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A SERPE
A SERPE pretende ser uma Sinfonia para Coros, com uma Entrada com três Andamentos, seguida da Sinfonia para Coros, com mais três Andamentos e um FINAL a dar um sentido ao nome da Vila Branca - SERPA...
GRITOS na SOLIDÃO´- Décimas de Inocêncio de Brito
Poeta Popular, do Alentejo, nasceu em 30 de Abril de 1854 e faleceu em de Dezembro de 1938... Foi pastor e trabalhador agrícola... Era considerado MESTRE na nobre ARTE das DÉCIMAS... consta que se encontrou em despiques com o Poeta algarvio António Aleixo...
Fado Alexandrino
On the tenth anniversary of the return of their battalion from Mozambique, five men attempt to rekindle the fraternal bond that helped them survive the colonial war that was Portugal's Vietnam. In turn, they tell the stories of their lives before, during, and after the revolution that overthrew the long-lived Salazar dictatorship.
Dictionary of Arabic and Allied Loanwords
One of the main cultural consequences of the contacts between Islam and the West has been the borrowing of hundreds of words, mostly of Arabic but also of other important languages of the Islamic world, such as Persian, Turkish, Berber, etc. by Western languages. Such loanwords are particularly abundant and relevant in the case of the Iberian Peninsula because of the presence of Islamic states in it for many centuries; their study is very revealing when it comes to assess the impact of those states in the emergence and shaping of Western civilization. Some famous Arabic scholars, above all R. Dozy, have tackled this task in the past, followed by other attempts at increasing and improving his pioneering work; however, the progresses achieved during the last quarter of the 20th c., in such fields as Andalusi and Andalusi Romance dialectology and lexicology made it necessary to update all the available information on this topic and to offer it in English.
Lisbon
Fernando Pesoa wrote this guide to Lisbon, in English, at some point during the 1920s. It was never published and the manuscript was only found amongst his papers long after his death. Its interest is twofold : anything form Pesoa's pen is de facto of interest, but je is also the quintessential city poet, and very much the poet of the cityof Lisbon. He loved the city, knew all of its corners, and scarcely left it after his early years there, following his school-days in Durban. The book can stillbe used as a guide today. The text has been updated only so as to take account of the modern Portuguese spelling of names and places (4e de couv. ).
The Hidden Musicians
A landmark in the study of music and culture, this acclaimed volume documents the remarkable scope of amateur music-making in the English town of Milton Keynes. It presents in vivid detail the contrasting yet overlapping worlds of classical orchestras, church choirs, brass bands, amateur operatic societies, and amateur bands playing jazz, rock, folk, and country. Notable for its contribution to wider theoretical debates and its influential challenge to long-held assumptions about music and how to study it, the book focuses on the practices rather than the texts or theory of music, rejecting the idea that only selected musical traditions, “great names,” or professional musicians are worth studying. This opens the door to the invisible work put in by thousands of local people of diverse backgrounds, and how the pathways creatively trodden by amateur musicians have something to tell us about both urban living and what it is to be human. Now with a new preface by the author, this long-awaited reissue of The Hidden Musicians will bring its insights and innovations to a new generation of students and scholars.
Music and Gender
Although scholars have long been aware of the crucial roles that gender plays in music, and vice versa, the contributors to this volume are among the first to systematically examine the interactions between the two. This book is also the first to explore the diverse, yet often strikingly similar, musics of the areas bordering the Mediterranean from comparative anthropological perspectives. From Spanish flamenco to Algerian raï, Greek rebetika to Turkish pop music, Sephardi and Berber songs to Egyptian belly dancers, the contributors cover an exceedingly wide range of geographic and musical territories. Individual essays examine musical behavior as representation, assertion, and sometimes tr...
Lagos_2060
What will it be like to live in Lagos 100 years after Nigeria gained independence from the British? In 2010, eight writers came together to contribute stories to an anthology on fictional / futuristic takes on the city of Lagos via a workshop tagged LAGOS_2060, conceived to commemorate Nigeria's golden jubilee. The anthology that grew out of the workshop is telling in the different versions of the future it foretells. In LAGOS_2060 - an unusual scenario planning exercise achieved through the power and magic of a creative writing programme - there are climate change induced natural disasters actively plugged by doomsday preachers of the day, there are serious government institutions involved ...
