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A Tale Blazed Through Heaven
A Tale Blazed Through Heaven examines developments in the representation of the classical tale of Mars, Venus, and Vulcan in the literature and painting of the Golden Age of Spain (c.1526-1681). Anchored in close analysis of individual primary texts, the five chapters that comprise this study assess how poets and painters breathed new life into the tale inherited from Homer, Ovid, and others, examining some of the ways in which the story of Mars, Venus, and Vulcan was disguised, developed, expanded, mocked, combined with or played off against different subjects, or otherwise modified in order to pique the interest of successive generations of readers and viewers. Each chapter discusses what ...
In the Poets’ Footsteps
Aimed not only at literature enthusiasts, but also at those who love to travel along less beaten paths, In the Poets’ Footsteps: Literature, Tourism, and Promotion tells the story of literary tourism between the beginning of the 1800s and today. Giovanni Capecchi surveys the methods most used today, namely printed and online literary guides, that offer a wide panorama of writers' homes and evaluates literary festivals as events capable of giving cultural and economic opportunities to the territories that host them.
Geographies of Globalized Education Privatization
This book explores the complex and various forms that privatization of education takes on a global scale at different ages of schooling. Through the spread of neoliberal policies in education both in the global North and the global South, the book suggests that this process is leading to new forms of schooling and socio-spatial dynamics linked to the creation of increasingly competitive school markets. The book highlights some of the main issues that such competition generates by focusing on the acceleration of the segregative processes on one hand but also on the alternatives that are emerging regarding this global context on the other hand. It considers processes of domination, hegemony, b...
Déodat de Séverac
Dat de Srac (1872-1921) is best known for his piano music but his compositions included orchestral and vocal works, including opera, cantata and incidental music. Claude Debussy described Srac's music as "exquisite and rich with ideas." The early works were influenced by Impressionist harmonies, church modes, cyclic techniques, folk-like melodies and Andalusian motives. Srac's style changed dramatically in 1907 when he left Paris and began to include Catalan elements in his compositions - a transition that has hitherto gone unrecognized. Robert Waters provides a much-needed study of the life and works of Srac, focusing on the composer's regionalist philosophy. Srac's engagement with folk mus...
