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Cronin, born without legs, describes her life growing up as one of eleven children in a large Catholic family, wearing prosthetics, going to school, facing bullies, and searching for love and happiness. She felt most comfortable and happiest relaxing and skinny dipping with her girlfriends, imagining herself "an elusive mermaid." As her mother battled mental illness, Cronin tried to get her to say whether she took thalidomide during her 1960 pregnancy. Eventually she found the strength to set out on her own, volunteering at hospitals, earning a PhD in clinical psychology, and developing her capacity to forgive and accept life as a journey of self-discovery and transformation.
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Christina McPhee's 'commonplace book' draws from a palimpsest of handwritten notes, lists, quotations, bibliographic fragments, and sketches, from an artist whose voracious reading practice is a direct feed into her life and art - all set to a visual and textual design-as-score, as prominent writers on painting, media arts, performance, video installation and poetics engage with her 'open-work' practice. Christina McPhee's images move from within a matrix of abstraction, shadowing figures and contingent effects. The tactics of living are in subterfuge, like the dazzle ships of camouflage in war. This 'commonplace book' develops a view of recent work in collaged paintings, drawings, photomont...
Skinny's Book of the Year, 2018 In 1990, Myles chose Rosie from a litter on the street, and their connection instantly made an indelible impact on the writer's way of being. Over the course of sixteen years together, Myles was devoted to the pit bull and their linked quality of life. And starting from the emptiness following Rosie's death, Afterglow launches a playful and incisive investigation into the mostly mutually beneficial, sometimes reprehensible power dynamics between pet and pet-owner. At the same time, it reimagines Myles's experiences with alcoholism and recovery, intimacy and mourning, celebrity and politics, spirituality and family history, while joyously transcending the parameters of memoir. Moving from an imaginary talk show where Rosie is interviewed by Myles's childhood puppet, to a critical reenactment of the night Rosie mated with another pit bull; from shimmering poetic transcriptions of video footage taken during their walks, to Rosie's final enlightened narration from the afterlife, this totally singular text combines elements of science fiction, screenplay, monologue, and lucid memory to get to the heart of how and why we dedicate our existence to our dogs.
Faith made the mistake of giving her heart to someone who didn't deserve her. After making the decision to leave, she sought refuge at a bar full of misfits. They accepted Faith without question, and now they protect her as if she's family. While putting the pieces of her life back together, she fights to keep her broken heart from falling for the moody lead singer of the JackholeS. A man named Kill. Killian has his own demons to battle, yet Faith brings out his protective side: a side he thought he'd buried long ago. Can Faith and Kill trust each other long enough to leave their pasts behind and find love? Or is the past too overpowering to allow anyone a chance at happiness?
Examines Mother Teresa's philosophy of joy and suffering
Imagine a company where people love coming to work and are highly productive on a daily basis. Imagine a company whose top executives, in a quest to create the most "fun" workplace ever, obliterate labor-management divisions and push decision-making responsibility down to the plant floor. Could such a company compete in today's bottom-line corporate world? Could it even turn a profit? Well, imagine no more. In Joy at Work, Dennis W. Bakke tells the true story of this extraordinary company--and how, as its co-founder and longtime CEO, he challenged the business establishment with revolutionary ideas that could remake America's organizations. It is the story of AES, whose business model and op...
2007 Best Children's Book of the Year, Bank Street College Day and night, Callie Cat ice skates on the pond in her backyard. She loves to ice skate, loves it more than chocolate cake, more than going to the mall—more than her friends can understand. That is, until the Honeybrook Ice Rink announces a contest, and everyone thinks it could be Callie's big chance! Now Callie practices day and night. She wants to win the big prize...doesn't she? Sometimes doing something you love is its own reward, as Eileen Spinelli's beautiful story demonstrates.
Trick or Treat? Give me something hot to read... Halloween. A time when ghost and goblins come out to play. Let these devilish authors tempt you into a wicked good time as they take you on a journey where tricks are a given, there is always a treat in store and the teasing is hotter than you can imagine. Featuring: Alexi Ferreira C. J. Corbin Claire Davon Cynthia Diamond Ember-Raine Winters Jenn D. Young Joy Eileen Naomi Springthorp Rayne Elizabeth Tessa McFionn TL Mayhew Tonya Clark Victoria J. Hyla
What makes one Anglo-Saxon poem better than another? Why does Beowulf still have the power to move us after so many centuries? What might have been aesthetically pleasing to Old English readers and writers of poetry? While there is an apparent consensus by scholars on a core of poems considered to be exceptional literary achievements - Beowulf, Judith, the Vercelli book - there has been little systematic investigation of the basis for these appraisals. With new essays on rhetoric, wordplay, meter, structure, irony, form, psychology, ethos, and reader response, the contributors to this collection aim to find objective aesthetic qualities in Anglo-Saxon poetry. Posing questions of quality and beauty as discoverable in artefacts, On the Aesthetics of Beowulf and Other Old English Poems significantly advances our understanding not only of aesthetics and Old English poetry, but also of Old English attitudes towards literature as an art form.