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" . . . a most precious book which every serious pianist and teacher must own." —Journal of the American Liszt Society Joseph Banowetz and four distinguished contributors provide practical suggestions and musicological insights on the pedaling of keyboard works from the 18th to the 20th century.
The Performing Pianist's Guide to Fingering, the much-anticipated companion to Joseph Banowetz's The Pianist's Guide to Pedaling, provides practical fingering solutions for technical musical passages. Banowetz contends that fingering choices require much thought and consideration and that too often these choices are influenced by historical traditions and ideas rather than by actual performance conditions. By returning to the unedited original compositions, he strives to help the advanced pianist think through the composer's musical intent and the actual performance tempo and dynamics when selecting the fingering. Banowetz also includes valuable contributions by Philip Fowke, who examines redistributions by Benno Moiseiwitsch in Rachmaninoff's compositions, and Nancy Lee Harper, who explores the often very different approaches to fingering found in keyboard music of the Baroque era. The Performing Pianist's Guide to Fingering will be useful to the advanced pianist and to instructors looking to guide students in improving this important art.
Included are selected works from a number of Schumann's collections such as Albumblätter (Opus 124), Album for the Young (Opus 68), Forest Scenes (Opus 82), Fantasy Pieces (Opus 12), and the complete Scenes from Childhood (Opus 15). Also included is a complete biography of Schumann, a useful preface including performance notes on each piece, and a full performance CD by the editor, Joseph Banowetz. Joseph Banowetz graduated with a First Prize from the Vienna Akademie für Musik und darstellende Kunst. Banowetz has been a piano recitalist and orchestral soloist on five continents. He was awarded the Liszt Medal by the Hungarian Liszt Society in recognition of his outstanding performances of Liszt and the Romantic literature.
Rubinstein's pedaling technique is explored using examples from a vast repertoire of works he performed in 1885-6. Carreño's observations explore her sensitivity made possible through combinations of touch and pedal.
A pair of great works from two distinguished Russian composers features Scriabin's Piano Concerto in F-sharp Minor, written during the first significant phase of artistic career, and a highlight from Rubinstein's extensive oeuvre, the magnificent Piano Concerto No. 4 in D Minor.
Includes miscellaneous newsletters (Music at Michigan, Michigan Muse), bulletins, catalogs, programs, brochures, articles, calendars, histories, and posters.
This volume documents not only the academic and music curricula offered at a distinguished seminary, but the importance of piano study from a sociological viewpoint, music making in a gendered environment, and performance opportunities available for 19th century women.
This Practical Performing Edition is a well-rounded introduction to Chopin's easiest piano pieces. It contains the familiar Prelude in A Major," "Prelude in B Minor" and "Prelude in E Minor," three waltzes (published posthumously), six mazurkas and additional works. Ornaments are realized and fingering and pedal suggestions are provided. Biographical information and a brief discussion of each work further assist students with Chopin's style. A Federation Festivals 2020-2024 selection."
At a time of both rising anti-Semitism and burgeoning Jewish nationalism, how and why did Russian music become the gateway to Jewish modernity in music? Loeffler offers a new perspective on the emergence of Russian Jewish culture and identity.