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The open pit: a story about morococha and extractivism in the américas explores the role of extraction under the current capitalist accumulation model, through the specific story of the town of Morococha, located in the central Peruvian Andes, and the ways in which extraction permeates most aspects of human activity. An assemblage of collective enunciations woven through a letter to the author’s seven-year-old son, the book connects the world of mining and extraction to everyday life, personal histories of growing up in Lima, Perú, and living in California.
Back in my college days on Oahu, Hawai’I, during the 90´, I learned the story of Eddie Aikau, Hawaiian surfer, lifeguard, and sailor who inspires me to this day. In 1978, Eddie took part in a trip on the Hokulea, the sailing traditional voyaging canoe that was built to recover the techniques of traditional Polynesian navigators. After an accidental capsize, he did not make it back after he went for help to rescue all crewmembers during this first voyage. Today this project of Hawaiian and traditional sailing has already fought against all odds and sailed numerous voyages to Tahiti and back only using the stars, birds and traditional “Wayfinding”. Hawaiian traditional sailors have alre...
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Poetry. California Interest. Latinx Studies. Translated from the Spanish by Jose Antonio Villarán. "Omar Pimienta documents what living on either side of a militarized border does to a community, how it distorts, breeding suspicion and lies. Here a father brags he has always crossed using a false ID, never through the desert, and a son crosses easily once he has (or claims to have?) a job building destroyers. Here a guard demands that a woman breastfeed an infant she's carrying to prove that it's hers. Pimienta allows ironies and horrors to speak for themselves -- and they do. Loud and clear."--Rae Armantrout "In ALBUM OF FENCES, Omar Pimienta writes the membranes that thrive between the se...
"This book conducts a comparative study of three literary traditions - post-1960 Asian American, Asian Canadian and Black experimental poetry - which are usually examined separately. In so doing, it intervenes in conventional understandings of postwar North American racial formation and argues that through poetry we can examine the intersection between race and capitalism. Arguing that contemporary Black, Asian American and Asian Canadian poets such as Myung Mi Kim, Nathaniel Macket, Larissa Lai and Erica Hunt challenge established definitions of race, this book develops an account of experimental poetry's understanding of race as a range of relational configurations of subjects within racial groups and across racial divisions. In sum, this book redefines some of the basic terms of analysis of contemporary US poetry and poetics, critical race/ethnic studies, racial capitalism and contemporary theories of comparative racialization."--
The Routledge Handbook of Literary Translation provides an accessible, diverse and extensive overview of literary translation today. This next-generation volume brings together principles, case studies, precepts, histories and process knowledge from practitioners in sixteen different countries. Divided into four parts, the book covers many of literary translation’s most pressing concerns today, from teaching, to theorising, to translation techniques, to new tools and resources. Featuring genre studies, in which graphic novels, crime fiction, and ethnopoetry have pride of place alongside classics and sacred texts, The Routledge Handbook of Literary Translation represents a vital resource for students and researchers of both translation studies and comparative literature.
MAKE X collects memorable work published throughout the last ten years by beloved Chicago literary magazine MAKE. Through fiction, nonfiction, poetry, and reviews, alongside new visual art portfolios, interviews, and stories from the editors, MAKE X honors a decade of storytelling and literary rabble-rousing in Chicago.