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Antonio López
Antonio López--also known as Antonio López García--is hyper-realism's greatest living exponent, and one of the finest painters of the past hundred years. Published on the occasion of the artist's landmark exhibition at the Museo Thyssen-Bornemisza in Madrid, this generous overview constitutes a self-portrait of a genuine icon of contemporary painting. It spans the years from 1953 to the present, placing an emphasis on works made after 1993 (the year of the artist's last retrospective exhibition in Spain, at the Reina Sofia Museum). These more recent pieces include masterworks such as "View of Madrid from the Vallecas Fire Tower" (1990-2006) and the monumental heads "Day," "Night" and "Wom...
The Last Knight
The Last Knight The Story of Don Bernardo Gutierrez de Lara Uribe (1774-1841), a Texas Hero (By Jose Antonio Lopez) Once there was a magical land called Tejas. Here is where our Spanish-Mexican ancestors settled to raise families, build their homes, and ranching communities. They were a rare breed of men and women; a hearty stock, strong of both mind and body. They tamed what historian Jerry Thompson calls the Wild and Vivid Land of South Texas. In so doing, they invented the ranching and cowboy phenomena. However, all was not well. Spain ruled Tejas with oppressive and unjust laws. In response for direction to rid America of European colonial rule, several great American-born leaders answer...
Crisis in the Southwest
The war between the United States and Mexico was decades in the making. Although Texas was an independent republic from 1836 to 1845, Texans retained an affiliation with the United States that virtually assured annexation at some point. Mexico's reluctance to give up Texas put it on a collision course with the United States. The Mexican War receives scant treatment in books. Most historians approach the conflict as if it were a mere prelude to the Civil War. The Mexican cession of 1848, however, rivaled the Louisiana Purchase in importance for the sheer amount of territory acquired by the United States. The dispute over slavery-which had been rendered largely academic by the Missouri Comprom...
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2011
Particularly in the humanities and social sciences, festschrifts are a popular forum for discussion. The IJBF provides quick and easy general access to these important resources for scholars and students. The festschrifts are located in state and regional libraries and their bibliographic details are recorded. Since 1983, more than 639,000 articles from more than 29,500 festschrifts, published between 1977 and 2010, have been catalogued.
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¡Vino!
¡Vino! explores the history and identity of Spanish wine production from the mid-nineteenth century to today. Nineteenth-century infestations of oidium fungus and phylloxera aphids devastated French and Italian vineyards but didn’t extend to the Iberian Peninsula at first, giving Spanish vintners the opportunity to increase their international sales. Once French and Italian wineries rebounded, however, Spanish wine producers had to up their game. Spain could not produce only table wine; it needed a quality product to compete with the supposedly superior French wines. After the Spanish Civil War the totalitarian Franco regime turned its attention to Spain’s devastated agricultural sector...
The First Texas Independence, 1813
There were seven flags over Texas. The green flagit is the first flag of Texas independence. It is the spark that lit the revolt for liberty in our state. It started as a gentle glow of a peasants lantern. Then, it expanded to a beacons potent light; beckoning Don Bernardo led his army in answering the call for freedom. It was not a flag of conquest, but a flag of self-rule. It was not a flag to build an empire, but to end an unjust one. It was a precious flag, wrapping those who carried it with the ideals of equality. It was the first breath of a new life, the first step of a long journey, the sign of a new beginning. It is the green flag, the first flag of Texas independence.
Preserving Early Texas History
At a time in our history where the Spanish Mexican roots of this great place we call Texas are being questioned, this third volume of selected essays is most timely. For example, if Texas history begins in 1836 as implied in mainstream Texas history, why then is everything historically old (towns, roads, rivers, mountain ranges, regions, etc.) named in Spanish? Our ancestors’ legacy is why we have a right to practice our heritage year-round; not just during Hispanic History Month. Importantly, the network of vibrant communities in New Spain connected by the Camino Real are indeed what first attracted U.S. Anglo Saxon and Northern European immigrants to Texas and the west. In remembering our ancestors, “Aquí todavía estamos, y no nos vamos”. (Here we still are and we’re not leaving.)
