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Four men waited and four men walked ... clearly a confrontation was coming. You've walked that walk before with the Earps and Doc Holliday through the streets of Tombstone always focused on the inevitable showdown with gunpowder. It never gets old. But the distance is getting shorter; the distance between truth and the legend. This time we walk this walk with the cowboys. The story has been told and retold and will go on being the one gunfight to remember above all. But should it not be told from the side of the cowboy as well? What was their purpose in coming to town on that chilly afternoon? How did they trigger, in little more than half an hour, a deadly confrontation with four of the Old...
Discovery of gold in 1895 brought fortune seekers to the Sulphur Springs Valley, once the stomping ground of Cochise and Geronimo. A lawman turned train robber, an Arizona Ranger murdered by his wife, and a famous artist were just a few of the people who settled in Pearce. The Commonwealth Mine provided resources for a flourishing community until the Depression and the mine's decline. In the early 1960s, the Horizon Corporation began marketing Valley land as a utopian retirement destination for the World War II generation. Bit by bit, Sunsites sprang up just 2 miles from sparsely populated Pearce. Today the residents of Pearce and Sunsites share amenities, a quiet lifestyle, and views of the spectacular Chiricahua and Dragoon mountain ranges.
The gunfight that took place on October 26, 1881, in Tombstone, Arizona, is considered the quintessential embodiment of an Old West shoot-out. Yet the controversy over who shot first, who was justified, and who caused it has continued for over 140 years, rarely losing its momentum. How dependable were the witnesses at the time? How many were so-called "Earp supporters?" Which ones were "cowboy supporters?" Were any actually neutral? Can we trust the recollections of people caught in a shocking moment of violence, both expected and unexpected? And what were their Vantage Points? Follow Joyce Aros as she sets out to pursue a more in-depth examination of the testimonies regarding the gunfight on Fremont Street.
The day-by-day inside story of the making of Tombstone (1993) as told to the author by those who were there--actors, extras, crew members, Buckaroos, historians and everyone in between. Historical context that inspired Kevin Jarre's screenplay is included. Production designers, cameramen, costume designers, composers, illustrators, screenwriter, journalists, set dressers, prop masters, medics, stuntmen and many others share their recollections--many never-before-told--of filming this epic Western.
Melodrama is the foundation of American cinema. It is, however, a poorly understood term. While it is a pervasive and persuasive dramatic mode, it is not tied to any specific moral or ideological system. It is not a singular genre; rather, it operates as a "genre generating machine" capable of determining the aesthetics and structure of the drama within many genres. Melodrama centers the conflict around the clash between good and evil and provides a sense of poetic justice--but the specific values embedded in notions of good and evil are determined by the culture, and they shift from nation to nation, region to region, and period to period. This book explores the "populist" westerns of the 1930s, the propaganda films that followed the Japanese attack on Pearl Harbor, and the popularity of Sax Rohmer's master villain Fu Manchu. "Melodramas of passion" and film noir also offer a challenge to melodrama with its seemingly alienated protagonists and downbeat endings. Yet, with few exceptions, Hollywood was able to assimilate these genres within its melodramatic imagination.
What can be learned from another retelling of the Tombstone saga? Recent revelations challenge the traditional view of Wyatt Earp's campaign against the Cow-boy confederation as a bloody personal feud a la western fiction. It was a seek and destroy mission sanctioned by the United States attorney general, the U.S. marshal and the Arizona Territory governor, following a year of corrupt law enforcement in league with the Cow-boys' livestock raids, stagecoach holdups and other atrocities. Presented in three sections, this book establishes the major players involved in the convergence on Tombstone, provides an account of Earp's activities during the 18 months prior to the final action and discus...
The Texas-Mexico border is trouble. Haphazardly splashing across the meandering Rio Grande into Mexico is--or at least can be--risky business, hazardous to one's health and well-being. Kirby W. Dendy, the Chief of Texas Rangers, corroborates the sobering reality: "As their predecessors for over one hundred forty years before them did, today's Texas Rangers continue to battle violence and transnational criminals along the Texas-Mexico border." In Riding Lucifer's Line, Bob Alexander, in his characteristic storytelling style, surveys the personal tragedies of twenty-five Texas Rangers who made the ultimate sacrifice as they scouted and enforced laws throughout borderland counties adjacent to t...
Joyce Aros combines her considerable artistic skill with careful research plus a fair amount of intuition, thus giving us a new and refreshing look at a variety of Cochise County "cowboy" characters associated with stories about the Earps.Heretofore, the "cowboys" have been portrayed as gun-slinging, snaggle-toothed bad guys bent on destruction with no family history, morals, or redeeming qualities.This book gives us a better understanding of the Earp enemies who have been written off as little more than scoundrels and scallywags. Certainly most of these men rode dark trails, but the Earps were not exactly choir boys. Tough times bred tough men.This is another side to the Tombstone story.
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