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We’re not implying anything but... It’s time for a bit of no-nonsense advice in the form of some choice expletive-laden life lessons. This small but f*cking mighty tome is just the tonic to set you on the path to being an awesome human, and will teach YOU how not to be a D*CK.
An irreverent gift book which demonstrates in an erudite and humorous way how not to be a d*ck. We're not implying anything but... It's time for a bit of no-nonsense advice in the form of some choice expletive-laden life lessons. This small but f*cking mighty tome is just the tonic to set you on the path to being an awesome human, and will teach YOU how not to be a D*CK.
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Dewey Soper first travelled to the Arctic in 1923. During the next seven years he accepted three research postings on Baffin Island, each of which lasted between one and two years. In 1929 he discovered the breeding grounds of the blue goose in the southwest corner of Baffin Island. He also charted the final unknown region of Baffin Island's coastline. Later in life he worked in the western Arctic. Outside the Far North, Soper studied bison in Wood Buffalo National Park, documented bird life on the Prairies, and made a detailed study of small mammals in Alberta. Soper was the last of the great pioneer naturalists in Canada. He was also a skilled and meticulous explorer. As a naturalist, he was a major contributor to the National Museum of Canada, as well as to the University of Alberta and other museums across the country.
The fascinating development of natural history studies in North America is portrayed through the life stories of 22 naturalists. The hope is that once people personally encounter the natural world and become aware of its intricacy, fragility, beauty, and significance, they will recognize the need for conservation.
After the veritable hype concerning postmodernism in the 1980s and early 1990s, when questions about when it began, what it means and which texts it comprises were apt to trigger heated discussions, the excitement has notably cooled down at the turn of the century. Voices are now beginning to be heard which seem to suggest a new episteme in the making which points beyond postmodernism, while it remains at the same time very uncertain whether what appears as newness is not rather a return to traditional concepts, theoretical premises, and authorial practices. Contributors to this volume propose to explore new openings and recent developments in anglophone literatures and cultural theories which engage with issues seen to be central in the construction of a postmodern paradigm, but deal with them in ways that promise new openings or a new Zeitgeist.