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Brainstorm
This book examines Brainstorm (1983), considering multiple drafts of the screenplay by three different screenwriters, the production history including the death of star Natalie Wood, the career of director and special effects wizard Douglas Trumbull, and the film's influence on future storytellers like James Cameron.
To Hell You Ride
A deadly curse plagues a small Colorado town, melting the flesh from its victims -- the violent revenge that four warriors set in motion when their sacred burial grounds were disturbed for the sake of gold miners' greed! Now, one self-destructive hero holds the fate of the town in his hands! A new horror story written by actor Lance Henriksen (Aliens) and Joseph Maddrey (Nightmares in Red, White and Blue: The Evolution of the American Horror Film), with art by Tom Mandrake.
To Hell You Ride #1
A deadly curse plagues a small town, melting the flesh from its victimsthe violent revenge four warriors set in motion when their sacred burial grounds were disturbed for the sake of gold miners' greed! A new horror series written by Lance Henriksen (_Millennium, Aliens, Near Dark_) and Joseph Maddrey (_Nightmares in Red, White and Blue: The Evolution of the American Horror Film_), with art by Tom Mandrake. New horror series by Lance Henriksen! Dark Horse horror gets under your skin! Mandrake is an artist who deserves to be a superstar.�Comic Book Resources Henriksen's undeniable talents as a storyteller are on full display here.�Rue Morgue
Women's Space
From the Star Wars expanded universe to Westworld, the science fiction western has captivated audiences for more than fifty years. These twelve new essays concentrate on the female characters in the contemporary science fiction western, addressing themes of power, agency, intersectionality and the body. Discussing popular works such as Fringe, Guardians of the Galaxy and Mass Effect, the essayists shed new light on the gender dynamics of these beloved franchises, emphasizing inclusion and diversity with their critical perspectives.
Fear and Learning
This groundbreaking collection of new essays presents critical reflections on teaching horror film and fiction in many different ways and in a variety of academic settings--from cultural theory to film studies; from women's and gender studies to postcolonialism; from critical thinking seminars on the paranormal to the timeless classics of English horror literature. Together, the essays show readers how the pedagogy of horror can galvanize, unsettle and transform classrooms, giving us powerful tools with which to consider interwoven issues of identity, culture, monstrosity, the relationship between the real and the fictional, normativity and adaptation. Includes a foreword by celebrated horror writer Glen Hirshberg.
Back to Frank Black
In 1996, a groundbreaking television drama debuted on the Fox network. Created by Chris Carter, Millennium tells the story of Frank Black (Lance Henriksen), a legendary forensic profiler gifted with the ability to see into the minds of killers. Through his work as a consultant with the F.B.I. and the mysterious Millennium Group, the series offers a thoughtful exploration of the nature and manifestations of evil in the modern world. Back to Frank Black offers an unprecedented volume of material exploring this landmark series. With forewords from Lance Henriksen and Frank Spotnitz and an introduction by series creator Chris Carter, the collection features interviews with cast and crew as well as in-depth essays analyzing Millennium's characters, themes, and enduring legacy. Inspired by the growing movement to return this iconic hero to the screen, Back to Frank Black finds its focus in an incomparable figure of hope: Frank Black. We need him now more than ever.
The Turn to Gruesomeness in American Horror Films, 1931-1936
Critics have traditionally characterized classic horror by its use of shadow and suggestion. Yet the graphic nature of early 1930s films only came to light in the home video/DVD era. Along with gangster movies and "sex pictures," horror films drew audiences during the Great Depression with sensational content. Exploiting a loophole in the Hays Code, which made no provision for on-screen "gruesomeness," studios produced remarkably explicit films that were recut when the Code was more rigidly enforced from 1934. This led to a modern misperception that classic horror was intended to be safe and reassuring to audiences. The author examines the 1931 to 1936 "happy ending" horror in relation to industry practices and censorship. Early works like Murders in the Rue Morgue (1932) and The Raven (1935) may be more akin to The Texas Chain Saw Massacre (1974) and Hostel (2005) than many critics believe.
Dark Carnivals
The panoramic story of how the horror genre transformed into one of the most incisive critiques of unchecked American imperial power The American empire emerged from the shadows of World War II. As the nation’s influence swept the globe with near impunity, a host of evil forces followed—from racism, exploitation, and military invasion to killer clowns, flying saucers, and monsters borne of a fear of the other. By viewing American imperial history through the prism of the horror genre, Dark Carnivals lays bare how the genre shaped us, distracted us, and gave form to a violence as American as apple pie. A carnival ride that connects the mushroom clouds of 1945 to the beaches of Amity Island, Charles Manson to the massacre at My Lai, and John Wayne to John Wayne Gacy, the new book by acclaimed historian W. Scott Poole reveals how horror films and fictions have followed the course of America’s military and cultural empire and explores how the shadow of our national sins can take on the form of mass entertainment.
Simply Darwin
“An excellent sprint through the highlights of Darwin’s life and work. Ruse is a masterful writer who presents a clear account of who Darwin was and why he was important. It’s the connection to larger questions of our lives that makes this book a success. Well done, Ruse!” —Joe Cain, Professor of History and Philosophy of Biology, University College London Simply Darwin tells the story of Charles Robert Darwin (1809–1882) and his theory of evolution through natural selection. On one level, the book portrays a dedicated scientist who, through careful observation and brilliant insight, became convinced that organisms were the end product of a long, slow, and natural process of deve...
Why Horror Seduces
Why do humans feel the need to scream at horror films? In Why Horror Seduces, author Matthias Clasen looks to evolutionary social science to show how the horror genre is a product of human nature.
