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Late Have I Loved You
Through his Confessions Augustine presented himself as a seeker of God. His search for God was unrivalled in the history of Christian spirituality. The essays of this book examine Augustine¿s peculiar journey back to his God. Since Augustine¿s search for God has left its mark on the intellectual and spiritual Christian tradition, Joseph Lam also discusses the various perspectives of the ongoing reinterpretation of Augustine¿s theology and spirituality.
Who is Who in British Guiana - 1945 - 1948
A transcription of a text published in British Guiana in 1948 listing 4351 individuals together with their occupations and some details of their accomplishments. This directory must have been very useful at the time of its original publication, but after nearly 70 years is of little if any practical commercial value. It has been reproduced purely for the purpose of informing current and future generations in Guyana of their ancestors and their accomplishments. From a genealogical perspective therefore, it may serve some useful purpose.
Christianity Reborn
Christianity Reborn provides the first transnational in-depth analysis of the global expansion of evangelical Protestantism during the past century. While the growth of evangelical Christianity in the non-Western world has already been documented, the significance of this book lies in its scholarly treatment of that phenomenon. Written by prominent historians of religion, these chapters explore the expansion of evangelical (including charismatic) Christianity in non-English-speaking lands, with special reference to dynamic indigenous responses. The range of locations covered includes western and southern Africa, eastern and southern Asia, Latin America, and Oceania. The concluding essay prov...
Americans in Paris
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Music, Cosmology, and the Politics of Harmony in Early China
Explores the religious, political, and cultural significance attributed to music in early China. In early China, conceptions of music became important culturally and politically. This fascinating book examines a wide range of texts and discourse on music during this period (ca. 500100 BCE) in light of the rise of religious, protoscientific beliefs on the intrinsic harmony of the cosmos. By tracking how music began to take on cosmic and religious significance, Erica Fox Brindley shows how music was used as a tool for such enterprises as state unification and cultural imperialism. She also outlines how musical discourse accompanied the growth of an explicit psychology of the emotions, served as a fundamental medium for spiritual attunement with the cosmos, and was thought to have utility and potency in medicine. While discussions of music in state ritual or as an aesthetic and cultural practice abound, this book is unique in linking music to religious belief and demonstrating its convergences with key religious, political, and intellectual transformations in early China.
Patterns of Sin in the Hebrew Bible
Sin, often defined as a violation of divine will, remains a crucial idea in contemporary moral and religious discourse. However, the apparent familiarity of the concept obscures its origins within the history of Western religious thought. Joseph Lam examines a watershed moment in the development of sin as an idea-namely, within the language and culture of ancient Israel-by examining the primary metaphors used for sin in the Hebrew Bible. Drawing from contemporary theoretical insights coming out of linguistics and philosophy of language, this book identifies four patterns of metaphor that pervade the biblical texts: sin as burden, sin as an account, sin as path or direction, and sin as stain ...
Jesus' Death and Heavenly Offering in Hebrews
Examines Hebrews' exposition of Jesus' death, his self-offering in heaven at his ascension, and the link between them.
Women & Work
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Harmony and Counterpoint
This volume of nine essays draws together leading scholars in anthropology, social history, musicology, and ethnomusicology to address the roles and functions of music in the Chinese ritual context. How does music, one of a constellation of essential performative elements in almost all rituals, empower an officiant, legitimate an officeholder, create a heightened state of awareness, convey a message, or produce a magical outcome, a transition, a transformation? After an introduction by the volume editors, Bell Yung proposes a theoretical framework for dealing with Chinese ritual sound. A group of three essays focuses on the music for rituals that create political and social legitimacy followed by a second group of essays considering the music associated with rites of passage. Two essays then deal with the music accompanying rituals of propitiation. In all these cases, music is seen to play a critical role, if not the core of the ritual.
