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Maarten Vanvolsem explains how the strip technique can tell a different story of time and space in photographic images, a story that leads to new expressions and experiences of time and movement.
Examines the exchanges within and through feminist film culture to expand critical horizons in film scholarship. Following in the footsteps of the filmmakers whose work it features--including Miranda July, Janie Geiser, Tracey Moffatt, Sally Potter, Cindy Sherman, Samira Makhmalbaf, Sadie Benning, Agnès Varda, Kim Longinotto, and Michelle Citron--There She Goes: Feminist Filmmaking and Beyond seeks to make trouble not only in the archives but also at the boundaries between artistic, industrial, political, critical, and disciplinary practices. Editors Corinn Columpar and Sophie Mayer have assembled scholarship that responds to women's work in the interstices between different branches of the...
Holly Rogers is Senior Lecturer in Music at Goldsmiths, University of London. Book jacket.
Published to accompany exhibition held at the Hayward Gallery, London, 19/6 - 17/8 1997.
The compulsion to dwell on historyÑon how it is recorded, stored, saved, forgotten, narrated, lost, remembered, and made publicÑhas been at the heart of artistsÕ engagement with the photographic medium since the late 1960s. Uncertain Histories considers some of that work, ranging from installations that incorporate vast numbers of personal and vernacular photographs by Christian Boltanski, Dinh Q. L�, and Gerhard Richter to confrontations with absence in the work of Joel Sternfeld and Ken Gonzales-Day. Projects such as these revolve around a photographic paradox that hinges equally on knowing and not knowing, on definitive proof coupled with uncertainty, on abundance of imagery being me...
The contributions collected in the second volume of Resistance and the City are devoted to the three markers of identity that cultural studies has recognised as paramount for our understanding of difference, inequality, and solidarity in modern societies: race, class, and gender. These categories, tightly linked to the mechanics of power, domination and subordination, have often played an eminent role in contemporary struggles and clashes in urban space. The confluence of people from diverse ethnic, social, and sexual backgrounds in the city has not only raised their awareness of a variety of life concepts and motivated them to negotiate their own positions, but has also encouraged them to develop strategies of resistance against patterns of social and spatial exclusion. Contributors: Oliver von Knebel Doeberitz, Barbara Korte, Anna Lienen, Gill Plain, Frank Erik Pointner, Katrin Röder, Ingrid von Rosenberg, Mark Schmitt, Ralf Schneider, Christoph Singer, Sabine Smith, Merle Tönnies, Ger Zielinski
Wonder has an established link to the history and philosophy of science. However, there is little acknowledgement of the relationship between the visual arts and wonder. This book presents a new perspective on this overlooked connection, allowing a unique insight into the role of wonder in contemporary visual practice. Artists, curators and art theorists give accounts of their approach to wonder through the use of materials, objects and ways of exhibiting. These accounts not only raise issues of a particular relevance to the way in which we encounter our reality today but ask to what extent artists utilize the function of wonder purposely in their work.
Diverse Practices, the third book in the Active Landscape Photography series, presents a set of unique photographic examples for site-specific investigations of landscape places. Contributed by authors across academia, practice and photography, each chapter serves as a rigorous discussion about photographic methods for the landscape and their underlying concepts. Chapters also serve as unique case studies about specific projects, places and landscape issues. Project sites include the Miller Garden, Olana, XX Miller Prize and the Philando Castile Peace Garden. Landscape places discussed include the archeological landscapes of North Peru, watery littoral zones, the remote White Pass in Alaska,...
This book investigates what happens to criminal evidence after the conclusion of legal proceedings. During the criminal trial, evidentiary material is tightly regulated; it is formally regarded as part of the court record, and subject to the rules of evidence and criminal procedure. However, these rules and procedures cannot govern or control this material after proceedings have ended. In its ‘afterlife’, criminal evidence continues to proliferate in cultural contexts. It might be photographic or video evidence, private diaries and correspondence, weapons, physical objects or forensic data, and it arouses the interest of journalists, scholars, curators, writers or artists. Building on a ...
Chapter 23 is published open access under a CC BY-NC-ND 4.0 license and is free to read or download from Oxford Academic. Archives have never been more complex, expansive, or ubiquitous. Gargantuan in scale and conception yet never sufficient or complete, the archive is on the one hand a space for empowerment and expression and on the other an instrument of constraint and repression. The way in which the archive is structured, made available, and developed plays a central role in how societies define their values and ethics. Archives: Power, Truth, and Fiction is a wide-ranging and innovative volume which highlights the vibrancy and urgency of the field by bringing together contributors from...