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**Soon to be appearing on Netflix as "Obsession," starring Richard Armitage and Charlie Murphy** This New York Times bestselling novel, now in a brand-new edition, is a daring look at the dangers of obsession and the depth of its shattering consequences. Damage is the gripping story of a man’s desperate obsession and scandalous love affair. He is a man who appears to have everything: wealth, a beautiful wife and children, and a prestigious political career in Parliament. But his life lacks passion, and his aching emptiness drives him to an all-consuming, and ultimately catastrophic, relationship with his son’s fiancée. Chilling and brilliant, Damage is a New York Times bestselling masterpiece of the romantic suspense genre.
In this mesmerizing novel of death and forgetting, love and memory by the bestselling author of Damage, Josephine Hart compels readers to confront disturbing truths about their relationships with the dead. A woman has died, but neither her mother nor her husband are able to come to terms with her death.
It's dangerous . . . and that's the truth about love . . . A young man shields his terrible wounds from his mother; a husband believes he can love his grief-stricken wife back to life; a young girl puts her own life on hold until her family can find their way back from blinding pain; a man surrenders to the helplessness of obsessive love. Set in Ireland, this brilliant, intense story is about a family named O'Hara who chose to remain in the place of their loss, and the stranger from Germany who has run from his. It's about love - for another, for a country, for family - and survival, and it's remarkable.
Following the success of CATCHING LIFE BY THE THROAT, Josephine Hart compiles more poetry from the like of such poets as Milton, Byron, Keats, Shelley, Browning, Frost and Lowell. An audio CD accompanies.
A psychiatrist becomes so absorbed in the problems of other people that he never quite comes to grips with his own, to the detriment of his marriage and his own unexamined past.
Josephine Hart, author of the bestselling novel Damage, had what she called 'a long love affair' with poetry. It was an affair that started as a child and lasted until her untimely death at the age of sixty-nine in 2011. She said 'I was a word child' growing up in Ireland 'a country of word children where life was language before it was anything else'. As a teenager and later she found the poetry of Eliot, Larkin, Yeats and others a lifeline,'a route map through life'. In the late 1980s, Hart, by now a successful West End theatre producer, began a hugely popular event in which actors read the words of the great poets to an enraptured audience. In 2004, The Josephine Hart Poetry Hour moved to...
Catching Life by the Throat unites the sound, sense, and sensibility that lie at the heart of great poetry. It features eight great poets, with brief, accessible essays concerning their life and work and a selection of their poems, and it is accompanied by an 80-minute CD recorded live at the British Library: Ralph Fiennes reading Auden, Edward Fox reading Eliot, Roger Moore reading Kipling, Harold Pinter reading Larkin, and more. Whether you believe (like Robert Frost, who inspired the title) that poetry is a way of "taking life by the throat" or (like T. S. Eliot) that it "is one person talking to another," nobody does it better than the poets featured in this book. For a novice discovering the rich heritage of English-language verse or a seasoned poetry reader, Catching Life by the Throat is an extraordinary introduction to eight iconic poets.
"Mr. Jurgenson makes a first sortie toward a new understanding of the photograph, wherein artistry or documentary intent have given way to communication and circulation. Like Susan Sontag’s On Photography, to which it self-consciously responds, The Social Photo is slim, hard-bitten and picture-free." – New York Times A set of bold theoretical reflections on how the social photo has remade our world. With the rise of the smart phone and social media, cameras have become ubiquitous, infiltrating nearly every aspect of social life. The glowing camera screen is the lens through which many of us seek to communicate our experience. But our thinking about photography has been slow to catch-up; this major fixture of everyday life is still often treated in the terms of art or journalism. In The Social Photo, social theorist Nathan Jurgenson develops bold new ways of understanding photography in the age of social media and the new kinds of images that have emerged: the selfie, the faux-vintage photo, the self-destructing image, the food photo. Jurgenson shows how these devices and platforms have remade the world and our understanding of ourselves within it.
Ruth smiles, but beneath the surface nurses a hatred as powerful as the sea, and as sharp as the coldest of blades. The object of Ruth's malevolence is her cousin, Elizabeth - orphaned at nine months and raised by Ruth's parents as their own - whose very presence stole Ruth's birthright as only child.