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The 1930s were the heyday of the Hollywood studios, and Starr brilliantly captures Hollywood films and the society that surrounded the studios.
The third in a four-volume series commemorating California's sesquicentennial, this volume brings together the best of the new scholarship on the social and cultural history of the Gold Rush, written in an accessible style and generously illustrated with with black and white and color photographs.
Precolumbian art -- Viceregal art -- Nineteenth century art -- Twentieth century art.
"The past quarter century has witnessed the emergence of a scholarly appreciation of American art in California. Yet assessments of the early modern (pre-1950) have been haphazard. Now in one bold volume, these scholars have remedied that deficiency. Thanks to the rich essays of this wonderful book, the art history of California--and the nation!--is graced with further light."--Dr. Kevin Starr, State Librarian of California "The authors of these essays illuminate a diverse and compelling history, one in which what happened at the geographic edges sheds new light on the European points of original. A lively and valuable contribution, not just to regional history, but to the making and transmi...
Extensively illustrated with detailed site plans and photographs, this architectural history of the Mexican plaza reveals why this central public space has been the heart of the community from ancient Mesoamerican times until the present.
An examination of how changing public information infrastructures shaped people's experience of earthquakes in Northern California in 1868, 1906, and 1989. When an earthquake happens in California today, residents may look to the United States Geological Survey for online maps that show the quake's epicenter, turn to Twitter for government bulletins and the latest news, check Facebook for updates from friends and family, and count on help from the Federal Emergency Management Agency (FEMA). One hundred and fifty years ago, however, FEMA and other government agencies did not exist, and information came by telegraph and newspaper. In Documenting Aftermath, Megan Finn explores changing public i...
In this beautifully illustrated biography, compiled from comprehensive and sweeping interviews, Nancy Boas traces Parks resolute search for a new kind of figuration, one that would penetrate abstract expressionisms thickly layered surfaces and infuse them with human presence.
The years around the turn of the century were a dynamic time in American art. Different and seemingly contradictory movements were evolving, and the dominant style that emerged during this period was Impressionism. Based in part on the broken brushwork and high-keyed palette of Claude Monet, it was a form especially suited to the dramatic landscape and shimmering light of California . . . This book celebrates forty Impressionist painters who worked in California from 1900 through the beginning of the Great Depression . . . it includes widely recognized California artists such as Maurice Braun and Guy Rose, less well known artists such as Mary DeNeale Morgan and Donna Schuster, and eastern painters who worked briefly in the region, such as Childe Hassam and William Merritt Chase . . . The contributors' essays examine the socioeconomic forces that shaped this art movement, as well as the ways in which the art reflected California's self-cultivated image as a healthful, sun-splashed arcadia.
Includes entries for maps and atlases.
Much experience and action, much thought and reminiscence, fill the pages of this volume. Here are books about explorers, frontiersmen, mountaineers, hunters, rangers, gold-finders, cowboys, and tenderfeet; novels and narratives by pioneer women; books by friends and also fighters of Native Americans. Often generously quoted, they pulse with the life of the old West. Albert R. Vogeler, Professor Emeritus, California State University, Fullerton You have the mantle of Henry Wagner, Carl Wheat, and Francis Farquhar on your shoulders. You are to be commended for bringing to life so many of the books that are key to our heritage. Gary F. Kurutz, Curator of Special Collections, California State Library