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This is the proceedings of the XVI International Congress of Graphic Design in Architecture, EGA 2016, held in Alcalá de Henares, Spain, in June 2016. About 200 professionals and researchers from 18 different countries attended the Congress. This book will be of interest to researchers in the field of architecture and Engineering. Topics discussed are Innovations in Architecture, graphic design and architecture, history and heritage among others.
Originally published in Germany in 1968, this first comprehensive and critical survey of Le Corbusier's life and work soon became the standard text on the architect and polymath. French, Spanish, English, Japanese and Korean editions followed, but the book has now been out of print for almost two decades. In the meantime, Le Corbusier's archives in Paris have become available for research, resulting in an avalanche of scholarship. Von Moos' critical take and the basic criteria by which the subject is organized and historicized remain surprisingly pertinent in the context of this recent jungle of Corbusier studies. This new, completely revised edition is based on the 1979 version published in English by the MIT Press but offers a substantially updated body of illustrations. Each of the seven chapters is supplemented by a critical survey of recent scholarship on the respective issues. An updated edition of this acclaimed book, an essential read for students of architecture and architectural history.
Experiments in architectural education in the post–World War II era that challenged and transformed architectural discourse and practice. In the decades after World War II, new forms of learning transformed architectural education. These radical experiments sought to upend disciplinary foundations and conventional assumptions about the nature of architecture as much as they challenged modernist and colonial norms, decentered building, imagined new roles for the architect, and envisioned participatory forms of practice. Although many of the experimental programs were subsequently abandoned, terminated, or assimilated, they nevertheless helped shape and in some sense define architectural dis...
The German Pavilion erected at the World Exhibition in Barcelona in 1929 was an imposing structure and a prime example of modern architecture. In this book, the author takes a lively and unconventional approach to the building, interpreting the various architectural, historical and cultural aspects surrounding the construction. He examines the physical elements such as the columns, the terrace, the free-standing walls which enclose the pavilion and form a pattern of open and closed spaces. He also considers the aesthetic elements, the noble materials used, its representative qualities and reflecting on how material, structure, space and tradition are integrated into a unity.
An explosion of little architectural magazines in the 1960s and 1970s instigated a radical transformation in architectural culture, as the magazines acted as a site of innovation and debate. Clip/Stamp/Fold takes stock of seventy little magazines from this period. The book brings together a remarkable range of documents and original research which the project has produced during its continuous travels over the last four years starting with the exhibition at the Storefront in November 2006. The book features transcripts from the “Small Talks” events in which editors and designers were invited to discuss their magazines; a stocktaking of over 100 significant issues that tracks the changing density and progression of the little magazine phenomenon; transcripts of more than forty interviews with magazine editors and designers from all over the world; a selection of magazine facsimiles; and a fold out poster that offers a mosaic image of more than 1,200 covers examined during the research.
Enric Miralles (1955-2000) remains one of the most prominent architects of his generation. The significance of his architectural design lies in his seamless integration of site and building and his use of space to serve the everyday conditions of life. Practicing for less than twenty-five years Miralles designed over 150 projects, many are now built including: the Scottish Parliament Buildings, Santa Caterina Market, Vigo University, Diagonal Mar Park, Alicante Gymnastic Center, and Igualada Cemetry.The book Conversations and Allusions, Enric Miralles brings together previously unpublished essays and lectures by his former collaborators and friends. Each contributor in this timely publication offers unique insight on Miralles? practice of architecture as a way of creating positive change in the world.
The Remembered Film addresses a previously overlooked aspect of cinema: the isolated fragments of films, iconic images or scenes that fleetingly cross our perceptions and thoughts in the course of everyday life.
Adopting Kafka as a lens to examine modern concepts in architecture, this book pries open new interpretations in Kafka scholarship. Each of eight chapters takes up an architectural element with which to explore meanings central to both literature and architecture. Stairs function as vertical access but in Kafka's hands become an instrument of science, testing the merit of natural selection. Kafka's doors open and close less to allow passage than to reconcile one psychological interior with the next. Notions of plumbing and hygiene begin to acquire new meaning. The architecture of Mies van der Rohe begins to make more sense, especially his tabula rasa approach to design, signifying less a harsh disdain for site and more a response to a reality in which the ceremony of the stairs had died and was replaced by the pervasive flatness of the modern floor.
Conversant in contemporary theory and architectural history, Stan Allen argues that concepts in architecture are not imported from other disciplines, but emerge through the materials and procedures of architectural practice itself. Drawing on his own experience as a working architect, he examines the ways in which the tools available to the architect affect the design and production of buildings. This second edition includes revised essays together with previously unpublished work. Allen’s seminal piece on Field Conditions is included in this reworked, revised and redesigned volume. A compelling read for student and practitioner alike.
Taking "Specific Objects," the seminal text written by Judd in the mid-sixties, as the central theme, the author analyzes the artist's main concepts and his whole career from a new perspective: "what one seeks is an object that speaks of the world in which it is moving or of the world from which it is moving away. One searches for a boundary work, a frontier, that says, simultaneously, where it is coming from and where it is going, a work in which interests overlap. A work that will function as a mark or a crossroads, locating this work is the first exercise.