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This true story of a revolt at a Nazi death camp, newly updated, is “a memorable and moving saga, full of anger and anguish, a reminder never to forget” (San Francisco Chronicle). On October 14, 1943, six hundred Jews imprisoned in Sobibor, a secret Nazi death camp in eastern Poland, revolted. They killed a dozen SS officers and guards, trampled the barbed wire fences, and raced across an open field filled with anti-tank mines. Against all odds, more than three hundred made it safely into the woods. Fifty of those men and women managed to survive the rest of the war. In this edition of Escape from Sobibor, fully updated in 2012, Richard Rashke tells their stories, based on his interviews with eighteen of the survivors. It vividly describes the biggest prisoner escape of World War II. A story of unimaginable cruelty. A story of courage and a fierce desire to live and to tell the world what truly went on behind those barbed wire fences.
This volume contains selected papers given at the conference 'Violence, Culture and Identity' held at St Andrews University in 2003. It contributes to the debate on the role of culture in propagating, mediating and controlling violence in society, concentrating on the relationship between culture and identity-formation in Germany and Austria from the Middle Ages to the present. Bringing together the work of twenty-two scholars with expertise in different literary and historical periods, the volume probes the complexities of representations of violence enacted and suffered, of affirmative and non-affirmative violence in text and visual form, revealing the often blurred line between victim and victimizer. Violence in its discursive and material forms is investigated, using the theoretical tools of sociology, post-colonial and gender studies, history and psychology as well as of literary criticism. The collection of essays focuses particularly on the relationship between war and identity, on 1970s terrorism and identity, on violence and the construction of gender, and on contemporary writing in German.
This volume represents the first in a four-volume series, a daring project by CEU Press which presents the most important texts that triggered and shaped the processes of nation-building in the many countries of Central and Southeast Europe. The series brings together scholars from Austria, Albania, Bosnia-Herzegovina, Bulgaria, Croatia, the Czech Republic, Greece, Hungary, the Republic of Macedonia, Poland, Romania, Serbia and Montenegro, Slovakia, Slovenia and Turkey. The editors have created a new interpretative synthesis that challenges the self-centered and "isolationist" historical narratives and educational canons prevalent in the region, in the spirit of of "coming to terms with the past." The main aim of the venture is to confront 'mainstream' and seemingly successful national discourses with each other, thus creating a space for analyzing those narratives of identity which became institutionalized as "national canons." The series will broaden the field of possible comparisons of the respective national cultures.
Conrad Richter: A Writer's Life is the story of an aspiring writer who failed and then, desperate for money, tried again and wrote himself out of penny-a-word pulp magazines and into a Pulitzer Prize and a National Book Award. Based upon unrestricted access to all of Richter's letters, journals, notebooks, and private papers, this biography offers an intimate account of Richter's personal struggle to achieve success in his own and in other people's terms. Johnson's biography will engage anyone interested in the art of biography and in a novelist's act of writing. Admirers of Richter's novels will also find much of interest in his life. So, too, will those who find value in the story of a man who, despite his sense of himself as an imperfect vessel for God's plan for human evolution, lived his life with as much grace, determination, and courage as he could.
Does your knowledge of the Old Testament feel like a grab bag of people, books, events and ideas? Sandra Richter gives an overview of the Old Testament, organizing our disorderly knowledge of the Old Testament people, facts and stories into a memorable and manageable story of redemption that climaxes in the New Testament.
Introduction -- Precocious in print -- Acting like children -- Kinderlieder and the work of play -- Cadences of the childlike -- Toying with Mozart.