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Includes entries for maps and atlases.
Throughout history, humans have used dance as a benefit for mind, body, and soul. In some cases, governments or churches have banned certain dances for a variety of reasons. This work provides an exploration of dances banned around the world, then revived by a handful of brave proponents. The sixteen case studies--ranging from Argentina's Tango and Cambodia's Royal Classical Ballet to Brazil's Samba and Ireland's Step Dance--reveal the meaning of the dance to each culture and the importance of the art form to the creation of healthy sociological and political climates. Chapters detail each dance's origins, technical steps and movements, costumes, music, and political history, providing an informative overview of the oppression of dance culture through history. Instructors considering this book for use in a course may request an examination copy here.
This volume brings together cutting-edge research on modern Spanish women as writers, activists, and embodiments of cultural change, and honors Maryellen Bieder's invaluable scholarly contributions. The critical analyses are situated within their specific socio-historical context, and shed new light on nineteenth- and early twentieth-century Spanish literature, history, and culture.
This study is based on a thirty-month residence in Yaqui communities in both Arizona and Sonora and consists of integrating information from documented historical writing, of some primary source documents, of three centuries of contemporary descriptions of Yaqui customs and individuals, and of anthropological studies based on direct observation.
Amb motiu de la jubilació acadèmica del Dr. Joaquim Molas, el Departament de Filologia Catalana de Universitat de Barcelona, d' acord amb les millors tradicions universitàries en una tal mena d'avinenteses, va decidir homenatjar el professor que, format d'antuvi a la casa i docent després a la Universitat Autònoma de Barcelona, ha estat en acabat durant vint anys catedràtic de literatura catalana a la UB. Per això és que, sempre comptant amb la valuosa col.laboració del Servei de Publicacions de la UB, ha estat possible tirar endavant l'edició d'una miscel.lànea amb voluntat commemorativa i de contingut científic en la qual,sota el títol genèric de "Memòria, Escriptura, Histò...
Caterina Albert i Paradis (1869-1966) began her career with a scandal. Her dramatic monologue "The Infanticide," delivered by a young woman, won prizes and garnered the attention of the Catalan literary world, but its harsh theme drew outrage when the anonymous author was revealed to be a woman. In the tradition of George Eliot, George Sand, and other controversial women authors, Albert had assumed a man's name, Víctor Catala. She continued to write unflinching narratives, mostly in Catalan, of the people and life around her, producing a body of work still enlisted today to help the Catalan language resist the dominance of Peninsular Spanish. ????????????????????????????????????????????????????????????????
The word "bibliophilia" indicates a love of books, both as texts to be read and objects to be cherished for their physical qualities. Throughout the history of Iberian print culture, bibliophiles have attempted to explain the psychological experiences of reading and collecting books, as well as the social and economic conditions of book production. Bibliophiles, Murderous Bookmen, and Mad Librarians analyses Spanish bibliophiles who catalogue, organize, and archive books, as well as the publishers, artists, and writers who create them. Robert Richmond Ellis examines how books are represented in modern Spanish writing and how Spanish bibliophiles reflect on the role of books in their lives and in the histories and cultures of modern Spain. Through the combined approaches of literary studies, book history, and the book arts, Ellis argues that two strains of Spanish bibliophilia coalesce in the modern period: one that envisions books as a means of achieving personal fulfilment, and another that engages with politics and uses books to affirm linguistic, cultural, and regional and national identities.
Although the song is often the subject of monographs, one of its forms remains insufficiently researched: the vocalised song, communicated to the spectator through performance. The study of the song takes one back to the study of vocal practices, from aesthetic objects to forms and to plural styles. To conceive a song means approaching it in its different instances of creation as well as its linguistic diversity. Jean Nicolas De Surmont proposes ways of research and analysis useful to musicians, musicologists, and literary critics alike. In his book he takes up the issue of vocal poetry in addition to examining the theoretic aspects of song objects. Rather than offering an autonomous model of analysis, De Surmont extends the research fields and suggests responses to debates that have involved everyone interested in vocal poetic forms.