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Situated at the crossroads of visual culture and consumerism, this essay collection examines visual merchandising as both a business and an art. It seeks to challenge that scholarly ambivalence that often celebrates the spectacle but denies the agenda of consumerism. The volume considers strategies in the imaging of selling from the mid nineteenth century to the present, in terms of the visual interaction that occurs between the commodity and the consumer and between body and space. Under the categories of Promotion, Product and Place, contributors to the volume examine the strategies in the presentation of retail goods and environments that range from print advertising to product design to store display and architecture. Visual Merchandising: The Image of Selling is located directly at the nexus of business practice and cultural myth, where the spectator never loses sight of their status as buyer and the object of desire is always still a commodity.
Stranger Things is characterised by having the heart and essence of the mythical series and films of the 80's, from The Goonies, Ghostbusters, Back to the Future, The Neverending Story, and so many more, which were authentic icons for that generation. The series has the same breath of fresh air as the past that it wants to reflect, and since the first episode it has managed to captivate our hearts, from its aesthetics, its music on tape cassettes, its arcades, and the first malls. For deciding the title and font of the series, the Duffer brothers were inspired by a Stephen King novel, Needful Things. Once's role is similar to the character played by Drew Barrymore in the movie Firestarter, also King's novel.
Queer Events studies the representations of queer subjectivities during the Spanish Transition era (1960s to 1990s), drawing on some of the most influential critical theorists and philosophers of our times (Gilles Deleuze, Giorgio Agamben, Alain Badiou). The book focuses on well-known Spanish authors and film-makers (Terenci Moix, Vicente Aranda) as well as on others who have merited far less critical attention so far (including Antonio Roig, Alberto Cardín, and the directors of the short-lived avant-garde film movement known as ‘Escuela de Barcelona’).
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Barcelona is one of the world’s most beautiful cities. A permanent showcase of the work of acclaimed architect Antoni Gaudí, it also has a long and rich cinematic legacy. Great directors from all over the world – among them Woody Allen, Pedro Almodóvar and Michelangelo Antonioni – have set their films there. World Film Locations: Barcelona is the first book of its kind to explore the rich cinematic history of this seductive Catalonian city. The illuminating essays collected here cover essential themes of the city’s cinematic history, including the origins of cinema in Barcelona; the role of Ciutat Vella (old quarter) as a film set; the influential Barcelona School of the 1960s; the film presence of Gaudí and his work; changing attitudes and urban renewal before and after the 1992 Olympics; and the emergence of a new generation of female filmmakers that have made Barcelona the centre of their cinematic explorations. This book will be a welcome addition to the libraries of anyone enchanted by the beauty of Barcelona, whether in person on the big screen.
This book constitutes the refereed proceedings of the 7th International Conference on Reliable Software Technologies, Ada-Europe 2002, held in Vienna, Austria, in June 2002. The 24 revised full papers presented together with four invited papers were carefully reviewed and selected for inclusion in the proceedings. The papers are organized in topical sections on embedded systems, case studies, real-time systems, high-integrity systems, Ada language issues, program analysis, tools, distributed systems, and libraries and APIs.
Robert Lepage/Ex Machina: Revolutions in Theatrical Space provides an ideal introduction to one of our most innovative companies – and a much-needed and timely reappraisal of Lepage's oeuvre. International, interdisciplinary and intercultural to the core, Ex Machina have negotiated some of the most complex creative and cultural challenges of our time. This book maps the story of that journey by analysing the full spectrum of their richly varied work. Through a comprehensive historiography of productions since 1994, Robert Lepage/Ex Machina offers a detailed picture of the relationship between director and company, while connecting Ex Machina to culturally specific features of Québec, and ...
This book constitutes the refereed proceedings of the 4th International Conference on Computational Intelligence in Security for Information Systems, CISIS 2011, held in Torremolinos-Málaga, in June 2011 as a satellite event of IWANN 2011, the International Work-Conference on Artificial and Natural Neural Networks. The 38 revised full papers presented were carefully reviewed and selected from a total of 70 submissions. The papers are organized in topical sections on machine learning and intelligence, network security, cryptography, securing software, and applications of intelligent methods for security.