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Catalogus van een tentoonstelling van werk van Catalaanse kunstenaars.
Imperial Emotions reconsiders the historical legacy of Spain's empire by examining the role of emotions in mitigating it. Javier Krauel cogently argues that the fall of the Spanish empire in the late nineteenth century spurred a number of contradictory responses, ranging from mourning and melancholia to indignation, pride, and shame. He shows how intellectuals sought to reimagine a post-empire Spain by establishing attachments to imperial myths, which would have a profound impact not only on the collective memory of Spain but that of the Americas as well, where such emotional investments are still in conflict today.
In 1990, or thereabouts, the then promoters and members of the board of trustees of the Fundació Xavier Nogués, Joan Ainaud de Lasarte, Raimon Noguera de Guzmán, Josep Pedreira and Ramon Gonzalez (now sadly de- ceased), together with the patrons August Testor, Oriol Bohigas and Jordi Curós, proposed, as a founding act, the publication of a book dedicated to the life and work of Xavier Nogués. The project was given the go ahead, and the then presi- dent, Mr Ainaud, wrote the foreword to the book. However, it was subsequently put on hold until a later date, despite everyone’s best efforts. Now we are fortunate enough to be able to revive the project and, by way of a tribute, we would like to put on record the interest the above individuals showed in the publication of the book you are now holding. We would also like to thank Joaquim Horta for the painstaking care taken with the initial project and the new patrons who have worked on the current one.
This volume attempts to equip the English-speaking reader with a fuller understanding of the uniqueness and quality of the culture of Catalonia by providing a comprehensive portfolio of the creative contribution of the nation across a broad spectrum of achievement.
This book offers the first comprehensive analysis of nationalist violence in postwar Europe and of its complex causes.
La Federació Nacional d’Estudiants de Catalunya (FNEC) és l’associació que durant més temps ha representat els estudiants catalans. Nascuda el 1932, va viure uns moments de plenitud durant la Segona República i va ser il•legalitzada el 1939. Aleshores, per una banda continuà vivint a l’exili, i per una altra es reféu en la clandestinitat. Es tracta d’una història, en què, com escriu J.V. Foix, molts joves han vist que “ultra estudiar, han d’esdevenir activistes d’allò que suposa la revitalització de la nostra cultura i l’elevació social i política del país”.
The word "bibliophilia" indicates a love of books, both as texts to be read and objects to be cherished for their physical qualities. Throughout the history of Iberian print culture, bibliophiles have attempted to explain the psychological experiences of reading and collecting books, as well as the social and economic conditions of book production. Bibliophiles, Murderous Bookmen, and Mad Librarians analyses Spanish bibliophiles who catalogue, organize, and archive books, as well as the publishers, artists, and writers who create them. Robert Richmond Ellis examines how books are represented in modern Spanish writing and how Spanish bibliophiles reflect on the role of books in their lives and in the histories and cultures of modern Spain. Through the combined approaches of literary studies, book history, and the book arts, Ellis argues that two strains of Spanish bibliophilia coalesce in the modern period: one that envisions books as a means of achieving personal fulfilment, and another that engages with politics and uses books to affirm linguistic, cultural, and regional and national identities.
Over the last twenty years there has been a growing international interest in the city of Barcelona. This has been reflected in the academic world through a series of studies, courses, seminars, and publications. The Barcelona Reader hinges together a selection of the best academic articles, written in English, about the city, and its main elements of identity and interest: art, urban planning, history and social movements. The book includes scholarly essays about Barcelona that can be of interest to the student and the general public alike. It focuses on cultural representations of the city: the arts (including literature) provide a complex yet discontinuous portrait of the city, similar to a patchwork. The authors selected create a kaleidoscope of views and voices thus presenting a diverse yet inclusive Barcelona portrait. The Barcelona Reader offers a multifaceted assessment that will be essential reading for anyone interested in this iconic city.
This book is a narrative study of four main discourses of national identity in Spain, with a special focus on Catalonia as disseminated in the Spanish press in the period between 1993-1996. The narrative analysis of the discourses of national identity is contained within two sections. The first deals with Spanish press coverage of the 1994 USA Football World Cup. The second section studies the process of negotiation towards a political pact between Partido Popular and Convergència I Unió after the 1996 general election. This study is not confined to the identification and description of discursive elements intended to shape identities, but deals heavily with the symbolic struggle between different ideological agents. The narrative approach and systematic application to two particular and very concrete cases makes this work unique in its field. This book would be useful as a reference text for courses not only on Contemporary Spain, but also on the wider field of Cultural Studies and Media Studies. However, the issues dealt with and the style in which it is written, make it of interest to a wider and not necessarily academic audience.