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Excerpt from The Early Flemish Painters: Notices of Their Tibes and Works Descamps, in 1753, wrote afresh the lives of these painters. He did not, however, add much that was new. On the contrary, he confused a history which was already sufficiently obscure. He failed to discover the error of Van Mander, who made two painters out of the old Roger Van der Weyden and he changed the name of Memling to Hemmelinck, thereby laying the foundation of much subsequent controversy. Having visited Bruges and seen the pictures of the hospital, he sought to repair the neglect of history by writing a legend. Thus altered and falsified, the history of early Flemish art remained for some time, not forgotten, ...
First published in 1864, this landmark history of Italian painting remains a classic of art scholarship. Joseph Archer Crowe and Giovanni Battista Cavalcaselle offer a comprehensive survey of Italian painting from the Middle Ages to the Renaissance, providing invaluable insights into the artists and movements that shaped this rich cultural heritage. With more than 500 illustrations and an accessible writing style, this book is an indispensable resource for anyone interested in the art of Italy. This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work is in the "public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.
Angela Jianu explores the lives and activities of a group of Romanian revolutionaries exiled in Paris, London and the Middle East in the aftermath of the insurrections of 1848. Drawing largely on diaries, memoirs and private correspondence, A Circle of Friends is a social history of political exile, presenting the personal life dramas of the protagonists within the wider context of the European post-revolutionary turmoil of the 1850s. Exile and political repression allied this group not only to their Hungarian and Polish peers, but also to French republicans, English radicals and Italian freedom-fighters. Their story reveals the existence of transnational networks of left-wing, radical and republican movements in mid-nineteenth-century Europe against the background of nation-building projects in East-Central Europe.
Introduces the artistic movement that lead to the Renaissance and features such artists as Ugolino de Nerio, Giotto di Bondone, and Andrea Orcagna.
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