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This volume will provide a comprehensive yet accessible description of East Midlands English, an area of neglect in linguistic research. Existing publications, which aggregate the findings of earlier surveys and more recent localised studies presenting an overview of regional speech in the UK, are either lacking up-to-date research data from the East Midlands or simply ignore the region. A coordinated survey of dialects of the East Midlands was part of the Survey of English Dialects (SED) in the 1950s. This data is now over sixty years old and focuses almost exclusively on broad rural dialect speakers. This book will fill the knowledge and literature gaps by comparing vernacular speech in di...
Where does today’s English language come from? This book takes its readers on a journey back in time, from present-day varieties to the Old English of Beowulf and beyond. Written for students with little or no background in linguistics, and reflecting the latest scholarship, it showcases the variation and change present throughout the history of English, and includes numerous exercises and sample texts for every period. The reverse-chronological approach taken by this book sets it apart from all existing textbooks of the last fifty years. Innovative features also include its focus on variation, multilingualism and language contact, its use of texts from outside the literary canon, and its inclusion of case studies from syntax, sociophonetics and historical pragmatics.
This book is the first comprehensive, research-based description of the development, structure, and use of Welsh English, a contact-induced variety of English spoken in the British Isles. Present-day accents and dialects of Welsh English are the combined outcome of historical language shift from Welsh to English, continued bilingualism, intense contacts between Wales and England, and multicultural immigration. As a result, Welsh English is a distinctive, regionally and sociolinguistically diverse variety, whose status is not easily categorized. In addition to existing research, the present volume utilizes a wide range of spoken corpus data gathered from across Wales in order to describe the ...
In the past sixty years, oral history has moved from the periphery to the mainstream of academic studies and is now employed as a research tool by historians, anthropologists, sociologists, medical therapists, documentary film makers, and educators at all levels. The Oxford Handbook of Oral History brings together forty authors on five continents to address the evolution of oral history, the impact of digital technology, the most recent methodological and archival issues, and the application of oral history to both scholarly research and public presentations. The volume is addressed to seasoned practitioners as well as to newcomers, offering diverse perspectives on the current state of the f...
Most of the world’s Extraterritorial Englishes stem historically from southern English dialects - Southern England having been the most densely-habited part of the country. However, the dialects of Southern England remain under-studied. The papers in this volume consider both diachronic and synchronic aspects of the dialects of Norfolk, Suffolk, Essex, Kent, Sussex, Dorset, Somerset, Devon, Cornwall, Gloucestershire and the Isles of Scilly.
Drawing on examples from a wide range of languages and social settings, The Routledge Handbook of Sociolinguistics Around the World was originally the first single-volume collection surveying the current research trends in international sociolinguistics. This new edition has been comprehensively updated and significantly expanded, and now includes more than 50 chapters written by leading authorities and a brand-new substantial introduction by John Edwards. Coverage has been expanded regionally and there is a critical focus on Indigenous languages. This handbook remains a key tool to help widen the perspective on sociolinguistics to readers interested in the field. Divided into sections cover...
The Routledge Handbook of Sociophonetics is the definitive guide to sociophonetics. Offering a practical and accessible survey of an unparalleled range of theoretical and methodological perspectives, this is the first handbook devoted to sociophonetic research and applications of sociophonetics within and beyond linguistics. It defines what sociophonetics is as a field and offers views of what sociophonetics might become. Split into three sections, this book: • examines the suprasegmental, segmental, and subsegmental units that sociophoneticians study; • reveals the ways that sociophoneticians create knowledge and solve problems across a range of theoretical and practical applications; â...
Reflecting on the relationship between artists and their audiences, this book examines how artists have presented themselves publicly through interviews and sought to establish a critical voice for themselves. Considering the interview as a form of cultural production, contributors explore the criteria for determining the artist interview as a distinct field of research in relation to other cultural fields. Structured in four parts, ‘History and Historiography’, ‘Subverting the Biographical Model’, ‘Interviews as Practice’ and ‘Materiality and Technology’, the book takes an interdisciplinary approach that encompasses the fields of art history, fine art, oral history, curating, media studies and museum conservation. By theorising the artist interview as a form of cultural production and embracing it as a co-constructed critical practice, this volume aims to show and encourage an approach to art history which dismantles old hierarchies in favour of valuing dialogue and collaboration. The book will be of interest to scholars working in art history, museum studies, oral history and historiography.
Born Ruby Rebecca Blevins in a log cabin nestled among the Arkansas Ozarks in 1908, Patsy Montana began her musical career performing in the 1920s with the California-based Montana Cowgirls trio. She went solo and in 1936 became the first female country and western singer to sell one million records with her self-penned "I Want to Be a Cowboy's Sweetheart." Her career spanned eight decades, and in 1996 (also the year of her death) she was inducted into the Country Music Hall of Fame. Here is the story of a tiny, blue-eyed woman who had a pioneering spirit and a big voice. Patsy Montana describes in her own words and in vivid detail her life, career, and success at a time in music history when women did not cut gold records, gold records were not even given, and Billboard did not even have a chart for western music.