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Responsibility and Commitment
With a few exceptions the essays in this volume are versions of papers presented at a conference on «Responsibility and Commitment: The Ethics of Cultural Mediation,» which occurred at the University of Wisconsin-Madison in March of 1995. Held in honor of Jost Hermand, whose sixty-fifth birthday we were celebrating, the conference brought together Jost's friends and students to discuss issues central to his intellectual concerns. The title and themes of the conference were selected to characterize and to highlight Jost's contributions to intellectual life here and abroad. In dieser Festschrift für Jost Hermand versuchen Kollegen und Schüler, sein umfangreiches und vielfältiges Gesamtwer...
A Hitler Youth in Poland
Between 1933 and 1945, more than three million children between the ages of seven and sixteen were taken from their homes and sent to Hitler Youth paramilitary camps to be toughened up and taught how to be obedient Germans. Separated from their families, these children often endured abuse by the adults in charge. This mass phenomenon that affected a whole generation of Germans remains almost undocumented. In this memoir, Jost Hermand, a German cultural critic and historian who spent much of his youth in five different camps, writes about his experiences during this period. Hermand also gives background into the camp's creation and development.
Culture in Dark Times
BETWEEN 1933 AND 1945 MEMBERS OF THREE GROUPS—THE Nazi fascists, Inner Emigration, and Exiles—fought with equal fervor over who could definitively claim to represent the authentically “great German culture,” as it was culture that imparted real value to both the state and the individual. But when authorities made pronouncements about “culture” were they really talking about high art? This book analyzes the highly complex interconnections among the cultural-political concepts of these various ideological groups and asks why the most artistically ambitious art forms were viewed as politically important by all cultured (or even semi-cultured) Germans in the period from 1933 to 1945, with their ownership the object of a bitter struggle between key figures in the Nazi fascist regime, representatives of Inner Emigration, and Germans driven out of the Third Reich.
Re-reading Wagner
This multidisciplinary collection of readings offers suggestive new interpretations of Richard Wagner's ideological position in German history. The issues discussed range from the biographical--the reasons for Wagner's travels, his spotted political life--to the aesthetic and ideological, regarding his re-creation of medieval Nuremberg, his representations of gender and nationality, his vocal iconography, his anti-Semitism, and his vegetarianarguments, and, finally, his musical heirs. The essays are written by Tamara S. Evans, Edward R. Haymes, Peter Uwe Hohendahl, Peter Morris-Keitel, Alexa Larson-Thorisch, Audrius Dundzila, Marc A. Weiner, Jost Hermand, Frank Trommler, and Hans Rudolf Vaget. Avoiding journalistic or iconoclastic approaches to Wagner, these writers depart from the usual uncritical admiration of earlier scholars to develop a stimulating and ultimately cohesive collection of new perspectives.
Of 'truths Impossible to Put in Words'
This volume of essays relate Max Beckmann's work to the tangible circumstances of its production and reception. The essays contextualise aspects of Beckmann's early, middle, and late career by way of detailed reference to contemporary music, film, philosophy, theatre, history, sports and exile.
Old Dreams of a New Reich
Old Dreams of a New Reich, the translation of Jost Hermand's comprehensive study of prefascist and fascist utopias (Der alte Traum vom neuen Reich), examines tracts and futuristic novels crucial to the development and final radicalization of German national sentiments from the second part of the eighteenth century. Scholars and propagandists used the glorified virtues of ancient German tribes to create the cult of Germanic values. These works offer a vivid insight into the public imagination between 1871 and 1945, and into the highly successful media machinations employed by the Right as it used all literary genres - including avant-gardistic works as well as pulp novels and works of science fiction - to manipulate the general public.
Sound Figures of Modernity
The rich conceptual and experiential relays between music and philosophy—echoes of what Theodor W. Adorno once called Klangfiguren, or "sound figures"—resonate with heightened intensity during the period of modernity that extends from early German Idealism to the Critical Theory of the Frankfurt School. This volume traces the political, historical, and philosophical trajectories of a specifically German tradition in which thinkers take recourse to music, both as an aesthetic practice and as the object of their speculative work. The contributors examine the texts of such highly influential writers and thinkers as Schelling, Schopenhauer, Nietzsche, Bloch, Mann, Adorno, and Lukács in rela...
Nature and Ideology
The essays in this volume explore the broad range of ideas about nature reflected in twentieth-century concepts of natural gardens and their ideological implications. They also investigate garden designers' use of earlier ideas of natural gardens and their relationship to the rich model that nature offers.
Heroes and Heroism in German Culture
As Brecht's Galileo observed, a country which needs heroes is unfortunate indeed - words which suggest that a society's need for heroes is always a function of its shortcomings. By examining the role that heroes and heroism have played in German literature and culture over the past two centuries, the essays in this volume illuminate and contour both a flawed German society in need of heroes and the flawed but essential heroes brought forth by that society. Beginning in he era of the anti-Napoleontic Wars of Liberation, advancing to the challenging situation Germany faced at the end of World War II, and concluding with the current reemergence of a unified Germany after almost half a century of division, this volume broadens our understanding of the inadequacies and breakdowns of German society. In addition to analyses of heroism in German culture during the last two centuries, this volume contains the first major essays in English on cultural representations of disability in German culture and on AIDS in German literature, as well as two essays on the scholarly accomplishments of Jost Hermand, to whom all of the essays in the volume are dedicated.
