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Irony and Meaning in the Hebrew Bible
Was God being ironic in commanding Eve not to eat fruit from the tree of wisdom? Carolyn J. Sharp suggests that many stories in the Hebrew Scriptures may be ironically intended. Deftly interweaving literary theory and exegesis, Sharp illumines the power of the unspoken in a wide variety of texts from the Pentateuch, the Prophets, and the Writings. She argues that reading with irony in mind creates a charged and open rhetorical space in the texts that allows character, narration, and authorial voice to develop in unexpected ways. Main themes explored here include the ironizing of foreign rulers, the prostitute as icon of the ironic gaze, indeterminacy and dramatic irony in prophetic performance, and irony in ancient Israel's wisdom traditions. Sharp devotes special attention to how irony destabilizes dominant ways in which the Bible is read today, especially when it touches on questions of conflict, gender, and the Other.
Exploring Ecological Hermeneutics
What has hermeneutics to do with ecology? What texts, if any, come to mind when you consider what the scriptures might say about environmental ethics? To help readers think critically and clearly about the Bible's relation to modern environmental issues, this volume expands the horizons of biblical interpretation to introduce ecological hermeneutics, moving beyond a simple discussion about Earth and its constituents as topics to a reading of the text from the perspective of Earth. In these groundbreaking essays, sixteen scholars seek ways to identify with Earth as they read and retrieve the role or voice of Earth, a voice previously unnoticed or suppressed within the biblical text and its interpretation. This study enriches eco-theology with eco-exegesis, a radical and timely dialogue between ecology and hermeneutics. The contributors are Vicky Balabanski, Laurie Braaten, Norman Habel, Theodore Hiebert, Cameron Howard, Melissa Tubbs Loya, Hilary Marlow, Susan Miller, Raymond Person, A
The Marcan Portrayal of the "Jewish" Unbeliever
One of the most lamentable aspects of Christendom's history has been the long-standing antipathy of some of its members toward persons of the Jewish faith. However, the writer of Mark's gospel did not intend to promulgate such antipathy. Parker's groundbreaking re-assessment of how the evangelist applies Jewish scriptures serves to establish the true nature of Mark's unfavourable depiction of Judaism's custodians as a theological construct. The overriding purpose behind Mark's caricature of Jesus' compatriots was to explain the presence of «faulty» belief, or even unbelief, among a Gentile readership. Subsequent generations have mistakenly given historical credence to Mark's account of Jesus's ministry. Regrettably, this has resulted in the erroneous theological legitimization of atrocities against the Jews.
International Review of Biblical Studies, Volume 47 (2000-2001)
Formerly known by its subtitle “Internationale Zeitschriftenschau für Bibelwissenschaft und Grenzgebiete”, the International Review of Biblical Studies has served the scholarly community ever since its inception in the early 1950’s. Each annual volume includes approximately 2,000 abstracts and summaries of articles and books that deal with the Bible and related literature, including the Dead Sea Scrolls, Pseudepigrapha, Non-canonical gospels, and ancient Near Eastern writings. The abstracts – which may be in English, German, or French - are arranged thematically under headings such as e.g. “Genesis”, “Matthew”, “Greek language”, “text and textual criticism”, “exegetical methods and approaches”, “biblical theology”, “social and religious institutions”, “biblical personalities”, “history of Israel and early Judaism”, and so on. The articles and books that are abstracted and reviewed are collected annually by an international team of collaborators from over 300 of the most important periodicals and book series in the fields covered.
The Transjordanian Palimpsest
This study analyzes several passages in the Former Prophets (2 Sam 19:12-44; 2 Kgs 2:1-18; Judg 8:4-28) from a literary perspective, and argues that the text presents Transjordan as liminal in Israel's history, a place from which Israel's leaders return with inaugurated or renewed authority. It then traces the redactional development of Samuel-Kings that led to this literary symbolism, and proposes a hypothesis of continual updating and combination of texts, beginning early in Israel's monarchy and continuing until the final formation of the Deuteronomistic History. Several source documents may be isolated, including three narratives of Saul's rise, two distinct histories of David's rise, an...
Amos in Song and Book Culture
This study argues that the gist and movement of the prophecy in the book of Amos can be attributed to Amos himself, who composed a coherent cycle of poetry. His dire predictions came after the Fall of Samaria but before the Fall of Jerusalem. Writing a century later, the author of the book preserved but updated Amos' text by fitting it into a developing literary, historical and prophetic tradition. Amos is used as a test case to show that prophecy originated in the performing arts but was later transformed into history and biography. The original prophecy is a song Amos recited at symposia or festivals. The book's interest focusses on the performer and his times.
Women in Pastoral Office
Mary M. Schaefer examines the ninth-century church Santa Prassede and its foundation myth, as well as an ideal of balanced male-female relationships and women holding pastoral office in the church of Rome.
From Babel to Babylon
From Babel to Babylon explores the literary and historical character of biblical texts in the Torah, Prophecy, and Writings. It considers questions of composition and the writing of history. The book situates biblical texts in their immediate and distant context. It reflects upon their intertextuality and identifies their literary sources. Key events and figures are discussed in light of the politics of the age. Gender issues are explored, with attention to the different social roles of men and women and the character of the interaction. Theology is another important topic, and the character of God keeps changing to reflect the development of historical and prophetic traditions. The books ends with biblical wisdom, with the specific instruction to rely on the experience of the sage, whose superior understanding is greater than our own. This exhortation to listen to the text directs us back to the introduction, where readers are asked to pay attention to the principles the text sets up for its own interpretation.
Wisdom Literature in Mesopotamia and Israel
The last fifty years have seen a dramatic increase of interest in the wisdom literature of the Bible, as scholars have come to appreciate the subtlety and originality of Proverbs, Job, and Ecclesiastes as well as of Sirach and Wisdom of Solomon. Interest has likewise grown in the wisdom literatures of the neighboring cultures of Canaan, Egypt, and especially Mesopotamia. To help readers understand the place of biblical wisdom within this broader context, including its originality and distinctiveness, this volume offers a collection of essays by Assyriologists and biblicists on the social, intellectual, and literary setting of Mesopotamian wisdom; on specific wisdom texts; and on key themes common to both Mesopotamian and biblical culture. --From publisher's description.
Amos in Song and Book Culture
This study argues that the gist and movement of the prophecy in the book of Amos can be attributed to Amos himself, who composed a coherent cycle of poetry. His dire predictions came after the Fall of Samaria but before the Fall of Jerusalem. Writing a century later, the author of the book preserved but updated Amos' text by fitting it into a developing literary, historical and prophetic tradition. Amos is used as a test case to show that prophecy originated in the performing arts but was later transformed into history and biography. The original prophecy is a song Amos recited at symposia or festivals. The book's interest focusses on the performer and his times.
