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This book sheds light on the modernist short story cycle and its pivotal role in representing and depicting place. With an ever-changing attitude towards place and what it means, modernist writers found in the short story cycle a suitable form to depict this sense of change. Drawing from a range of recent theories of the short story cycle and theories of place, this book highlights, in a comparative way, the role of the emergent short story genre and its seminal role in grasping and capturing a fragmented world through the various short and interconnected narratives and narrative strategies a short story cycle can accommodate. As such, this text contributes to the study of the modernist short story (cycle), American literature, Irish literature, comparative literature, and theories and studies of place.
This book is the first to discover and probe in depth memory phenomena captured in literary works. Using literature as a laboratory for the workings of the mind, this comparative study of writers from Jean-Jacques Rousseau to Octavio Paz, including Proust, Breton, Woolf and Faulkner, uncovers valuable material for the classification of the memory process. Nalbantian's daring interdisciplinary work, involving literature, science, and art, forges a new model for dialogue between the disciplines.
To say that the entirety of human experience can be a novelist’s theme is to voice an absurdity. But, as Peter Swiggart convincingly argues, Faulkner’s work can be viewed as an extraordinary attempt to transform the panorama of man’s social experience into thematic material. Faulkner’s two-dimensional characters, his rhetorical circumlocutions, and his technical experiments are efforts to achieve a dramatic focus upon material too unwieldy, at least in principle, for any kind of fictional condensation. Faulkner makes use of devices of stylization that apply to virtually every aspect of his successful novels. For example, the complex facts of Southern history and culture are reduced t...
This book sheds light on the modernist short story cycle and its pivotal role in representing and depicting place. With an ever-changing attitude towards place and what it means, modernist writers found in the short story cycle a suitable form to depict this sense of change. Drawing from a range of recent theories of the short story cycle and theories of place, this book highlights, in a comparative way, the role of the emergent short story genre and its seminal role in grasping and capturing a fragmented world through the various short and interconnected narratives and narrative strategies a short story cycle can accommodate. As such, this text contributes to the study of the modernist short story (cycle), American literature, Irish literature, comparative literature, and theories and studies of place.
“Great art discovers for us who we are,” writes eminent literature professor and critic Arnold Weinstein in this magisterial new book about how we can better uncover and understand our own stories by reading five major modern writers. Professor Weinstein, author of the highly acclaimed A Scream Goes Through the House, has spent a lifetime guiding students through the work of great writers, and in a volume that crowns his career, Weinstein invites us to discover ourselves–our perceptions, our dreams, our own elusive, deepest stories–in the masterpieces of modernist fiction. Marcel Proust, James Joyce, Virginia Woolf, William Faulkner: the very names sound intimidating. Yet as Weinstei...
Faulkner leaves nothing behind as she takes us on a chilling journey into the world of scam artists. While the Internet may be a valuable resource for today's society, it is also the rich hunting grounds of scammers and stalkers. Recommended for mature readers, this novel will leave you looking over your shoulder and turning on every light in the house long after you've read the final page.--Maria Edwards, President of American Author Society. 334 pp.
Faulkner's collection provides a series of stories that serve to engage, touch, and entertain her readers. With a keen eye for dialogue and a talent for developing characters, Faulkner delivers uncommonly exquisite prose.
Hugh M. Ruppersburg examines the use of narrative viewpoint and structure in four representative novels by William Faulkner: Light in August, Pylon, Requiem for a Nun, and Absalom, Absalom! In his discussion of these four works he refers frequently, and often at length, to Faulkner's other novels and stories, so that the book offers a comprehensive examination of the narrative principle that underlie Faulkner's literary achievement. Ruppersburg shows how the Nobel Prize-winning novelist employed a number of elements to guarantee the impersonality of his fiction--how he built his novels primarily around the speech and thoughts of his characters. The absence of a judgmental authorial or narrat...
A systematic approach to using currently available techniques of artificial intelligence to develop computer programs for commercial use. From basic concepts of knowledge engineering through managing a complete system. Schwartz (English, Montclair State College-NJ) asks: How was it possible for a writer, out-of-print and generally ignored in the early 1940s, to be proclaimed a literary genius in 1950? His research illuminates the process by which Faulkner was chosen to be revivified as an important American nationalist writer during the heating up of the Cold War. Annotation copyrighted by Book News, Inc., Portland, OR