Welcome to our book review site go-pdf.online!
You may have to Search all our reviewed books and magazines, click the sign up button below to create a free account.
Creating the Cult of St. Joseph
St. Joseph is mentioned only eight times in the New Testament Gospels. Prior to the late medieval period, Church doctrine rarely noticed him except in passing. But in 1555 this humble carpenter, earthly spouse of the Virgin Mary and foster father of Jesus, was made patron of the Conquest and conversion in Mexico. In 1672, King Charles II of Spain named St. Joseph patron of his kingdom, toppling St. James--traditional protector of the Iberian peninsula for over 800 years--from his honored position. Focusing on the changing manifestations of Holy Family and St. Joseph imagery in Spain and colonial Mexico from the sixteenth through eighteenth centuries, this book examines the genesis of a new s...
The Inner Life of Catholic Reform
"While studies abound about Catholic Reform and its institutional or social history, its spiritual motives and practices, what one could call its "inner life," have been widely neglected. This book examines how these spiritual ideas and practices shaped the Catholic Reform and Catholic view of the world and led to a diverse but peculiarly theological imagination, a new outlook on the self and the world, and influenced human behaviors and sentiments. It tells the story of how the idea of the "inner reform of the soul" shaped a world religion. The historicization of these religious practices and beliefs makes this book also highly accessible to historians and anthropologists. It relies on a plethora of published and unpublished sources, and a wide field of secondary literature. Although the emphasis is on Europe, this book takes a global perspective by integrating material from Africa, America and Asia as it was in this era that Catholicism became a "world religion.""--
Baroque Personae
Originally published in Italian as L'Uomo Barocco (Editori Laterza), in 1991. Several chapters are published from the authors' original English-language versions, revised; one has been translated form the author's original French-language version, revised. Contributors develop a portrait of institutions, ideologies, intellectual themes, and social structures as they are reflected in characteristic social roles of the Baroque period, such as the statesman, the nun, the soldier, the artist, the witch, the scientist, and the bourgeois. Paper edition (85637-2), $18.95. Annotation copyright by Book News, Inc., Portland, OR
The Tragic Myth
With literature, music constituted the most important activity of poet and playwright Federico Garcia Lorca's life. The two arts were closely related to each other throughout his career. As a child, Lorca imbibed traditional Andalusian songs from the lips of the family maids, whom he would remember with affection years later. At a very early age he began to study piano, and during his adolescence, music and poetry competed for primacy among his interests. His first book was dedicated to his music teacher, who instilled in him a love for the world of art and creation. In part I of this study, Edward F. Stanton examines Lorca's theoretical and practical approach to cante jondo, the traditional music of Andalusia, as seen in his lectures on the subject and in the 1922 concurso. In part II, he searches for direct and—far more important—indirect echoes of this music in his work. Part III explores the mythic quality of Lorca's art in relation to cante jondo. Throughout, Stanton illuminates a new dimension of the poet's work.
