchell's songs specifically feminine and, if so, to what extent and why? Anne Karppinen addresses this question focusing on the kind of music and lyrics Mitchell writes, the representation of men and women in her lyrics, how her style changes and evolves over time, and how cultural context affects her writing. Linked to this are the concepts of subjectivity and authorship: when a singer-songwriter sings a song in the first p...
The author shows that evolution is not a logical theory. It is self-contradicting, self-fulfilling, dogmatic, and simply “scientism” cloaked in the guise of a first-century religion. The evolutionary hypothesis is detrimental to operational science, and only the biblical worldview sustains the preconditions for intelligibility sufficient to sustain empirical science. If evolutionary dogma is followed to its logical conclusion, it promotes a climate of death, a devaluing of life, and is directly detrimental to the disabled and the handicapped. Link to Samaritan Ministries: samaritanministries.org/blog/book-review-creation-evolution-and-the-handicapped
It defined a generation, exemplified an era: Woodstock was unlike anything that has ever happened before or since--and August 2009 marks the 40th anniversary of this seminal event. Relive the moment and "get back to the garden” with this day-by-day, act-by-act account of everything that went down on Yasgur’s Farm. With interviews and quotes from those who were there--the musicians, the fans, the organizers--and a wealth of photographs and graphic memorabilia, Woodstock is the ultimate celebration of a landmark in modern cultural history. Woodstock is organized in three parts: - Origins sets the stage by describing the counterculture of the time, along with the festival’s organization, fundraising, buzz-building tactics, ticket selling and publicity, and site building. - The Event--the heart of the project--includes a log with a run-down of each of the 32 acts, in the order they appeared, one spread to each name. Fans and politics are also featured prominently here. - The Aftermath focuses on media coverage, follow-up festivals, Michael Wadleigh and Thelma Schoonmaker’s documentary, and Woodstock’s enduring legacy.
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In February of 1996, Joni Mitchell was honored by the Grammy Awards in two separate categories, which represent the two sides of her creativity. As an accomplished painter, her self portrait on the cover of her "Turbulent Indigo" album won her the trophy as "Best Album Cover Artist," and the music contained on the LP won the "Best Pop Performance, Female." Only months later it was her personal life that was in the headlines as news that the daughter she had given up for adoption as a teenager, had been seeking her birth mother. With all of this creative and personal activity in her life, Joni is officially back in the spotlight, and the time has come for a hard cover biography on this fascin...
Celebrate the captivating life of Joni Mitchell, the world-famous songbird who used her music to ignite and inspire an entire generation, in this stunning picture book biography from award-winning author and illustrator Selina Alko. Joni Mitchell painted with words. Sitting at her piano or strumming the guitar, she turned the words into songs. The songs were like brushstrokes on a canvas, saying things that were not only happy or sad but true. But before composing more than two hundred songs, Joni was a young girl from a town on the Canadian prairie, where she learned to love dancing, painting, birdsong, and piano. As she grew up into an artist, Joni took her strong feelings--feelings of love and frustration, and the turbulence that came with being a young woman--and wrote them into vivid songs. Brought to life by Selina Alko's rainbow collages and lyrical language, this heartfelt portrait of a feminist and folk icon is perfect for parents, children, and music lovers everywhere. Back matter includes a letter from the author and Joni's full discography.
Popular music owes greatly to the spirit of rebellion. In all of its diversified, experimental, modern-day micro-genres, music's roots were first watered by good old-fashioned social dissension- its incendiary heights pushed heavenward by radicals and rogue revolutionaries. And perhaps none are more influential and non-conformist than women. Always first in line to give convention a sound thrashing, women in music have penned sonic masterpieces, championed sweeping social movements, and breathed life into sounds yet unimagined. Today's guitar-wielding heroines continue to blaze the trail, tapping reservoirs and soundscapes still unknown to their male counterparts- hell hath no fury like a wo...