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N.40 El legado andalusí
Apuntes biográficos de la vida del literato neoyorquino Washington Irving, que hizo que la Alhambra de Granada se diera a conocer en todo el mundo a través de sus cuentos, en el nuevo número de la Revista digital de la Fundación El legado andalusí
Córdoba de Leyenda
(Córdoba). Empresario, Ingeniero Agrónomo por la Universidad de Córdoba y Máster en Gestión del Turismo Ambiental, Ecoturismo y Turismo en Espacios Rurales por la Universidad Politécnica de Madrid. Técnico en Planificación Estratégica y Gestión de Proyectos de Desarrollo por el Instituto de Promoción y Apoyo al desarrollo (IPADE). Miembro del Foro del Plan Estratégico de Córdoba: Córdoba Tercer Milenio. Coordinador de La Estrategia Cuarta del Plan: Turismo y Cultura y autor del libro Turismo cultural. Manual del gestor de patrimonio.
Organic Chemistry of Museum Objects
'The Organic Chemistry of Museum Objects' makes available in a single volume, a survey of the chemical composition, properties and analysis of the whole range of organic materials incorporated into objects and artworks found in museum collections. The authors cover the fundamental chemistry of the bulk materials such as wood, paper, natural fibres and skin products, as well as that of the relatively minor components incorporated as paint, media, varnishes, adhesives and dyes. This expanded second edition, now in paperback, follows the structure of the first, though it has been extensively updated. In addition to chapters on basic organic chemistry, analytical methods, analytical findings and fundamental aspects of deterioration, the subject matter is grouped as far as possible by broad chemical class - oils and fats, waxes, bitumens, carbohydrates, proteins, natural resins, dyestuffs and synthetic polymers. This is an essential purchase for all practising and student conservators, restorers, museum scientists, curators and organic chemists.
Accelerated Aging
Accelerated Aging: Photochemical and Thermal Aspects represents the culmination of more than 40 years of research by noted scientist Robert L. Feller. The book focuses on the long-term performance of materials such as wool, dyes, and organic compounds; their resistance to change when exposed to environmental factors such as oxygen, ozone, moisture, heat, and light; and their physical durability with handling and use over time. Processes of deterioration are discussed based on speeded-up laboratory studies designed to clarify the chemical reactions involved and their physical consequences.
Historical and Philosophical Issues in the Conservation of Cultural Heritage
This volume is the first comprehensive collection of texts on the conservation of art and architecture to be published in the English language. Designed for students of art history as well as conservation, the book consists of forty-six texts, some never before translated into English and many originally published only in obscure or foreign journals. The thirty major art historians and scholars represented raise questions such as when to restore, what to preserve, and how to maintain aesthetic character. Excerpts have been selected from the following books and essays: John Ruskin, The Seven Lamps of Architecture; Bernard Berenson, Aesthetics and History in the Visual Arts; Clive Bell, The Aesthetic Hypothesis; Cesare Brandi, Theory of Restoration; Kenneth Clark, Looking at Pictures; Erwin Panofsky, The History of Art as a Humanistic Discipline; E. H. Gombrich, Art and Illusion; Marie Cl. Berducou, The Conservation of Archaeology; and Paul Philippot, Restoration from the Perspective of the Social Sciences. The fully illustrated book also contains an annotated bibliography and an index.
Conservation and Restoration of Ceramics
The Conservation and Restoration of Ceramics brings together the wide range of current information relevant to the practising conservator. The book opens with a discussion of the fundamental nature of the ceramic medium, information which is of primary importance when selecting treatments or considering preventive conservation measures. Details on techniques are given in a series of chapters covering the restoration and conservation processes, but the emphasis is on the basic principles involved in the choice of materials and methods. The nature and properties of materials commonly in use are fully discussed and guidance is given on the facilities and equipment needed. Also covered in the book are old restoration materials and methods, the ethics of ceramics conservation, examination and recording, display treatments and emergency procedures. Now in paperback, this book will be invaluable to practising conservators and readers of conservation as well as of interest to museum curators and collectors.
History of the Restoration and Conservation of Works of Art
At times controversial and uncompromising, always intellectually honest, Alessandro Conti's book is - astonishingly - the only attempt to comprehensively chart in time, the changing impact of man's desire to preserve for future generations the materials, meaning and appearances of works of art. Remarkable in its meticulous research of source material and breadth of scope, History of the Restoration and Conservation of Works of Arts, translated by Helen Glanville, charts the practices and underlying philosophies of conservation and 'restored' works of art from the Middle Ages to the end of the nineteenth century. In English-speaking countries, a lack of foreign language skills leaves many una...
The Art of Responsive Drawing
Suitable for undergraduate Foundation, Fine Arts, Illustration, and Graphic Design courses in Basic or Advanced Drawing. Reshaped to more effectively meet readers' needs, this 'how-to-see-it' book provides a meaningful and thorough understanding of the basic visual and expressive aspects of drawing. Clear and objective, it offers an intensive examination of vital drawing processes and concepts, an in-depth analysis of exceptional drawings by old and contemporary artists, and suggested exercises to enhance students' grasp of important measurable and dynamic phenomena.
