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Citizen Illegal
“Olivarez steps into the ‘inbetween’ standing between Mexico and America in these compelling, emotional poems. Written with humor and sincerity” (Newsweek). Named a Best Book of the Year by Newsweek and NPR. In this “devastating debut” (Publishers Weekly), poet José Olivarez explores the stories, contradictions, joys, and sorrows that embody life in the spaces between Mexico and America. He paints vivid portraits of good kids, bad kids, families clinging to hope, life after the steel mills, gentrifying barrios, and everything in between. Drawing on the rich traditions of Latinx and Chicago writers like Sandra Cisneros and Gwendolyn Brooks, Olivarez creates a home out of life in the in-between. Combining wry humor with potent emotional force, Olivarez takes on complex issues of race, ethnicity, gender, class, and immigration using an everyday language that invites the reader in, with a unique voice that makes him a poet to watch. “The son of Mexican immigrants, Olivarez celebrates his Mexican-American identity and examines how those two sides conflict in a striking collection of poems.” —USA Today
The Breakbeat Poets Vol. 4
In the dynamic tradition of the BreakBeat Poets anthology, The BreakBeat Poets Vol. 4: LatiNEXT celebrates the embodied narratives of Latinidad. Poets speak from an array of nationalities, genders, sexualities, races, and writing styles, staking a claim to our cultural and civic space. Like Hip-Hop, we honor what was, what is, and what's next.
Teach Living Poets
Teach Living Poets opens up the flourishing world of contemporary poetry to secondary teachers, giving advice on reading contemporary poetry, discovering new poets, and inviting living poets into the classroom, as well as sharing sample lessons, writing prompts, and ways to become an engaged member of a professional learning community. The #TeachLivingPoets approach, which has grown out of the vibrant movement and community founded by high school teacher Melissa Alter Smith and been codeveloped with poet and scholar Lindsay Illich, offers rich opportunities for students to improve critical reading and writing, opportunities for self-expression and social-emotional learning, and, perhaps the most desirable outcome, the opportunity to fall in love with language and discover (or renew) their love of reading. The many poems included in Teach Living Poets are representative of the diverse poets writing today.
Lineage of Rain
In this spellbinding debut, Los Angeles–born poet Janel Pineda sings of communal love and the diaspora and dreams for a liberated future. Lineage of Rain traces histories of Salvadoran migration and the US-sponsored civil war to reimagine trauma as a site for transformation and healing. With a scholar’s caliber, Pineda archives family memory, crafting a collection that centers intergenerational narratives through poems filled with a yearning to crystallize a new world—one unmarked by patriarchal violence. At their heart, many of these poems are an homage to women: love letters to mothers, sisters, and daughters. Lineage of Rain moves from los campos de El Salvador to the firework-laden...
The BreakBeat Poets
Hip-Hop is the largest youth culture in the history of the planet rock. This is the first poetry anthology by and for the Hip-Hop generation. It has produced generations of artists who have revolutionized their genre(s) by applying the aesthetic innovations of the culture. The BreakBeat Poets features 78 poets, born somewhere between 1961-1999, All-City and Coast-to-Coast, who are creating the next and now movement(s) in American letters. The BreakBeat Poets is for people who love Hip-Hop, for fans of the culture, for people who've never read a poem, for people who thought poems were only something done by dead white dudes who got lost in a forest, and for poetry heads. This anthology is meant to expand the idea of who a poet is and what a poem is for. The BreakBeat Poets are the scribes recording and remixing a fuller spectrum of experience of what it means to be alive in this moment. The BreakBeat Poets are a break with the past and an honoring of the tradition(s), an undeniable body expanding the canon for the fresher.
Someone Like Me
A remarkable true story from social justice advocate and national bestselling author Julissa Arce about her journey to belong in America while growing up undocumented in Texas. Born in the picturesque town of Taxco, Mexico, Julissa Arce was left behind for months at a time with her two sisters, a nanny, and her grandma while her parents worked tirelessly in America in hopes of building a home and providing a better life for their children. That is, until her parents brought Julissa to Texas to live with them. From then on, Julissa secretly lived as an undocumented immigrant, went on to become a scholarship winner and an honors college graduate, and climbed the ladder to become a vice president at Goldman Sachs. This moving, at times heartbreaking, but always inspiring story will show young readers that anything is possible. Julissa's story provides a deep look into the little-understood world of a new generation of undocumented immigrants in the United States today--kids who live next door, sit next to you in class, or may even be one of your best friends.
Ghost Letters
In Ghost Letters, one emigrates to America again, and again, and again, though one also never leaves Senegal, the country of one’s birth; one grows up in America, and attends university in America, though one also never leaves Senegal, the country of one’s birth; one wrestles with one’s American blackness in ways not possible in Senegal, though one never leaves Senegal, the country of one’s birth; and one sees more deeply into Americanness than any native-born American could. Ghost Letters is a 21st century Notebook of a Return to the Native Land, though it is a notebook of arrival and being in America. It is a major achievement. —Shane McCrae
Rust Belt Love Song
Poetry. Women's Studies. LGBTQIA Studies. In this short chapbook of poetry, Megan Neville dances with ghosts; to be more specific, in 25 pages she closely waltzes with the spector-like memories in her family home before closing the door and leaving it all behind. RUST BELT LOVE SONG is a book about overcoming societal hauntings such as midwestern expectations and the restricting views of a mother. Neville captures intricate emotions with unflinching precision and effortlessly balances the fine line between familial love and cruelty. What good is love if it does not see us? What good is a love song if it doesn't make us dance? Megan Neville's poems are unflinching in their observations of cruelty and tenderness alike. RUST BELT LOVE SONG is still music, and Neville is a worthy artist-stretching ordinary moments to show all of the wonder, pain, and yes, love that exists just under the surface.-Jos (c) Olivarez
Salt Houses
'A piercingly elegant novel . . . with the power to both break and mend your heart.' Ru Freeman, author of On Sal Mal Lane 'Epic in scope and uniquely relevant in its concern for displacement. Particularly well-suited for our times, then.' Red Where do you go when you can’t go home? On the eve of her daughter Alia’s wedding, Salma reads the girl’s future in a cup of coffee dregs. Although she keeps her predictions to herself that day, they soon come to pass in the wake of the Six-Day War of 1967. Caught up in the resistance, Alia’s brother disappears, while Alia and her husband move from Nablus to Kuwait City. Reluctantly they build a life, torn between needing to remember and learning to forget. When Saddam Hussein invades Kuwait, Alia and her family yet again lose their home, their land, and their story as they know it. Scattering to Beirut, Paris and Boston, Alia’s children begin families of their own, once more navigating the burdens and blessings of beginning again.
Kontemporary Amerikan Poetry
"A writer traces his history-brushes with violence, responses to threat, poetic and political solidarity-in poems of lyric and narrative urgency. John Murillo's second book is a reflective look at the legacy of institutional, accepted violence against African Americans and the personal and societal wreckage wrought by long histories of subjugation. A sparrow trapped in a car window evokes a mother battered by a father's fists; a workout at an iron gym recalls a long-ago mentor who pushed the speaker "to become something unbreakable." The presence of these and poetic forbears-Gil Scott-Heron, Yusef Komunyakaa-provide a context for strength in the face of danger and anger. At the heart of the book is a sonnet crown triggered by the shooting deaths of three Brooklyn men that becomes an extended meditation on the history of racial injustice and the notion of payback as a form of justice. "Maybe memory is the only home / you get," Murillo writes, "and rage, where you/first learn how fragile the axis/upon which everything tilts.""--
