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Beyond Quebec
  • Language: en
  • Pages: 452

Beyond Quebec

What kind of a country is Canada beyond Quebec? With a referendum on Quebec sovereignty looming on the horizon, this is a question Canadians are being forced to ask. In Beyond Quebec scholars from a wide variety of disciplines examine the current political, cultural, economic, and social situation of Canada outside Quebec and speculate on the nature of a Canada that does not include Quebec on the present terms.

Museums After Modernism
  • Language: en
  • Pages: 272

Museums After Modernism

Museums After Modernism is a unique collectionthat showcasesthe ways questions about the museum go to the heart of contemporarydebates about the production, consumption and distribution of art.The book features expert artists, curators and art historians whograpple with many of the vibrant issues in museum studies, whilepaying homage to a new museology that needs to be considered. Examines the key contemporary debates in museum studies Includes original essays by noted artists, curators, and arthistorians Engages with vital issues in the practice of art-making andart-exhibiting Edited by the world-renowned art historian and author, GriseldaPollock

Jock Macdonald
  • Language: en

Jock Macdonald

Jock Macdonald's career as an artist took him from design and illustration to landscape painting and, from the early 1930s onward, to a lifelong search for expression through abstraction. At the base of that search was his belief that design and art-even abstract art-must be rooted in the natural world. Born in Thurso, Scotland, Jock Macdonald (1897-1960) arrived in Vancouver in September 1926 and became head of design at the recently established Vancouver School of Decorative and Applied Arts (now the Emily Carr University of Art + Design). Over the next three decades he was a trailblazer in Canadian art: he was the first painter to exhibit abstract art in Vancouver and he championed Canadi...

Abstract Painting in Canada
  • Language: en
  • Pages: 464

Abstract Painting in Canada

  • Categories: Art

In the tradition of the distinguished Douglas & McIntyre art program, this lavishly illustrated and superbly printed book is a rich, readable history of abstract painting in Canada. The story begins in the 1920s with the sometimes eccentric but remarkable work, rooted in symbolism and theosophy, of pioneers such as Kathleen Munn, Bertram Brooker and Lawren Harris. Two decades later the Automatistes-Canada's first truly independent avant-garde art movement-burst onto the scene in Montreal. After the Second World War, the urge to abstraction spread across Canada, manifesting itself in significant regional movements. Vancouver painters retained a British flavour, while in Toronto, the Painters ...

From Drawing to Visual Culture
  • Language: en
  • Pages: 321

From Drawing to Visual Culture

  • Categories: Art

A vivid picture of the evolution of art education in Canada from the nineteenth century to the present.

Comparing Cultural Policy
  • Language: en
  • Pages: 304

Comparing Cultural Policy

  • Categories: Art

There is a growing awareness that the arts and culture have an important role to play in forming the image that nations hold of themselves. Cross-cultural analysis of the policies in Japan and the VS, countries with very different cultural traditions. Case studies of organizations in art, music, dance and drama examine the elements that contribute to effective arts management and policy making.

André Biéler
  • Language: en
  • Pages: 402

André Biéler

  • Categories: Art

An exceptionally well-illustrated biography of Swiss born Canadian artist André Biéler (1896-1989) who is remembered for his paintings of rural Quebec, portraits of people and the organizations he founded.

The International Handbooks of Museum Studies, 4 Volume Set
  • Language: en
  • Pages: 2813

The International Handbooks of Museum Studies, 4 Volume Set

The International Handbooks of Museum Studies is a multi-volume reference work that represents a state-of-the-art survey of the burgeoning field of museum studies. Featuring original essays by leading international museum experts and emerging scholars, readings cover all aspects of museum theory, practice, debates, and the impact of technologies. The four volumes in the series, divided thematically, offer in-depth treatment of all major issues relating to museum theory; historical and contemporary museum practice; mediations in art, design, and architecture; and the transformations and challenges confronting the museum. In addition to invaluable surveys of current scholarship, the entries include a rich and diverse panoply of examples and original case studies to illuminate the various perspectives. Unprecedented for its in-depth topic coverage and breadth of scholarship, the multi-volume International Handbooks of Museum Studies is an indispensable resource for the study of the development, roles, and significance of museums in contemporary society.

Popular Culture Values and the Arts
  • Language: en
  • Pages: 230

Popular Culture Values and the Arts

  • Type: Book
  • -
  • Published: 2014-01-10
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  • Publisher: McFarland

In countries around the world, the rise of class divisions and unbridled capitalism are changing the conventional definitions of art and esthetics. Historically, the philanthropy of the elite has played a leading role in supporting, funding, and distributing artistic works. While such measures may be pure in intent, many worry that private funding may be gentrifying the arts and creating a situation in which art will only be valued for its prestige or, worse, its price tag. This collection of essays examines the current movement to democratize the arts and make the world of artistic endeavor open and accessible to all. Instructors considering this book for use in a course may request an examination copy here.

Dear Nan
  • Language: en
  • Pages: 508

Dear Nan

  • Type: Book
  • -
  • Published: 1990
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  • Publisher: UBC Press

This collection includes 150 letters Emily Carr wrote to her friends Nan Cheney and Humphrey Toms, and 100 other letters relating mainly to Emily Carr. The letters date from 1930 to 1945, the most prolific period in Carr's career as both painter and writer. In them she writes in colourful detail about her everyday activities, and discusses her painting - "the biggest thing in my life." There are outbursts of exasperation and anger as well as many indications of her caring, her warmth, her wisdom and her wit, and of her impatience with critics and poseurs, and they give insights into her various relationships with, among others, Lawren Harris, Ira Dilworth, Jack Shadbolt, Garnett Sedgewick, Dorothy Livesay, A.Y. Jackson, and Arthur Lismer.